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What's better than a new Martin D-18? A new special edition D-18 from the Custom Shop, featuring an Adirondack spruce top and forward shifted Golden Era hand shaped scalloped bracing. Aging toner, tortoise binding, ebony bridge, Golden Era modern belly drop-in saddle, 1 3/4 nut, GE modified low oval carve, ebony fingerboard, open gear butterbean tuners. A terrific dread. Martin sez: "Top-shelf tonewoods meet handcrafted Custom Shop quality in this accessible, no-compromise Dreadnought. With Adirondack spruce, genuine mahogany, and forward-shifted bracing, it’s a powerful, resonant classic—ready to play, no special order required." Condition: New; Top: Adirondack spruce; Back and sides: Mahogany; Neck: Mahogany Nut: 1 3/4; Scale: 25.4; Binding: Brown tortoise pattern; Rosette: Multistripe; Orientation: Lefthanded (of course) -
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Here is a rare new one-off National Reso-Phonic NRP Tricone Steel Baritone, you will likely never see another lefty like it. Custom slotted flattop headstock, pearloid overlay, double lined engraved border, mother of pearl diamond inlays and pearloid heel cap. National says: "Our NRP Steel Tricone features the classic styling of the vintage Tricones but with a special sound. The tone of the steel body offers a deeper, darker voice — yet with more immediacy and presence. And it still boasts all the amazing sustain and rich choral tone the Tricones are famous for. The steel body and coverplate are plated and then hand rubbed with a vintage vibe. Inside, the NRP Steel Tricone features the same type of aluminum resonating cones and T-bridge as the original models. If you’re seeking a Tricone with a bit more blues feel to it, the NRP Steel guitar has it for you." Add even deeper more resonant tone with the baritone setup. Sounds amazing. Made in the USA. Two-year warranty and a hardshell case. Condition: New; Body: Steel; Neck: Honduras mahogany, ebony fretboard, ivoroid binding; Resonator: Three 6 inch alloy cones; Bridge: Aluminum T bridge; Nut: 1.825bone; Scale: 27; Orientation: Lefthanded (of course) -
Serial # 34943 Condition: New; Top: Sitka spruce; Back and sides: East Indian rosewood; Neck: Mahogany, ebony fingerboard; Nut: 1 11/16; Width: 15 5/8; Depth: 4 7/8; Scale: 25 1/2; Binding: Ivoroid with herringbone; Rosette: b/w/b; Orientation: Lefthanded (of course)Here's a brand new Collings D2H. Nobody makes a more powerful dread than Collings does. I'll let Collings describe it:
"The square-shouldered 14-fret dreadnought is the most popular steel-string acoustic guitar body shape in the world. While Collings is certainly not the only company to build them, we bring a new tonal clarity to the depth and warmth usually associated with such a large, deep-bodied guitar. Although its bass response makes the dreadnought ideal for vocal accompaniment, Collings versions are also often employed by bluegrass flatpickers who must compete with inherently louder instruments such as banjos and fiddles. The wide range of woods and neck sizes offered allow dreadnought fans to find a Collings model ideally suited to their playing style and tonal preference." -
I haven't had the good fortune to play an 88-year-old D-18 in person, but this new Martin Authentic 1937 VTS D-18 is the next best thing, and it is a heck of a dread. Sounds amazing. I also stock the aged version, this one is non-aged (cosmetically). Martin says: "1937 was an excellent year for guitars, with a perfect storm of craftsmanship, innovation, and materials. This Authentic Series replication of a 1937 D-18 stays true to the original with hide glue construction and historically accurate detailing. This guitar features genuine mahogany back and sides and an Adirondack spruce top, and it includes an Authentic circa 1937 bracing pattern. Plus, it adds the Vintage Tone System® (VTS) that ages the wood to replicate the sound of a vintage Martin. Martin's craftspeople can recreate the pleasing visual aesthetics of a vintage guitar and reproduce the particular tones previously reserved for vintage instruments. Now Martin has reintroduced a more accurate body profile based on dreadnought shapes from the early Golden Era of Martin's history. The result is a tactile, visual, and auditory experience that will transport you all the way back to the 1930s. And we know you’re going to like it there." Condition: New; Top: Adirondack spruce; Back and sides: Mahogany; Neck: Mahogany, Authentic 1937; Nut: 1 3/4; Scale: 25.4; Binding: Brown tortoise pattern; Purfling: Multistripe; Rosette: Multistripe; Orientation: Lefthanded (of course) -
I could not resist ordering this Iris with a beautiful limited edition hand painted Sarah Ryan top (one of 10 produced and almost certainly the only lefty). As Iris says, "This year Sarah took inspiration from the forests of our beautiful homeland of Vermont. The hand-painted details include what you might find on a hike through the Green Mountain State, such as: oak leaves with acorns, alder pinecones, trillium and a black bear (you never know!)." This is an OG model, customized with a 1 3/4 nut. Scalloped Adirondack spruce bracing, a bolt-on mortise and tenon neck, 2 7/32 bridge spacing, Indian rosewood fingerboard and bridge, open pore sating nitrocellulose finish, bone nut and saddle and Golden Age relic brass tuners. With TKL case. Iris says: “The original Iris that put us on the map: The OG Model. It has a comfortable 25” scale and an equally comfy C-shape neck.” ”Overall, it has a warm and dry voice, with an impressive midrange response. It takes equally well to being strummed with a pick or fingerpicked, in standard or open tunings, and it has a generous amount of headroom and projection.” — Acoustic Guitar, July/Aug 2019” Iris says: "This mid-thirties style guitar, with its short scale, is a wonderful complement to our line of small bodied Iris." Here is a nice demo of an OG with a previous Sarah Ryan design:Condition: New; Top: Sitka spruce; Back and sides: Mahogany; Neck: Mahogany; Nut: 1 3/4; Width: 14.5; Depth: 4 5/8; Scale: 25; Binding: Ivoroid; Purfling: b/w/b; Rosette: ivoroid; Orientation: Lefthanded (of course) -
I was super excited to become a dealer and order these Iris guitars ... hand made in Vermont under the seasoned watch of Adam Buchwald (formerly with Froggy Bottom) and Dale Fairbanks (Fairbanks Guitars), simply yet elegantly appointed with satin finishes, with a nod to vintage depression era flattop tones and at a very reasonable price point.
This is the MS-00,with a black top and firestripe pickguard, designed with the aid of Mark Stutman. Scalloped Adirondack spruce bracing, a bolt-on mortise and tenon neck, 2 7/32 bridge spacing, Indian rosewood fingerboard and bridge, open pore sating nitrocellulose finish, bone nut and saddle and Golden Age relic brass tuners. With TKL case. Iris says: "This mid-thirties style guitar, with its short scale, is a wonderful complement to our line of small bodied Iris." Here is a nice demo:Condition: New; Top: Sitka spruce; Back and sides: Mahogany; Neck: Mahogany; Nut: 1 3/4; Width: 14 7/8; Depth: 4 3/8; Scale: 24.75; Binding: Ivoroid; Purfling: b/w/b; Rosette: ivoroid; Orientation: Lefthanded (of course) -
Billy Strings has turned the bluegrass world on its ear the last few years, and I've been looking forward to sampling his signature model. Great guitar. Martin says: "Inspired by Billy Strings' prized 1940 D-28, the Martin D-28 Billy Strings brings a modern twist to a classic pre-war design, incorporating features tailored to Billy's electrifying playing style. This signature Dreadnought showcases a unique 25" scale length, reducing string tension for fast, intricate playing and expressive bends – perfectly suited for Billy’s rapid-fire licks. With a custom nut width that’s slightly wider than his pre-war Martin and a modified low oval satin neck, it offers enhanced comfort and speed, ideal for players who crave agility up and down the neck. The solid East Indian rosewood back and sides and spruce top deliver a full, resonant tone with rich bass, while the bold herringbone trim, antique toner, and antique white binding add vintage flair. Nickel enclosed gear tuners, exclusive to Martin, and an ebony fingerboard with abalone diamond and square inlay round out the guitar’s looks and performance. It’s an ideal balance of traditional craftsmanship and modern playability, much like Billy’s genre-defying style. Each guitar features a custom paper label with his pre-printed signature and graphic. " Condition: New; Top: Sitka spruce; Back and sides: East Indian rosewood; Neck: Mahogany, modified low oval carve; Nut: 1 23/32; Scale: 25; Binding: Antique white; Purfling: Bold Herringbone; Rosette: Multistripe; Orientation: Lefthanded (of course) -
John Mayer has been playing Martin guitars for decades now, and his signature OMJM model is my current pick for an OM as comfortable on the couch as it is on stage. An Englemann spruce top with scalloped X bracing over East Indian rosewood back and sides gives the guitar a lively balanced tone, with herringbone trim, antique toner and and abalone rosette, plus diamond and square inlays with John's signature making for an elegant yet understated appearance. Comfortable low profile neck carve with a volute, drop-in saddle, butterbean tuners, and John's choice of a simple Fishman Gold Plus Natural I pickup allows your dynamics and picking technique to control the output. The guitar sounds great plugged in. Nicely embroidered hardshell case completes the package. Martin says: "In light of his ever-expanding reputation and fan base, Martin collaborated with John Mayer on the creation of a second namesake guitar, one with many of the same attributes as his first OM-28JM Limited Edition, but one that would be more affordable and more widely available." Condition: New; Top: Englemann spruce; Back and sides: East Indian rosewood; Neck: Select hardwood, Low Profile carve; Nut: 1 11/16; Scale: 25.4; Binding: Antique white; Purfling: Bold Herringbone; Rosette: Style 45 abalone; Orientation: Lefthanded (of course) -
Here's a new Huss and Dalton Traditional OM in east Indian rosewood with a thermo-cured (torrified) sitka spruce top, Gotoh 510 tuners and a handsome tweed case. Always one of my favorites OMs, and the build quality is second to none. Everybody knows that like a fine wine, well-kept acoustic guitars get better with age. The passage of decades cures the wood through exposure to light and air. Huss and Dalton now offers sitka spruce that has been “torrified,” or exposed to a careful heating process that achieves the same results that occur naturally over time. The wood appears darker, as vintage guitars do, and it is lighter and stiffer. But how does it sound? Amazing, in a word. Here's our friend Ed Strickland taking one for a spin.Condition: New; Top: Sitka spruce, torrified; Back and sides: East Indian rosewood; Neck: Mahogany; Nut: 1 3/4; Width: 15 1/8; Depth: 4 1/8; Scale: 25.4; Binding: Tortoise; Purfling: b/w/b; Rosette: b/w/b; Lefthanded guitar (of course) -
Brand new model from Martin ... simple aesthetics, all mahogany for a warm tone ... great guitar. The Martin D-17 is a bold new offering in the refreshed Standard Series, combining vintage-inspired appointments with modern refinements for players seeking rich sounds and enhanced playability. This 14-fret Dreadnought model is handcrafted with a satin-finished solid mahogany body, delivering a warm and woody tone. The Sitka spruce Golden Era (GE) top bracing, as featured on the Modern Deluxe Series, offers a more vintage, breathy tone, while an ebony GE modern belly bridge with smoother corners enhances comfort and resonance. Playability is a priority with the D-17, featuring a satin-finished select hardwood neck, GE modified low oval profile that’s optimized for vintage appeal, and thinner ebony fingerboard with a gently beveled edge. The refined string spacing is ideal for players who want a comfortable, effortless feel. Vintage-inspired details such as a sleeker heel and nickel open gear tuners give the guitar a timeless, elegant look. Whether you’re strumming big chords or picking intricate tunes, the D-17 delivers powerful, dynamic sound with a classic, vintage vibe that's anything but standard. Condition: New; Top: Mahogany; Back and sides: Mahogany; Neck: Mahogany, GE modified low profile; Nut: 1 3/4; Scale: 25.4; Binding: None; Purfling: None; Rosette: Multistripe; Orientation: Lefthanded (of course) -
The Martin 000-18 is an iconic acoustic, trusted by generations of players for its balanced tone and legendary craftsmanship. Its Auditorium body size delivers a rich, even voice with perfect balance across all six strings, making it ideal for everything from intricate fingerstyle to strumming full-bodied chords. Handcrafted with a solid spruce top and solid mahogany back and sides, the 000-18 offers a bright treble response, punchy midrange, and impressive projection—all in a classic, comfortable design. The satin neck with a Golden Era (GE) Modified Low Oval profile, high-performance taper, and 24.9" scale length ensures unmatched playability. Elegant ebony details, including the bridge, bridge pins, and fingerboard with abalone dot inlays, enhance its timeless design. Complete with aging toner on its top, black binding, and nickel open gear tuners, the 000-18 is a guitar you can trust to unleash the artist within. Martin’s refreshed Standard Series for 2025 enhances tone, comfort, and style. Sitka spruce GE top bracing, as featured on the Modern Deluxe Series, delivers vintage-inspired tone and sustain, while updates like a reimagined neck profile, thinner fingerboard, and refined bridge and heel improve playability and aesthetics. Each guitar includes a hardshell case. Condition: New; Top: Spruce; Back and sides: Mahogany; Neck: Mahogany, Modified Low Profile; Nut: 1 3/4; Scale: 24.9; Binding: Black; Purfling: Multistripe; Rosette: Multistripe; Orientation: Lefthanded (of course) -
The Martin D-41 is a trusted icon in Martin’s acoustic lineup, blending powerful tone with refined elegance. Its Dreadnought body size delivers a bold, projective sound with strong bass, clear trebles, and rich overtones, making it ideal for players who want their music to fill the room. Handcrafted with a solid spruce top and solid East Indian rosewood back and sides, the D-41 offers a resonant voice that’s balanced across all playing styles. The satin genuine mahogany neck, featuring a Golden Era (GE) Modified Low Oval profile, high-performance taper, and 25.4" scale length, ensures smooth playability. Luxurious abalone details, including the rosette, top-edge trim, and hexagon inlays, elevate its timeless design. Complete with antique white binding, a bound ebony fingerboard, an ebony bridge with bone pins, gold open gear tuners, the D-41 is a guitar you can trust to unleash the artist within. Martin’s refreshed Standard Series for 2025 enhances tone, comfort, and style. Sitka spruce GE top bracing, as featured on the Modern Deluxe Series, delivers vintage-inspired tone and sustain, while updates like a reimagined neck profile, thinner fingerboard, and refined bridge and heel improve playability and aesthetics. Each guitar includes a hardshell case. Condition: New; Top: Spruce; Back and sides: East Indian rosewood; Neck: Mahogany, GE Modified LowOval; Nut: 1 3/4; Scale: 25.4; Binding: antique white; Purfling: Abalone; Rosette: Abalone; Orientation: Lefthanded (of course) -
Here is a brand new Martin D-18, lefthanded, of course. We all know the tone. If you're a mahogany aficionado, this is the standard. Martin sez: "Understated looks, timeless tone. The warm tone of mahogany and spruce couple with resonant scalloped bracing under the hood for a sound that's honest, authoritative, and clear. Vintage details include open-geared tuners and classic 18-style appointments pair with a modern, low profile neck for an old-soul sound.." String Type: Steel Number of Strings: 6 Left-/Right-handed: Left-handed Body Shape: Dreadnought 14-Fret Body Style: No Cutaway Back & Sides Wood: Mahogany Top Wood: Spruce Finish: Gloss Color: Natural Body Bracing: X Scalloped Binding: Tortoise Color Neck Wood: Hardwood Neck Shape: Modified Low Oval Profile w/ Performing Artist Taper Radius: 16" Fingerboard Material: Ebony Fingerboard Inlay: Old Style 18 Number of Frets: 20 Scale Length: 25.4" Nut Width: 1.75" Nut/Saddle Material: Bone Bridge Material: Ebony Tuning Machines: Nickel Open-geared w/ Butterbean Knobs Case/Gig Bag: Hardshell Case -
Here is a brand new Martin D-28, lefthanded, of course. The quintessential dreadnought. I loved mine until I replaced it with a D-41 Special back in 2008. Martin sez: "The Martin D-28 has been the quintessential workhorse of music legends like Hank Williams, The Beatles, Johnny Cash, Neil Young, Bob Dylan, and so many more. It’s no surprise because the D-28 is crafted with East Indian rosewood, which is very resonant and offers deep bass and rich overtones. It is a well-balanced guitar for all playing styles. It also combines vintage appointments like open gear tuners, an aged toner top, antique white accents, and a faux tortoise pickguard with a modern neck profile for a fast, comfortable playing experience." Model: D-28 LH Construction: Dovetail Neck Joint Body Size: D-14 Fret Top Material: Sitka Spruce Rosette: Multi-Stripe Bracing Pattern: Forward Shifted X Brace Brace Shape: Non-Scalloped Brace Material: Sitka Spruce Brace Size: 5/16" Back Material: East Indian Rosewood Back Purfling/Strip: Style 28 Side Material: East Indian Rosewood Endpiece: Antique White Endpiece Inlay: Multi-Stripe Binding: Antique White Top Inlay Material: Multi-Stripe Back Inlay Material: Multi-Stripe Neck Material: Select Hardwood Neck Shape: Modified Low Oval Neck Taper: High Performance Taper Plek: Yes Nut Material: Bone Headstock Shape: Solid with Square Taper and Diamond Headplate Material: East Indian Rosewood Headplate Logo Style: Script Old Style Overlay Heelcap: Antique White Fingerboard Material: Ebony Scale Length: 25.4" Neck Joins Body At: 14th Fret Number of Frets Total: 20 Fingerboard Width at Nut: 1 3/4'' Fingerboard Width at 12th Fret: 2 1/8'' Fingerboard Inlay Material: Mother of Pearl Fingerboard Inlay Style: Style 28 Fingerboard Binding Material: None Side Dots: White Back and Side Finish: Gloss Finish Top: Gloss Top Color: Aging Toner Finish Neck: Satin Neck Color: Dark Mahogany Bridge Material: Ebony Bridge Style: Modern Belly - Drop in Saddle Bridge String Spacing: 2 5/32" Saddle: Compensated Bone Saddle Radius: 16" Tuning Machines: Nickel Open Gear Knob: Butterbean Bridge Pin Material: White Plastic Bridge Pin Dots: Faux Tortoise Pickguard: Faux Tortoise Case: Molded Hardshell -
Here is a beautiful new left-handed Martin D-28 Modern Deluxe ... Martin took the Standard D-28 and added, among other things, a VTS top, maple binding, Adirondack spruce forward shifted X bracing, gold hardware, dovetail neck joint and protein glue construction, plus a new neck carve and a stylish abalone Martin logo. Wonderful guitar. Martin sez: "The D-28 Modern Deluxe is a new take on Martin Vintage. This guitar is packed with custom features and modern technology that you have to see, feel, and hear for yourself. The vintage appointments include a spruce VINTAGE TONE SYSTEM® (VTS) top, a dovetail neck joint, and natural protein glue construction that give it the rich, fully aged Martin tone that has inspired generations. The look is unlike anything in our production line to date with European flamed maple binding, stylish gold frets, gold open-gear tuners, and a unique 1930s style script logo inlaid in pearl on the headstock. Some ultra-modern features include Liquidmetal® bridge pins with red dots and a composite carbon fiber bridgeplate that boosts volume. And we’ve included a new neck shape that is slightly asymmetrical for maximum hand comfort up and down the fretboard. This guitar is anything but standard." (An amusing aside: A long (long) time ago, a couple of decades before I opened a guitar store, I played my first Martin D-28 at local store. The old, grizzled store owner, said, "Son, anyone who calls himself a guitar player needs to own him a Martin D-28." Then he told me I was a idiot for not learning how to play right handed. So I told him to stuff it and bought mine somewhere else. But I loved my D-28 and would still own it today had I not replaced it with a D-41 Special 17 years ago.) Condition: New; Top: VTS spruce; Back and sides: East Indian rosewood; Neck: Mahogany, vintage deluxe carve; Nut: 1 3/4; Scale: 25.4; Binding: flame maple; Purfling: Herringbone; Rosette: multi stripe; Orientation: Lefthanded (of course) -
Sale
Lightly played and near mint condition. Save some bucks! Collings builds terrific dreads, and their venerable D1 with the Traditional package is no exception. This guitar is customized with a 1.75 nut. Handsome and understated tortoise binding with gold mother of pearl inlays , the Custom Traditional Series pre-war scalloped X-brace (no tongue brace), ultra-thin nitro finish and ebony fretboard and an ebony belly bridge give it Collings’ typical impressive volume and projection, yet allow the guitar to be equally responsive to a light touch. Dread of a lifetime. Hardshell case. Serial # 33811. Collings sez: "Our Traditional Series or "T-Series” guitars represent an exciting vintage-inspired tonal variation on the distinctive Collings sound, designed and crafted to showcase the most desirable characteristics present in coveted pre-war instruments. Bracing and tone woods are adjusted for weight and thickness to create a voicing characterized by warm, rounded highs and a present low midrange, while retaining a quick attack and strong projection." Condition: Near mint; Top: Sitka spruce; Back and sides: Mahogany; Neck: Mahogany, Traditional profile; Nut: 1 3/4; Width: 15 5/8; Depth: 4 7/8; Scale: 25 1/2; Binding: Tortoise; Purfling: custom wood; Rosette: custom wood; Orientation: Lefthanded (of course) -
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We just got in this Gibson Banner 1942 Southern Jumbo and I am smitten. Classic big Gibson tone, hand scalloped red spruce bracing, bone saddle, mother of pearl parallelogram inlays, hide glue construction, C profile neck, open back vintage tuners, and a beautiful burst, to boot. Very nice guitar. With period correct hardshell case. Gibson sez: "The Custom Shop Historic Reissue 1942 Banner Southern Jumbo features the vibe of a vintage Gibson Acoustic. The thermally aged Adirondack red spruce top and rosewood back and sides have outstanding tonal response and superior playability. At home playing first position chords or picking lead blues licks, the Southern Jumbo is a versatile instrument. Proudly displaying the "Only a Gibson is Good Enough" banner on the headstock, this custom instrument also includes an open slot bridge, a bone saddle and nut, and the classic 1.77" nut width." Condition: Lightly aged; Top: Thermally aged Adirondack; Back and sides: East Indian rosewood; Neck: Mahogany, rosewood fretboard; Scale: 24.75"; Nut: 1.77; Binding: Ivoroid; Purfling: w/b/w; Rosette: w/b/w -
Here's a beautiful Rick Turner Guitars Renaissance RS6 steel string electric acoustic. I ordered this one with a 1 3/4 nut. The guitar has some nicely figured mahogany back and sides, terrific top, mahogany neck and an ipe (Brazilian walnut) fingerboard. The back of the headstock is signed by the legendary Rick Turner himself. If you play acoustic guitar live, you're familiar with the challenges of getting a natural acoustic tone amplified to stage volumes without being plagued by feedback. All the mics, preamps and EQs in the world are rarely up to dealing with a loud monitor pointing at your soundhole. The thinline RS6 is built like an acoustic but has a mahogany center block to resist feedback. A Turner Timberline bridge pickup feeds a full-spectrum signal to an 18-volt D-TAR preamp with graduated volume and tone controls. The preamp runs off two AA batteries, easily accessible via the back panel. I have tested this at loud monitor volumes and it works great straight into the board. Lindsey Buckingham (Fleetwood Mac) loves his Turner guitars and plays a Renaissance live. These guitars also sound great through a conventional guitar amp.
With locking tuners, Access padded case and Timberline electronics.
Condition: New; Top: Mahogany; Back and sides: Mahogany; Neck: Mahogany with ipe (brazilian walnut) fingerboard; Nut: 1 3/4; Scale: 25.5; Orientation: Lefthanded (of course) -
Here's a beautiful new Santa Cruz custom OM, specced with an Adirondack top, hide glue construction, beautifully figured walnut back and sides, and a short 24/75 scale. Lightweight, extremely dynamic and very responsive to a light touch, as all Santa Cruz guitars are. Wonderful guitar. Lifetime warranty and handsome case. If you prefer a different spec, I always have build slots available for any Santa Cruz model. Condition: New; Top: Adirondack spruce; Back and sides: Highly figured walnut; Neck: Mahogany; Nut: 1 3/4; Scale: 24.75; Binding: Ivoroid; Purfling: Herringbone; Rosette:b/w/b; Orientation: Lefthanded (of course) -
I love small bodied acoustics, and this is one of my favorites. This C10 from Collings offers great tone in a small, comfortable package. Crisp trebles, substantial lows, and beautifully balanced. A great blues guitar, strumming guitar, and equally responsive to some dynamic finger picking, thanks to its narrow waist and small upper bout for focused response, and pre-war scalloped bracing. This example is customized with a 1 3/4 nut, tigerstripe pickguard and a gorgeous dark sunburst. Ebony fretboard, pins and bridge, bone nut and saddle. Collings says this is the ideal guitar for players who switch between electrics and acoustics, because the neck carve is the same rounded profile that you’ll find on the venerable Collings 290 electric, and the heel is small and rounded for excellent access to the upper frets. I agree. Big tone in a small package. Bravo. Lifetime warranty and hardshell Collings case. Serial #34753 Condition: New; Top: Select sitka spruce; Back and sides: Mahogany; Neck: Mahogany, medium-fat C neck carve; Nut: 1 3/4; Width: 14 3/4; Depth: 4 1/4; Scale: 25.5; Binding: Grained ivoroid; Purfling: b/w wood; Rosette: Ivoroid; Orientation: Lefthanded (of course)
