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What's better than a new Martin D-18? A new special edition D-18 from the Custom Shop, featuring an Adirondack spruce top and forward shifted Golden Era hand shaped scalloped bracing. Aging toner, tortoise binding, ebony bridge, Golden Era modern belly drop-in saddle, 1 3/4 nut, GE modified low oval carve, ebony fingerboard, open gear butterbean tuners. A terrific dread. Martin sez: "Top-shelf tonewoods meet handcrafted Custom Shop quality in this accessible, no-compromise Dreadnought. With Adirondack spruce, genuine mahogany, and forward-shifted bracing, it’s a powerful, resonant classic—ready to play, no special order required." Condition: New; Top: Adirondack spruce; Back and sides: Mahogany; Neck: Mahogany Nut: 1 3/4; Scale: 25.4; Binding: Brown tortoise pattern; Rosette: Multistripe; Orientation: Lefthanded (of course) -
Here's a Fender Custom Shop NOS 51 Tele in Nocaster blonde, 51 modified NoCaster wiring -- first position is the bridge pickup and you can use what is normally the tone pot to blend in as much neck pickup as you like. Position 2 is the neck pickup, position three is also the neck pickup with some of the highs rolled off, not the dull vintage "bass" setting, but very tasteful and useful, great with overdrive. Pro tip: Park the pickup selector between the first and second position and get both the neck and bridge pickup together. Big ol' 51 U neck carve, but this one is still nice and light ... just under 7 pounds. Fender sez: Experience the legendary tone and vibe of the 1951 Nocaster® with this meticulously crafted reissue from the Fender Custom Shop. This Time Machine model features a lightweight 2-piece select ash body finished with Offset Seam in Aged Nocaster® Blonde for that coveted vintage look. The rift sawn maple neck has a comfortable 1951 "U" profile that feels just right in your hands. For classic Tele® twang, it's loaded with Custom Shop Hand-Wound '51 Nocaster® pickups. The 3-position blade switch gives you bridge pickup alone, neck pickup alone, and neck pickup with a preset deep rhythm tone. Additional controls include a master volume, bridge/neck blend (in position 1), and knurled chrome knobs. From the nitrocellulose lacquer finish to the 3-saddle bridge with brass saddles, this Tele® is spec'd out just like the originals. It comes complete with a deluxe hardshell case so you can take your vintage-accurate tone machine anywhere. Feel history come alive when you plug in the '51 Nocaster® NOS from the Fender Custom Shop. Other premium features, 7.25" to 9.5" Vintage Compound Radius, 21 Jescar Vintage (45085) Frets, '51 Modified Nocaster® Wiring, 1-Ply Black Phenolic Pickguard, 3-Saddle '51 Nocaster® Bridge with Brass Saddles, Vintage-Style Tuning Machines with Fender® Logo, Bone Nut, Vintage-Style Disc String Tree, Deluxe Hardshell Case, Strap, Certificate of Authenticity. Condition: New, NOS ; Body: Ash; Neck: 51 U neck (.920-990), 7.25-9.5 compound radius; Nut: 1.650; Color: Nocaster blonde; Pickups: handwound 50-51 Blackguard; Scale: 25.5; Orientation: Lefthanded (of course) -
Sale
Here is a rare new one-off National Reso-Phonic NRP Tricone Steel Baritone, you will likely never see another lefty like it. Custom slotted flattop headstock, pearloid overlay, double lined engraved border, mother of pearl diamond inlays and pearloid heel cap. National says: "Our NRP Steel Tricone features the classic styling of the vintage Tricones but with a special sound. The tone of the steel body offers a deeper, darker voice — yet with more immediacy and presence. And it still boasts all the amazing sustain and rich choral tone the Tricones are famous for. The steel body and coverplate are plated and then hand rubbed with a vintage vibe. Inside, the NRP Steel Tricone features the same type of aluminum resonating cones and T-bridge as the original models. If you’re seeking a Tricone with a bit more blues feel to it, the NRP Steel guitar has it for you." Add even deeper more resonant tone with the baritone setup. Sounds amazing. Made in the USA. Two-year warranty and a hardshell case. Condition: New; Body: Steel; Neck: Honduras mahogany, ebony fretboard, ivoroid binding; Resonator: Three 6 inch alloy cones; Bridge: Aluminum T bridge; Nut: 1.825bone; Scale: 27; Orientation: Lefthanded (of course) -
Serial # 34943 Condition: New; Top: Sitka spruce; Back and sides: East Indian rosewood; Neck: Mahogany, ebony fingerboard; Nut: 1 11/16; Width: 15 5/8; Depth: 4 7/8; Scale: 25 1/2; Binding: Ivoroid with herringbone; Rosette: b/w/b; Orientation: Lefthanded (of course)Here's a brand new Collings D2H. Nobody makes a more powerful dread than Collings does. I'll let Collings describe it:
"The square-shouldered 14-fret dreadnought is the most popular steel-string acoustic guitar body shape in the world. While Collings is certainly not the only company to build them, we bring a new tonal clarity to the depth and warmth usually associated with such a large, deep-bodied guitar. Although its bass response makes the dreadnought ideal for vocal accompaniment, Collings versions are also often employed by bluegrass flatpickers who must compete with inherently louder instruments such as banjos and fiddles. The wide range of woods and neck sizes offered allow dreadnought fans to find a Collings model ideally suited to their playing style and tonal preference." -
It’s probably safe to say that I’ve helped more lefty customers build their dream Paul Reed Smith Private Stock guitars than anyone else. (I can build one for you, too.) Way back when (2013), I managed to convince the Private Stock department to build me singlecut guitars, paying the development cost to do so, and ordering three out of the gate. This one was the first ... an SC-245, with a gorgeous one-piece quilted maple top, in aquamarine, with a solid Brazilian neck, Brazilian fingerboard, Brazilian headstock veneer, and stone azurite chtysacola inlays with 10 karat gold outlines. The pickups have been upgraded to the venerable 58/15 LTs, and they are individually splittable by pulling the tone controls. Nice and light, just under 8 pounds. With original case, which has some miles on it. The guitar is in nice condition, some light play wear and a couple of small dents on the pickup covers. A little piece of lefty Private Stock history. Getting these singlecuts built opened the door to building five Hollowbody 2 guitars, and now they will make me pretty much anything. Condition: Excellent; Body: African ribbon mahogany with a one-piece quilted maple top; Neck: Sold Brazilian rosewood, Pattern carve, Brazilian fretboard; Pickups: PRS 58/15 LT; Scale: 24.5; Lefthanded guitar (of course) -
The Limited Edition Roasted Stratocaster® Journeyman Relic® with DLX Closet Classic hardware from the Fender Custom Shop combines vintage vibe with modern playability. The 2-piece roasted ash body with offset seam delivers resonant tone and is finished in nitrocellulose lacquer for an aged look. The quartersawn maple neck has a Flat Oval back-shape and is topped with a 3A rosewood fingerboard outfitted with 21 medium jumbo frets. This Strat features a bone nut cut for ideal string spacing and tuning stability. It's loaded with a set of Custom Shop Hand-Wound Tomatillo single-coil pickups in the neck and middle position for sweet, singing tone. The bridge pickup is an Ancho Poblano for increased output and bite. A 5-way blade switch provides access to classic Strat tones. Other features include master volume and two tone controls, vintage-style tuners, a 6-saddle RSD tremolo bridge, and nickel/chrome hardware. Other premium feature include 12" (305 mm) Radius, Vintage Modified Strat® #2 Wiring, 5-Way Switch, 4-Ply Brown Shell Pickguard, 6-Saddle RSD Stratocaster® Tremolo with Vintage-Style Steel Saddles, Vintage-Style Tuning Machines with Fender® Logo, Bone Nut, American Vintage '56-'58 String Tree, Deluxe Hardshell Case, Strap, Certificate of Authenticity. Condition: Light relic; Body: Ash; Neck: Maple 5/4 quartersawn, modern flat oval (.790-850), 12 radius; Nut: 1.650; Color: Two tone burst; Pickups: handwound Tomatillo, Ancho Poblano; Scale: 25.5; Orientation: Lefthanded (of course) -
Sale
Here's a new Duesenberg StarPlayer TV model, sized similar to a Les Paul, but semi-hollow, F-hole, black finish with a transparent black back, gold sparkle pick guard, Duesenberg’s Deluxe Tremola (think Bigsby that is better designed and stays in tune). Arched laminated spruce top with flamed maple back and sides, cream bindings, locking tuners, rosewood fretboard, comfortable 12 radius and Duesenberg’s wonderful Domino P-90 at the neck and Grand Vintage humbucker at the bridge. Tones to die for … the middle position in particular is wonderful. Impeccable build, high-quality case, and even a set of Duesenberg band-aids because you will, in fact, play until your fingers bleed. I can’t put it down. Condition: New; Body: Maple, arched laminated spruce top; Color: Black, transparent black back; Pickups: Duesenberg humbucker and P-90; Scale: 25.6 -
It’s probably safe to say that I’ve helped more lefty customers build their dream Paul Reed Smith Private Stock guitars than anyone else. (I can build one for you, too.) All of them are stunners, some of them are particularly memorable. This is one of them. A 2019 build, it features a buckeye burl maple top, finished in satin nitro, a black limba back with matching backplates, pattern thin neck, brushstroke birds in buckeye burl maple, ebony fretboard, a Brazilian rosewood neck with buckeye burl maple binding, smoked black hardware, 2 piece bridge/tailpiece and 58/15 LT pickups. A unique build and one of a very few lefty McCarty 594s in existence. With signed certificate and PRS Private Stock fitted case. Sometimes, you don’t have to wait for dreams to come true. Condition: Near mint; Body: Buckeye burl maple with black limba body, satin finish; Neck: Brazilian rosewood, pattern thin carve, Ebony fretboard; Pickups: PRS 58/15 LT; Scale: 24.594; Lefthanded guitar (of course) -
This Fender Custom Shop 70th Anniversary limited edition Strat is a real stunner and won't be available for long. To celebrate 70 years of the Stratocaster®—the platinum anniversary of the world’s greatest electric guitar—the Fender Custom Shop introduces the Limited Edition 70th Anniversary 1954 Stratocaster®. Its two-piece select ash body (with offset seam on the treble side) resonates with singing highs, sweet midrange and tight lows, and wears a gorgeous Wide Fade Two-Color Sunburst lacquer finish. Its one-piece quartersawn maple neck is fashioned with a special 70th anniversary Soft “V” profile based on an incredible Strat® neck from July 1954. This is topped with vintage compound-radius fingerboard (7.25” to 9.5”) with 21 medium vintage (47095) frets and a 1.625” bone nut. Three Custom Shop hand-wound ’54 Strat® pickups deliver that classic Strat® voice with clear, bell-like highs, routed through vintage '54 Strat® wiring with wax paper cap and five-way switching. Other premium features and authentic first-year Strat® appointments include a single-ply white pickguard and serial-number back plate, 1954-style ABS white pickup covers and control knobs, Custom Shop vintage synchronized tremolo bridge, vintage-style tuners, disc string tree, special 70th Anniversary Stratocaster® neck plate, deluxe embroidered hardshell case, special “case candy” kit and certificate of authenticity. Condition: NOS; Body: Ash; Neck: Maple 5/4 quartersawn, 70th Soft V profile (.885-980), 7.25-9.5 radius; Nut: 1.650; Color: Two tone burst; Pickups: handwound 54 Strat; Scale: 25.5; Orientation: Lefthanded (of course) -
Here is Lefty Guitars Only's latest exclusive Wood Library run from PRS. This is a McCarty, with a great flamed maple top, in copperhead burst. Back is stained swamp ash and neck is curly maple stained to match the top, the fingerboard and headstock overlay is Brazilian rosewood, neck carve is Pattern, with green ripple abalone old school birds. Pickups are the new McCarty III pickups. 3-way switching with a pull on the tone control for coil tap. Nice and light due to the swamp ash body, just over 7 pounds. The McCarty has a slightly deeper body than the Custom 22, for enhanced tone and sustain, and a PRS wraparound adjustable stoptail bridge with brass saddles. Beautiful guitar. Lifetime warranty. PRS says: "McCarty III pickups were spec’d by Paul Reed Smith and the PRS New Products Engineering team. From our own hands-on research into coveted vintage pickup models to advancements in signal analyzation and “tuning” technology, these pickups incorporate every detail of pickup knowledge PRS has gained in recent years of R&D. PRS McCarty III pickups are vintage-inspired humbuckers that bring a vocal clarity to their full, warm tone." Condition: New; Body: Swamp ash with carved flame maple top; Neck: Curly maple, pattern carve, Brazilian rosewood fretboard; Color: Copperhead burst; Pickups: McCarty III; Scale: 25; Lefthanded guitar (of course) -
Here's a new Collings I-35 LC Vintage in aged jet black. I’ve been lucky enough to play some very fine electric guitars, but in my mind there isn’t a finer semi-hollow guitar out there than the Collings I-35. And now they've made it even better: Collings sez: "After several years in development and numerous prototype iterations, we are excited to introduce an I-35 like you've never experienced before — the new I-35 LC Vintage. Drawing inspiration from the best instruments of the 1960s, our newest offering in the I-35 lineup provides an exceptionally loose and organic feel, achieved through a ground up reworking of everything from its laminate and center block recipes to its neck construction. Custom Throbak pickups and Bumblebee capacitors bring its open, acoustic response to life, expanding its versatility and proving that, although it looks every bit the part of a time-tested instrument, its appeal is more than just skin deep." Semi-hollow construction: In order to achieve the loose feel and dynamic response of a long-played vintage instrument, we fully reengineered our laminate and center block recipes for the I-35 LC Vintage. Electronics: Era-appropriate while delivering clarity at every volume is a set of Throbak ESG-102B humbuckers tweaked to a custom Collings spec specifically for the I-35 LC Vintage, all complemented by a set of Luxe Bumblebee capacitors. Aged Finish and Hardware: Every I-35 LC Vintage sports our aged finish and aged hardware, an in-house developed process designed to give a truly time-worn look and feel. An altered truss rod curve and carefully chosen materials specific to the Vintage based on grain orientation, weight, and density are just a couple of the aspects that contribute to its expressive and organic feel and tone. Vintage Appointments: Gold or black reflector top knobs and a wide-bevel 3-ply pickgurard complement the aged finish and hardware and three vintage-inspired color options. They just don’t get any better. Lifetime warranty from Collings and a deluxe hardshell case. Serial # I35LC252475 Condition: New, aged; Body: Maple laminate; Neck: Mahogany, rosewood fretboard, 12 radius; Nut: 1 11/16; Color: Aged jet black; Pickups: Throbak; Scale: 24 7/8; Orientation: Lefthanded (of course) -
I don't get a lot of basses here, but I like this one a lot, it's a 1975 Fender Precision bass with some modifications. Structurally it's fine, cosmetically in very good condition, some honest dings, wear and chips as you would expect on a 5o year old instrument, a Fender USA gold bridge (original nickel bridge is in the case), gold Schaller tuners, gold knobs and La Bella nylon tape wrapped strings. This one is a player, and it's set up beautifully and sounds great. Custom pickguard has a small crack near one screw hole. Holes remain from the removal of the original tuners, which no longer accompany the bass, as well as where the thumb rest was removed (also absent). Original knobs are included. This one's a player bass, at home in the studio or on the road, and it has that classic P Bass sound in spades. Love the strings, super comfortable and have that deep vintage tone. With case which looks to be the original, plenty of wear but still serviceable. Condition: Very good; Body: Alder; Neck: Maple; Color: 3 color burst; Scale: 34; Orientation: Lefthanded (of course) -
I haven't had the good fortune to play an 88-year-old D-18 in person, but this new Martin Authentic 1937 VTS D-18 is the next best thing, and it is a heck of a dread. Sounds amazing. I also stock the aged version, this one is non-aged (cosmetically). Martin says: "1937 was an excellent year for guitars, with a perfect storm of craftsmanship, innovation, and materials. This Authentic Series replication of a 1937 D-18 stays true to the original with hide glue construction and historically accurate detailing. This guitar features genuine mahogany back and sides and an Adirondack spruce top, and it includes an Authentic circa 1937 bracing pattern. Plus, it adds the Vintage Tone System® (VTS) that ages the wood to replicate the sound of a vintage Martin. Martin's craftspeople can recreate the pleasing visual aesthetics of a vintage guitar and reproduce the particular tones previously reserved for vintage instruments. Now Martin has reintroduced a more accurate body profile based on dreadnought shapes from the early Golden Era of Martin's history. The result is a tactile, visual, and auditory experience that will transport you all the way back to the 1930s. And we know you’re going to like it there." Condition: New; Top: Adirondack spruce; Back and sides: Mahogany; Neck: Mahogany, Authentic 1937; Nut: 1 3/4; Scale: 25.4; Binding: Brown tortoise pattern; Purfling: Multistripe; Rosette: Multistripe; Orientation: Lefthanded (of course) -
This Fender Custom Shop 70th Anniversary limited edition Strat is a real stunner and won't be available for long. 2024 marked the platinum anniversary of the Stratocaster®—that’s seven decades of the world’s greatest electric guitar. To mark this auspicious milestone, the Fender Custom Shop introduces the Limited Edition 70th Anniversary Stratocaster®. Its two-piece select alder body delivers lively resonance and well-balanced tone and is decked out in gold hardware, an NOS lacquer finish in striking Bright Sapphire Metallic, and distinctively elevated features from the golden era of the Stratocaster. The one-piece 4A flame maple neck has a big, comfortable 10/’56 Soft “V” profile, topped by a 9.5”-radius fingerboard with 21 gold Medium Vintage (47095) frets, abalone dot markers and a bone nut. Pure sonic Strat® magic comes from three Custom Shop hand-wound Fat ’50s Stratocaster® pickups with gold magnets, delivering crisp highs and well-balanced mids and lows. Vintage Modified #2 wiring includes five-way pickup switching and the Tone-Saver bleed circuit, which eliminates tone loss when volume is turned down. Other premium features include an 11-hole single-ply parchment pickguard, Custom Shop vintage synchronized tremolo bridge, vintage-style tuners, wing string tree, special 70th Anniversary Stratocaster® neck plate, deluxe hardshell case, and certificate of authenticity. Condition: NOS; Body: Alder; Neck: 10/56 V (.880-980), 9.5 radius; Nut: 1.650; Color: Bright Sapphire Metallic; Pickups: handwound Fat 50s; Scale: 25.5; Orientation: Lefthanded (of course) -
I could not resist ordering this Iris with a beautiful limited edition hand painted Sarah Ryan top (one of 10 produced and almost certainly the only lefty). As Iris says, "This year Sarah took inspiration from the forests of our beautiful homeland of Vermont. The hand-painted details include what you might find on a hike through the Green Mountain State, such as: oak leaves with acorns, alder pinecones, trillium and a black bear (you never know!)." This is an OG model, customized with a 1 3/4 nut. Scalloped Adirondack spruce bracing, a bolt-on mortise and tenon neck, 2 7/32 bridge spacing, Indian rosewood fingerboard and bridge, open pore sating nitrocellulose finish, bone nut and saddle and Golden Age relic brass tuners. With TKL case. Iris says: “The original Iris that put us on the map: The OG Model. It has a comfortable 25” scale and an equally comfy C-shape neck.” ”Overall, it has a warm and dry voice, with an impressive midrange response. It takes equally well to being strummed with a pick or fingerpicked, in standard or open tunings, and it has a generous amount of headroom and projection.” — Acoustic Guitar, July/Aug 2019” Iris says: "This mid-thirties style guitar, with its short scale, is a wonderful complement to our line of small bodied Iris." Here is a nice demo of an OG with a previous Sarah Ryan design:Condition: New; Top: Sitka spruce; Back and sides: Mahogany; Neck: Mahogany; Nut: 1 3/4; Width: 14.5; Depth: 4 5/8; Scale: 25; Binding: Ivoroid; Purfling: b/w/b; Rosette: ivoroid; Orientation: Lefthanded (of course) -
I was super excited to become a dealer and order these Iris guitars ... hand made in Vermont under the seasoned watch of Adam Buchwald (formerly with Froggy Bottom) and Dale Fairbanks (Fairbanks Guitars), simply yet elegantly appointed with satin finishes, with a nod to vintage depression era flattop tones and at a very reasonable price point.
This is the MS-00,with a black top and firestripe pickguard, designed with the aid of Mark Stutman. Scalloped Adirondack spruce bracing, a bolt-on mortise and tenon neck, 2 7/32 bridge spacing, Indian rosewood fingerboard and bridge, open pore sating nitrocellulose finish, bone nut and saddle and Golden Age relic brass tuners. With TKL case. Iris says: "This mid-thirties style guitar, with its short scale, is a wonderful complement to our line of small bodied Iris." Here is a nice demo:Condition: New; Top: Sitka spruce; Back and sides: Mahogany; Neck: Mahogany; Nut: 1 3/4; Width: 14 7/8; Depth: 4 3/8; Scale: 24.75; Binding: Ivoroid; Purfling: b/w/b; Rosette: ivoroid; Orientation: Lefthanded (of course) -
Billy Strings has turned the bluegrass world on its ear the last few years, and I've been looking forward to sampling his signature model. Great guitar. Martin says: "Inspired by Billy Strings' prized 1940 D-28, the Martin D-28 Billy Strings brings a modern twist to a classic pre-war design, incorporating features tailored to Billy's electrifying playing style. This signature Dreadnought showcases a unique 25" scale length, reducing string tension for fast, intricate playing and expressive bends – perfectly suited for Billy’s rapid-fire licks. With a custom nut width that’s slightly wider than his pre-war Martin and a modified low oval satin neck, it offers enhanced comfort and speed, ideal for players who crave agility up and down the neck. The solid East Indian rosewood back and sides and spruce top deliver a full, resonant tone with rich bass, while the bold herringbone trim, antique toner, and antique white binding add vintage flair. Nickel enclosed gear tuners, exclusive to Martin, and an ebony fingerboard with abalone diamond and square inlay round out the guitar’s looks and performance. It’s an ideal balance of traditional craftsmanship and modern playability, much like Billy’s genre-defying style. Each guitar features a custom paper label with his pre-printed signature and graphic. " Condition: New; Top: Sitka spruce; Back and sides: East Indian rosewood; Neck: Mahogany, modified low oval carve; Nut: 1 23/32; Scale: 25; Binding: Antique white; Purfling: Bold Herringbone; Rosette: Multistripe; Orientation: Lefthanded (of course) -
John Mayer has been playing Martin guitars for decades now, and his signature OMJM model is my current pick for an OM as comfortable on the couch as it is on stage. An Englemann spruce top with scalloped X bracing over East Indian rosewood back and sides gives the guitar a lively balanced tone, with herringbone trim, antique toner and and abalone rosette, plus diamond and square inlays with John's signature making for an elegant yet understated appearance. Comfortable low profile neck carve with a volute, drop-in saddle, butterbean tuners, and John's choice of a simple Fishman Gold Plus Natural I pickup allows your dynamics and picking technique to control the output. The guitar sounds great plugged in. Nicely embroidered hardshell case completes the package. Martin says: "In light of his ever-expanding reputation and fan base, Martin collaborated with John Mayer on the creation of a second namesake guitar, one with many of the same attributes as his first OM-28JM Limited Edition, but one that would be more affordable and more widely available." Condition: New; Top: Englemann spruce; Back and sides: East Indian rosewood; Neck: Select hardwood, Low Profile carve; Nut: 1 11/16; Scale: 25.4; Binding: Antique white; Purfling: Bold Herringbone; Rosette: Style 45 abalone; Orientation: Lefthanded (of course) -
Here's a new Huss and Dalton Traditional OM in east Indian rosewood with a thermo-cured (torrified) sitka spruce top, Gotoh 510 tuners and a handsome tweed case. Always one of my favorites OMs, and the build quality is second to none. Everybody knows that like a fine wine, well-kept acoustic guitars get better with age. The passage of decades cures the wood through exposure to light and air. Huss and Dalton now offers sitka spruce that has been “torrified,” or exposed to a careful heating process that achieves the same results that occur naturally over time. The wood appears darker, as vintage guitars do, and it is lighter and stiffer. But how does it sound? Amazing, in a word. Here's our friend Ed Strickland taking one for a spin.Condition: New; Top: Sitka spruce, torrified; Back and sides: East Indian rosewood; Neck: Mahogany; Nut: 1 3/4; Width: 15 1/8; Depth: 4 1/8; Scale: 25.4; Binding: Tortoise; Purfling: b/w/b; Rosette: b/w/b; Lefthanded guitar (of course) -
Brand new model from Martin ... simple aesthetics, all mahogany for a warm tone ... great guitar. The Martin D-17 is a bold new offering in the refreshed Standard Series, combining vintage-inspired appointments with modern refinements for players seeking rich sounds and enhanced playability. This 14-fret Dreadnought model is handcrafted with a satin-finished solid mahogany body, delivering a warm and woody tone. The Sitka spruce Golden Era (GE) top bracing, as featured on the Modern Deluxe Series, offers a more vintage, breathy tone, while an ebony GE modern belly bridge with smoother corners enhances comfort and resonance. Playability is a priority with the D-17, featuring a satin-finished select hardwood neck, GE modified low oval profile that’s optimized for vintage appeal, and thinner ebony fingerboard with a gently beveled edge. The refined string spacing is ideal for players who want a comfortable, effortless feel. Vintage-inspired details such as a sleeker heel and nickel open gear tuners give the guitar a timeless, elegant look. Whether you’re strumming big chords or picking intricate tunes, the D-17 delivers powerful, dynamic sound with a classic, vintage vibe that's anything but standard. Condition: New; Top: Mahogany; Back and sides: Mahogany; Neck: Mahogany, GE modified low profile; Nut: 1 3/4; Scale: 25.4; Binding: None; Purfling: None; Rosette: Multistripe; Orientation: Lefthanded (of course)
