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Sale
Lightly played and near mint condition. Save some bucks! Collings builds terrific dreads, and their venerable D1 with the Traditional package is no exception. This guitar is customized with a 1.75 nut. Handsome and understated tortoise binding with gold mother of pearl inlays , the Custom Traditional Series pre-war scalloped X-brace (no tongue brace), ultra-thin nitro finish and ebony fretboard and an ebony belly bridge give it Collings’ typical impressive volume and projection, yet allow the guitar to be equally responsive to a light touch. Dread of a lifetime. Hardshell case. Serial # 33811. Collings sez: "Our Traditional Series or "T-Series” guitars represent an exciting vintage-inspired tonal variation on the distinctive Collings sound, designed and crafted to showcase the most desirable characteristics present in coveted pre-war instruments. Bracing and tone woods are adjusted for weight and thickness to create a voicing characterized by warm, rounded highs and a present low midrange, while retaining a quick attack and strong projection." Condition: Near mint; Top: Sitka spruce; Back and sides: Mahogany; Neck: Mahogany, Traditional profile; Nut: 1 3/4; Width: 15 5/8; Depth: 4 7/8; Scale: 25 1/2; Binding: Tortoise; Purfling: custom wood; Rosette: custom wood; Orientation: Lefthanded (of course) -
We just got in this Gibson Banner 1942 Southern Jumbo and I am smitten. Classic big Gibson tone, hand scalloped red spruce bracing, bone saddle, mother of pearl parallelogram inlays, hide glue construction, C profile neck, open back vintage tuners, and a beautiful burst, to boot. Very nice guitar. With period correct hardshell case. Gibson sez: "The Custom Shop Historic Reissue 1942 Banner Southern Jumbo features the vibe of a vintage Gibson Acoustic. The thermally aged Adirondack red spruce top and rosewood back and sides have outstanding tonal response and superior playability. At home playing first position chords or picking lead blues licks, the Southern Jumbo is a versatile instrument. Proudly displaying the "Only a Gibson is Good Enough" banner on the headstock, this custom instrument also includes an open slot bridge, a bone saddle and nut, and the classic 1.77" nut width." Condition: Lightly aged; Top: Thermally aged Adirondack; Back and sides: East Indian rosewood; Neck: Mahogany, rosewood fretboard; Scale: 24.75"; Nut: 1.77; Binding: Ivoroid; Purfling: w/b/w; Rosette: w/b/w -
Here's a beautiful Rick Turner Guitars Renaissance RS6 steel string electric acoustic. I ordered this one with a 1 3/4 nut. The guitar has some nicely figured mahogany back and sides, terrific top, mahogany neck and an ipe (Brazilian walnut) fingerboard. The back of the headstock is signed by the legendary Rick Turner himself. If you play acoustic guitar live, you're familiar with the challenges of getting a natural acoustic tone amplified to stage volumes without being plagued by feedback. All the mics, preamps and EQs in the world are rarely up to dealing with a loud monitor pointing at your soundhole. The thinline RS6 is built like an acoustic but has a mahogany center block to resist feedback. A Turner Timberline bridge pickup feeds a full-spectrum signal to an 18-volt D-TAR preamp with graduated volume and tone controls. The preamp runs off two AA batteries, easily accessible via the back panel. I have tested this at loud monitor volumes and it works great straight into the board. Lindsey Buckingham (Fleetwood Mac) loves his Turner guitars and plays a Renaissance live. These guitars also sound great through a conventional guitar amp.
With locking tuners, Access padded case and Timberline electronics.
Condition: New; Top: Mahogany; Back and sides: Mahogany; Neck: Mahogany with ipe (brazilian walnut) fingerboard; Nut: 1 3/4; Scale: 25.5; Orientation: Lefthanded (of course) -
Here's a beautiful new Santa Cruz custom OM, specced with an Adirondack top, hide glue construction, beautifully figured walnut back and sides, and a short 24/75 scale. Lightweight, extremely dynamic and very responsive to a light touch, as all Santa Cruz guitars are. Wonderful guitar. Lifetime warranty and handsome case. If you prefer a different spec, I always have build slots available for any Santa Cruz model. Condition: New; Top: Adirondack spruce; Back and sides: Highly figured walnut; Neck: Mahogany; Nut: 1 3/4; Scale: 24.75; Binding: Ivoroid; Purfling: Herringbone; Rosette:b/w/b; Orientation: Lefthanded (of course) -
I love small bodied acoustics, and this is one of my favorites. This C10 from Collings offers great tone in a small, comfortable package. Crisp trebles, substantial lows, and beautifully balanced. A great blues guitar, strumming guitar, and equally responsive to some dynamic finger picking, thanks to its narrow waist and small upper bout for focused response, and pre-war scalloped bracing. This example is customized with a 1 3/4 nut, tigerstripe pickguard and a gorgeous dark sunburst. Ebony fretboard, pins and bridge, bone nut and saddle. Collings says this is the ideal guitar for players who switch between electrics and acoustics, because the neck carve is the same rounded profile that you’ll find on the venerable Collings 290 electric, and the heel is small and rounded for excellent access to the upper frets. I agree. Big tone in a small package. Bravo. Lifetime warranty and hardshell Collings case. Serial #34753 Condition: New; Top: Select sitka spruce; Back and sides: Mahogany; Neck: Mahogany, medium-fat C neck carve; Nut: 1 3/4; Width: 14 3/4; Depth: 4 1/4; Scale: 25.5; Binding: Grained ivoroid; Purfling: b/w wood; Rosette: Ivoroid; Orientation: Lefthanded (of course) -
Here's a new Huss and Dalton Traditional OM in east Indian rosewood with a thermo-cured (torrified) sitka spruce top, Gotoh 510 tuners and a handsome tweed case. Always one of my favorites OMs, and the build quality is second to none. Everybody knows that like a fine wine, well-kept acoustic guitars get better with age. The passage of decades cures the wood through exposure to light and air. Huss and Dalton now offers sitka spruce that has been “torrified,” or exposed to a careful heating process that achieves the same results that occur naturally over time. The wood appears darker, as vintage guitars do, and it is lighter and stiffer. But how does it sound? Amazing, in a word. Condition: New; Top: Sitka spruce, torrified; Back and sides: East Indian rosewood; Neck: Mahogany; Nut: 1 3/4; Width: 15 1/8; Depth: 4 1/8; Scale: 25.4; Binding: Tortoise; Purfling: b/w/b; Rosette: b/w/b; Lefthanded guitar (of course) -
I was super excited to become a dealer and order these Iris guitars ... hand made in Vermont under the seasoned watch of Adam Buchwald (formerly with Froggy Bottom) and Dale Fairbanks (Fairbanks Guitars), simply yet elegantly appointed with satin finishes, with a nod to vintage depression era flattop tones and at a very reasonable price point. This is the DF model (named after Dale Fairbanks) a slope shouldered dread. This one is customized as a 12-fret deep body Smeck burst with a 1 3/4 nut and firestripe pickguard. Beautiful sunburst. Scalloped Adirondack spruce bracing, a bolt-on mortise and tenon neck, 2 7/32 bridge spacing, Indian rosewood fingerboard and bridge, open pore sating nitrocellulose finish, bone nut and saddle and Golden Age relic brass tuners. With TKL case. Here is a nice demo from The North American Guitar:Condition: New; Top: Sitka spruce; Back and sides: Mahogany; Neck: Mahogany; Nut: 1 3/4; Width: 16 1/4; Depth: 4 7/8; Scale: 25; Binding: Ivoroid; Purfling: b/w/b; Rosette: ivoroid; Orientation: Lefthanded (of course) -
The J-45 is a tonal standard, and this new 60s J-45 Original puts it right in your hands. Handsome wine red finish and an adjustable saddle makes setup a breeze. Plays beautifully. Really nice guitar. Gibson sez: "When you listen to a Gibson round-shoulder acoustic, you will notice that it responds exactly to the player's style and technique - powerful one moment, soft and mellow the next. This 60s J-45 Original offers a period-correct 1 11/16’’ nut width, allowing for comfortable fingering in any position along the mahogany neck. The easily-adjustable saddle can be fine-tuned to players' unique string action preference. The new 60s J-45 Original features double antiqued binding, Grover strap cream button tuners, and our famous white pickguard. Hardshell case included." Condition: New; Top: Sitka; Back and sides: Mahogany; Neck: Mahogany, rosewood fretboard; Nut: 1 11/16; Width: 16; Depth: 4 3/4; Scale: 24.75; Binding: Ivoroid; Purfling: w/b/w; Rosette: w/b/w -
This left-handed National M-1 Tricone resophonic guitar delivers the unmistakable sound of a Tricone with the warmth of wood. The lightweight laminated mahogany body is highlighted by a sturdy wood sound well and hand-painted steel cover plate. The mahogany neck clears 12 frets to the body and features an ivoroid-bound ebony fretboard complete with inlaid mother-of-pearl position markers. Tuners are vintage-style engraved, open gear. Made in the USA. Two-year warranty and a hardshell case. Condition: New; Top: Mahogany; Back and sides: Mahogany; Neck: Honduras mahogany, ebony fretboard, ivoroid binding; Resonator: Three 6 inchalloy cones; Bridge: Aluminum T bridge; Nut: 1.825bone; Width: 14.25; Depth: 3.125; Scale: 25 21/32; Orientation: Lefthanded (of course); List: $3700 -
Sale
Here's a brand-new National Resophonic El Trovador, single cone resonator in mahogany. National's build quality is, as always, off the charts and I love these round neck resonators that are equally at home with a slide or a flatpick. I'll let National describe it: "Its Spanish name translates as “The Troubador,” and this wood-body single-cone National has been popular with musicians ever since its debut in 1932. This reissue was designed in collaboration with renowned blues and swing guitarist Mike Dowling. Like the original, our El Trovador features a large, four-inch-deep body constructed of mahogany — a wood famed for its sonic properties. A wooden soundwell houses the resonator, adding to the unique sound projection. The body is bound in multi-layer celluloid, with a matching purfling border around the classic coverplate. An ebony fretboard is mated to the solid mahogany neck, which is capped by a rosewood headstock overlay. With its rich, deep, warm tone, our El Trovador is one of National’s most popular guitars among troubadors everywhere." Condition: New; Top: Mahogany; Back and sides: Mahogany; Neck: mahogany, ebony fretboard, ivoroid binding; Resonator: single; Bridge: Biscuit; Nut: 1 3/4 bone; Depth: 4; Scale: 25 21/32; Orientation: Lefthanded (of course) -
Here's a beautiful Rick Turner Guitars Renaissance RS6 steel string electric acoustic. I ordered this one with a 1 3/4 nut and satin finish. The guitar has some nicely figured mahogany back and sides, terrific top, mahogany neck and an ipe (Brazilian walnut) fingerboard. The back of the headstock is signed by the late legendary Rick Turner himself. If you play acoustic guitar live, you're familiar with the challenges of getting a natural acoustic tone amplified to stage volumes without being plagued by feedback. All the mics, preamps and EQs in the world are rarely up to dealing with a loud monitor pointing at your soundhole. The thinline RS6 is built like an acoustic but has a mahogany center block to resist feedback. A Turner Timberline bridge pickup feeds a full-spectrum signal to an 18-volt D-TAR preamp with graduated volume and tone controls. The preamp runs off two AA batteries, easily accessible via the back panel. I have tested this at loud monitor volumes and it works great straight into the board. Lindsey Buckingham (Fleetwood Mac) loves his Turner guitars and plays a Renaissance live. These guitars also sound great through a conventional guitar amp.
With locking tuners, Access padded case and Timberline electronics.
Condition: New; Top: Mahogany; Back and sides: Mahogany; Neck: Mahogany with ipe (brazilian walnut) fingerboard; Nut: 1 3/4; Scale: 25.5; Orientation: Lefthanded (of course)
