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    Santa Cruz
    2015 Style 1

    $4,495.00
    Here's a gently used Santa Cruz Style 1. Based on the original Size 1 Martin guitar, the Santa Cruz Style 1 is a deep-bodied 0-sized guitar, a 12-fretter, harkening back to the days when a parlor sized guitar was the norm. This guitar is so small and comfortable to play, but has a surprisingly big voice, and it immediately says “vintage” to my ears. Very traditional sound, equally at home fingerpicked or strummed. Perfect for blues or old-timey music. What a sweet guitar. Very nice condition. With Santa Cruz’s fine Ameritage case. Condition: Excellent; Top: Sitka spruce; Back and sides: East Indian rosewood; Neck: Mahogany, ebony fretboard, ivoroid binding, V with volute; Nut: 1 3/4; Width: 13 1/8; Depth: 4 1/2; Scale: 24.75; Binding: Ivoroid; Purfling: Herringbone; Rosette: b/w/b; Orientation: Lefthanded (of course)

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  • Here's a beautiful offering from National Reso-Phonic Guitars new RAW series that delivers a vintage feel at a more reasonable price point. This one I ordered in German silver with a 12-fret neck. Terrific guitar. Made in the USA. Two-year warranty and a hardshell case. National sez: "Raw Series instruments have a minimal, wax body finish giving a naturally smooth feel that will patina over time. They are expertly handcrafted in our California workshop to the high quality standards our reputation is built on. Steel models, like all National steel bodied instruments, have an interior finish to protect against rusting. Raw Series instruments feature a hardrock maple neck and a chicken-foot resonator coverplate. 12-fret models have a slotted headstock and flat-cut F-holes. Currently we are the only company making guitars of German silver alloy in the tradition of the original 1930’s Nationals. Our Raw Series instruments offer an affordable option to anyone looking to recreate the tone of a vintage National."   Condition: New; Top: German silver; Back and sides: German silver; Neck: hardrock maple; Resonator: Single; Bridge: Biscuit; Nut: 1.82 bone; Width: 14.25; Depth: 3.125; Scale: 25 21/32; Orientation: Lefthanded (of course)

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  • Here is a very rare left-handed  Collings 12-string single 02H ... what a brilliant idea Bill Collings had to make a 12-string version of one of the most comfortable couch guitars on the planet. Surprising volume and outstanding playability and all the jangle you can handle.
    Collings says: "Combining the timeless appearance and enduringly popular tone of the "0" body style with a 12-string configuration has resulted in this unique new model. With a sound that belies its small size, the 0 12-String has exceptional note separation with a quick attack and beautiful harmonic complexity. The smaller body dimension and short 24 7/8" scale also imparts a percussive quality to the note attack that makes this an exceptional finger style and recording guitar. With a sound and feel all its own, the 0 12-string brings something new to this classic design."
    Lifetime warranty and hardshell Collings case. SN# 32303
    Condition: New; Top: Select sitka spruce; Back and sides: East Indian rosewood; Neck: Mahogany, Modified V carve; Nut: 1 7/8 bone; Width: 13 3/4; Depth: 4; Scale: 24 7/8; Binding: Ivoroid; Purfling: Herringbone; Rosette: wood; Orientation: Lefthanded (of course)

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  • Sale

    Collings 2021
    D1 Traditional

    $4,595.00
    Dead mint lightly used 2021 Collings D1 Traditional. Great guitar. Save some bucks. Collings builds terrific dreads, and their venerable D1 with the Traditional package is no exception. This guitar is customized with a 1.75 nut. Handsome and understated tortoise binding with gold mother of pearl inlays , the Custom Traditional Series pre-war scalloped X-brace (no tongue brace), ultra-thin nitro finish and ebony fretboard and an ebony belly bridge give it Collings’ typical impressive volume and projection, yet allow the guitar to be equally responsive to a light touch. Dread of a lifetime. Lifetime warranty and hardshell case. Serial # 31420. Collings sez: "Our Traditional Series or "T-Series” guitars represent an exciting vintage-inspired tonal variation on the distinctive Collings sound, designed and crafted to showcase the most desirable characteristics present in coveted pre-war instruments. Bracing and tone woods are adjusted for weight and thickness to create a voicing characterized by warm, rounded highs and a present low midrange, while retaining a quick attack and strong projection." Condition: Mint; Top: Sitka spruce; Back and sides: Mahogany; Neck: Mahogany, Traditional profile; Nut: 1 3/4; Width: 15 5/8; Depth: 4 7/8; Scale: 25 1/2; Binding: Tortoise; Purfling: custom wood; Rosette: custom wood; Orientation: Lefthanded (of course)

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  • I am fond of smaller bodied guitars, and this Huss and Dalton T-0014 Custom rings like a bell. Short scale, flat top with the same big voice as their terrific 12-fret 00s, but 14-frets to the neck joint. Terrific couch guitar and great for recording. Some nicely silked sitka with a hint of bearclaw on the top, and gorgeous indian rosewood on the back. Lifetime warranty and a handsome Huss and Dalton case. Condition: New; Top: Sitka spruce; Back and sides: Rosewood; Neck: Mahogany, ebony fingerboard; Nut: 1 3/4; Width: 14 1/4; Depth: 4 1/8; Scale: 24.9; Top: Flattop; Purfling: Maple W/B/W B/W/B; Rosette: B/W/B; Lefthanded guitar (of course)

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  • Here's a beautiful Rick Turner Guitars Renaissance RS6 steel string electric acoustic. I ordered this one with a 1 3/4 nut. The guitar has some nicely figured mahogany back and sides, terrific top, mahogany neck and an ipe (Brazilian walnut) fingerboard. The back of the headstock is signed by the legendary Rick Turner himself. If you play acoustic guitar live, you're familiar with the challenges of getting a natural acoustic tone amplified to stage volumes without being plagued by feedback. All the mics, preamps and EQs in the world are rarely up to dealing with a loud monitor pointing at your soundhole. The thinline RS6 is built like an acoustic but has a mahogany center block to resist feedback. A Turner Timberline bridge pickup feeds a full-spectrum signal to an 18-volt D-TAR preamp with graduated volume and tone controls. The preamp runs off two AA batteries, easily accessible via the back panel. I have tested this at loud monitor volumes and it works great straight into the board. Lindsey Buckingham (Fleetwood Mac) loves his Turner guitars and plays a Renaissance live. These guitars also sound great through a conventional guitar amp. With locking tuners, Access padded case and Timberline electronics. Condition: New; Top: Mahogany; Back and sides: Mahogany; Neck: Mahogany with ipe (brazilian walnut) fingerboard; Nut: 1 3/4; Scale: 25.5; Orientation: Lefthanded (of course)

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  • The NRP Steel Tricone features the classic styling of the vintage Tricones but with a special sound. The tone of the steel body offers a deeper, darker voice — yet with more immediacy and presence. And it still boasts all the amazing sustain and rich choral tone the Tricones are famous for. The steel body and coverplate are plated and then hand rubbed with a vintage vibe. Inside, the NRP Steel Tricone features the same type of aluminum resonating cones and T-bridge as the original models. The mahogany neck features an unbound ebony fingerboard with dot inlays, while the traditional slotted headstock has “NATIONAL” stamped on it. If you’re seeking a Tricone with a bit more blues feel to it, the NRP Steel guitar has it in spades. Made in the USA. Two-year warranty and a hardshell case. Condition: New; Top: Rubbed steel; Back and sides: Rubbed steel; Neck: mahogany, ebony fretboard, ivoroid binding; Resonator: Three 6 inch alloy cones; Bridge: Aluminum T bridge; Nut: 1.82 bone; Width: 14.25; Depth: 3.125; Scale: 25 21/32; Orientation: Lefthanded (of course)

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  • Here's a beautiful Rick Turner Guitars Renaissance RS6 steel string electric acoustic. I ordered this one with a redwood top and a 1 3/4 nut. The guitar has some nicely figured mahogany back and sides, a spectacular rewood top, mahogany neck and an ipe (Brazilian walnut) fingerboard. The back of the headstock is signed by the legendary Rick Turner himself. If you play acoustic guitar live, you're familiar with the challenges of getting a natural acoustic tone amplified to stage volumes without being plagued by feedback. All the mics, preamps and EQs in the world are rarely up to dealing with a loud monitor pointing at your soundhole. The thinline RS6 is built like an acoustic but has a mahogany center block to resist feedback. A Turner Timberline bridge pickup feeds a full-spectrum signal to an 18-volt D-TAR preamp with graduated volume and tone controls. The preamp runs off two AA batteries, easily accessible via the back panel. I have tested this at loud monitor volumes and it works great straight into the board. Lindsey Buckingham (Fleetwood Mac) loves his Turner guitars and plays a Renaissance live. These guitars also sound great through a conventional guitar amp. With locking tuners, Access padded case and Timberline electronics. Condition: New; Top: Redwood; Back and sides: Mahogany; Neck: Mahogany with ipe (brazilian walnut) fingerboard; Nut: 1 3/4; Scale: 25.5; Orientation: Lefthanded (of course)

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  • Sale

    Santa Cruz
    1929 00

    $6,480.00
    Here's a brand new customized Santa Cruz 1929 00, with a full body sunburst, adirondack bracing, hot hide glue construction, cowboy rope purfling and rosette, 2 mm ivoroid fretboard dots and bone bridge and end pins. I love the warmth of small-bodied all-mahogany guitars; the 1929-00 from Santa Cruz is always a favorite here. Welcomed internationally as both timely and timeless, the 1929-00 has received sparkling reviews from the most prestigious publications in France, Germany, UK and the US.  This instrument’s design pays homage to the simple and elegant instruments made for players enduring the Great Depression of 1929. Vintage inspired appointments include scalloped bracing, a period correct script style logo done tastefully in Ivoroid and beautifully executed Ebony pyramid bridge. With handsome Ameritage case and lifetime warranty. Condition: New; Top: Mahogany; Back and sides: Mahogany; Neck: Mahogany,ebony fingerboard,; Nut: 1 3/4; Width: 14.375; Depth: 4; Scale: 24.75; Orientation: Lefthanded (of course)

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  • I've been waiting to try this guitar, and was not disappointed ... a great gigging acoustic, and a lot of fun to play with the various acoustic tones it offers plus a pure electric tone (and blendable, to boot). Lay down some pure acoustic backing on a looper and then turn on the electric pickup with your favorite amp simulation pedal and rock out. And just enough volume not plugged into an amp to practice quietly in the dead of night. Fender sez: A shape-shifting acoustic-electric with a revolutionary Fender and Fishman-designed Acoustic Engine. The American Acoustasonic Telecaster embodies the spirit of purposeful innovation on which Fender was built. From acoustic shape-shifting to electric rhythm tones, this powerful guitar uses a revolutionary Fender and Fishman-designed Acoustic Engine to deliver new sonic expression from the studio to the stage. Features Cutting-edge acoustic-electric guitar Acoustic Engine delivers 10 different body style and tonewood combinations Mod Knob selects and blends voices Patent-pending Stringed Instrument Resonance System (SIRS) Three pickup systems: Fishman Under-Saddle Transducer; Fishman Acoustasonic Enhancer; Fender Acoustasonic Noiseless magnetic pickup Integrated forearm contour and mahogany neck 12 radius, 1.6875 nut 25.5 scale Narrow Tall frets Ebony fingerboard Mahogany neck satin finish Solid Sitka spruce top, mahogany body, satin finish Graphtech TUSQ nut Deluxe gig bag. Condition: New; Top: solid spruce; Back and sides: mahogany; Neck: mahogany, ebony fingerboard; Nut: 1.6875; Radius: 12    

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  • This left handed Carter-Poulsen G-Model is a stunning guitar with superb tone. Hand built in Santa Cruz by Willie Carter and Eric Poulsen, this guitar features beautiful east Indian rosewood with a terrific bearclaw sitka spruce top. The dark rosewood is set off elegantly and subtly with red pernambuco binding and sycamore purfling, which imparts beautiful sparkling golden detail lines. The rosette is sycamore, as well. The shape is Carter-Poulsen’s take on a 14-fret 00 size, but with an innovative horizontal tone bar that transverses the lateral bracing. The guitar has great bass response, a pleasing midrange and crisp, clear trebles. Very comfortable neck and a short 24.9 scale. Remarkable guitar for recording. Carter-Poulsen guitars are gaining a strong following both domestically and internationally, and one strum will tell you why. Both Willie and Eric have their roots in the Santa Cruz Guitar Company.  With a custom Ameritage Carter-Poulsen hardshell case.
      Condition: New; Top: Bearclaw sitka spruce; Back and sides: East Indian rosewood; Neck: Mahogany; Nut: 1 3/4; Width: 15; Depth: 4.25; Scale: 24.9; Binding: Rosewood; Purfling: Sycamore; Rosette: Sycamore; Orientation: Lefthanded (of course); Price: $5995  

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