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The Limited Edition Roasted Stratocaster® Journeyman Relic® with DLX Closet Classic hardware from the Fender Custom Shop combines vintage vibe with modern playability. The 2-piece roasted ash body with offset seam delivers resonant tone and is finished in nitrocellulose lacquer for an aged look. The quartersawn maple neck has a Flat Oval back-shape and is topped with a 3A rosewood fingerboard outfitted with 21 medium jumbo frets. This Strat features a bone nut cut for ideal string spacing and tuning stability. It's loaded with a set of Custom Shop Hand-Wound Tomatillo single-coil pickups in the neck and middle position for sweet, singing tone. The bridge pickup is an Ancho Poblano for increased output and bite. A 5-way blade switch provides access to classic Strat tones. Other features include master volume and two tone controls, vintage-style tuners, a 6-saddle RSD tremolo bridge, and nickel/chrome hardware. Other premium feature include 12" (305 mm) Radius, Vintage Modified Strat® #2 Wiring, 5-Way Switch, 4-Ply Brown Shell Pickguard, 6-Saddle RSD Stratocaster® Tremolo with Vintage-Style Steel Saddles, Vintage-Style Tuning Machines with Fender® Logo, Bone Nut, American Vintage '56-'58 String Tree, Deluxe Hardshell Case, Strap, Certificate of Authenticity. Condition: Light relic; Body: Ash; Neck: Maple 5/4 quartersawn, modern flat oval (.790-850), 12 radius; Nut: 1.650; Color: Two tone burst; Pickups: handwound Tomatillo, Ancho Poblano; Scale: 25.5; Orientation: Lefthanded (of course)
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SaleHere's a new Duesenberg StarPlayer TV model, sized similar to a Les Paul, but semi-hollow, F-hole, black finish with a transparent black back, gold sparkle pick guard, Duesenberg’s Deluxe Tremola (think Bigsby that is better designed and stays in tune). Arched laminated spruce top with flamed maple back and sides, cream bindings, locking tuners, rosewood fretboard, comfortable 12 radius and Duesenberg’s wonderful Domino P-90 at the neck and Grand Vintage humbucker at the bridge. Tones to die for … the middle position in particular is wonderful. Impeccable build, high-quality case, and even a set of Duesenberg band-aids because you will, in fact, play until your fingers bleed. I can’t put it down. Condition: New; Body: Maple, arched laminated spruce top; Color: Black, transparent black back; Pickups: Duesenberg humbucker and P-90; Scale: 25.6
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Here's a new Collings I-35 LC Vintage in aged jet black. I’ve been lucky enough to play some very fine electric guitars, but in my mind there isn’t a finer semi-hollow guitar out there than the Collings I-35. And now they've made it even better: Collings sez: "After several years in development and numerous prototype iterations, we are excited to introduce an I-35 like you've never experienced before — the new I-35 LC Vintage. Drawing inspiration from the best instruments of the 1960s, our newest offering in the I-35 lineup provides an exceptionally loose and organic feel, achieved through a ground up reworking of everything from its laminate and center block recipes to its neck construction. Custom Throbak pickups and Bumblebee capacitors bring its open, acoustic response to life, expanding its versatility and proving that, although it looks every bit the part of a time-tested instrument, its appeal is more than just skin deep." Semi-hollow construction: In order to achieve the loose feel and dynamic response of a long-played vintage instrument, we fully reengineered our laminate and center block recipes for the I-35 LC Vintage. Electronics: Era-appropriate while delivering clarity at every volume is a set of Throbak ESG-102B humbuckers tweaked to a custom Collings spec specifically for the I-35 LC Vintage, all complemented by a set of Luxe Bumblebee capacitors. Aged Finish and Hardware: Every I-35 LC Vintage sports our aged finish and aged hardware, an in-house developed process designed to give a truly time-worn look and feel. An altered truss rod curve and carefully chosen materials specific to the Vintage based on grain orientation, weight, and density are just a couple of the aspects that contribute to its expressive and organic feel and tone. Vintage Appointments: Gold or black reflector top knobs and a wide-bevel 3-ply pickgurard complement the aged finish and hardware and three vintage-inspired color options. They just don’t get any better. Lifetime warranty from Collings and a deluxe hardshell case. Serial # I35LC252475 Condition: New, aged; Body: Maple laminate; Neck: Mahogany, rosewood fretboard, 12 radius; Nut: 1 11/16; Color: Aged jet black; Pickups: Throbak; Scale: 24 7/8; Orientation: Lefthanded (of course)
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I don't get a lot of basses here, but I like this one a lot, it's a 1975 Fender Precision bass with some modifications. Structurally it's fine, cosmetically in very good condition, some honest dings, wear and chips as you would expect on a 5o year old instrument, a Fender USA gold bridge (original nickel bridge is in the case), gold Schaller tuners, gold knobs and La Bella nylon tape wrapped strings. This one is a player, and it's set up beautifully and sounds great. Custom pickguard has a small crack near one screw hole. Holes remain from the removal of the original tuners, which no longer accompany the bass, as well as where the thumb rest was removed (also absent). Original knobs are included. This one's a player bass, at home in the studio or on the road, and it has that classic P Bass sound in spades. Love the strings, super comfortable and have that deep vintage tone. With case which looks to be the original, plenty of wear but still serviceable. Condition: Very good; Body: Alder; Neck: Maple; Color: 3 color burst; Scale: 34; Orientation: Lefthanded (of course)
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I haven't had the good fortune to play an 88-year-old D-18 in person, but this new Martin Authentic 1937 VTS D-18 is the next best thing, and it is a heck of a dread. Sounds amazing. I also stock the aged version, this one is non-aged (cosmetically). Martin says: "1937 was an excellent year for guitars, with a perfect storm of craftsmanship, innovation, and materials. This Authentic Series replication of a 1937 D-18 stays true to the original with hide glue construction and historically accurate detailing. This guitar features genuine mahogany back and sides and an Adirondack spruce top, and it includes an Authentic circa 1937 bracing pattern. Plus, it adds the Vintage Tone System® (VTS) that ages the wood to replicate the sound of a vintage Martin. Martin's craftspeople can recreate the pleasing visual aesthetics of a vintage guitar and reproduce the particular tones previously reserved for vintage instruments. Now Martin has reintroduced a more accurate body profile based on dreadnought shapes from the early Golden Era of Martin's history. The result is a tactile, visual, and auditory experience that will transport you all the way back to the 1930s. And we know you’re going to like it there." Condition: New; Top: Adirondack spruce; Back and sides: Mahogany; Neck: Mahogany, Authentic 1937; Nut: 1 3/4; Scale: 25.4; Binding: Brown tortoise pattern; Purfling: Multistripe; Rosette: Multistripe; Orientation: Lefthanded (of course)
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This Fender Custom Shop 70th Anniversary limited edition Strat is a real stunner and won't be available for long. 2024 marked the platinum anniversary of the Stratocaster®—that’s seven decades of the world’s greatest electric guitar. To mark this auspicious milestone, the Fender Custom Shop introduces the Limited Edition 70th Anniversary Stratocaster®. Its two-piece select alder body delivers lively resonance and well-balanced tone and is decked out in gold hardware, an NOS lacquer finish in striking Bright Sapphire Metallic, and distinctively elevated features from the golden era of the Stratocaster. The one-piece 4A flame maple neck has a big, comfortable 10/’56 Soft “V” profile, topped by a 9.5”-radius fingerboard with 21 gold Medium Vintage (47095) frets, abalone dot markers and a bone nut. Pure sonic Strat® magic comes from three Custom Shop hand-wound Fat ’50s Stratocaster® pickups with gold magnets, delivering crisp highs and well-balanced mids and lows. Vintage Modified #2 wiring includes five-way pickup switching and the Tone-Saver bleed circuit, which eliminates tone loss when volume is turned down. Other premium features include an 11-hole single-ply parchment pickguard, Custom Shop vintage synchronized tremolo bridge, vintage-style tuners, wing string tree, special 70th Anniversary Stratocaster® neck plate, deluxe hardshell case, and certificate of authenticity. Condition: NOS; Body: Alder; Neck: 10/56 V (.880-980), 9.5 radius; Nut: 1.650; Color: Bright Sapphire Metallic; Pickups: handwound Fat 50s; Scale: 25.5; Orientation: Lefthanded (of course)
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I could not resist ordering this Iris with a beautiful limited edition hand painted Sarah Ryan top (one of 10 produced and almost certainly the only lefty). As Iris says, "This year Sarah took inspiration from the forests of our beautiful homeland of Vermont. The hand-painted details include what you might find on a hike through the Green Mountain State, such as: oak leaves with acorns, alder pinecones, trillium and a black bear (you never know!)." This is an OG model, customized with a 1 3/4 nut. Scalloped Adirondack spruce bracing, a bolt-on mortise and tenon neck, 2 7/32 bridge spacing, Indian rosewood fingerboard and bridge, open pore sating nitrocellulose finish, bone nut and saddle and Golden Age relic brass tuners. With TKL case. Iris says: “The original Iris that put us on the map: The OG Model. It has a comfortable 25” scale and an equally comfy C-shape neck.” ”Overall, it has a warm and dry voice, with an impressive midrange response. It takes equally well to being strummed with a pick or fingerpicked, in standard or open tunings, and it has a generous amount of headroom and projection.” — Acoustic Guitar, July/Aug 2019” Iris says: "This mid-thirties style guitar, with its short scale, is a wonderful complement to our line of small bodied Iris." Here is a nice demo of an OG with a previous Sarah Ryan design:Condition: New; Top: Sitka spruce; Back and sides: Mahogany; Neck: Mahogany; Nut: 1 3/4; Width: 14.5; Depth: 4 5/8; Scale: 25; Binding: Ivoroid; Purfling: b/w/b; Rosette: ivoroid; Orientation: Lefthanded (of course)
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I was super excited to become a dealer and order these Iris guitars ... hand made in Vermont under the seasoned watch of Adam Buchwald (formerly with Froggy Bottom) and Dale Fairbanks (Fairbanks Guitars), simply yet elegantly appointed with satin finishes, with a nod to vintage depression era flattop tones and at a very reasonable price point.
This is the MS-00,with a black top and firestripe pickguard, designed with the aid of Mark Stutman. Scalloped Adirondack spruce bracing, a bolt-on mortise and tenon neck, 2 7/32 bridge spacing, Indian rosewood fingerboard and bridge, open pore sating nitrocellulose finish, bone nut and saddle and Golden Age relic brass tuners. With TKL case. Iris says: "This mid-thirties style guitar, with its short scale, is a wonderful complement to our line of small bodied Iris." Here is a nice demo:Condition: New; Top: Sitka spruce; Back and sides: Mahogany; Neck: Mahogany; Nut: 1 3/4; Width: 14 7/8; Depth: 4 3/8; Scale: 24.75; Binding: Ivoroid; Purfling: b/w/b; Rosette: ivoroid; Orientation: Lefthanded (of course) -
Billy Strings has turned the bluegrass world on its ear the last few years, and I've been looking forward to sampling his signature model. Great guitar. Martin says: "Inspired by Billy Strings' prized 1940 D-28, the Martin D-28 Billy Strings brings a modern twist to a classic pre-war design, incorporating features tailored to Billy's electrifying playing style. This signature Dreadnought showcases a unique 25" scale length, reducing string tension for fast, intricate playing and expressive bends – perfectly suited for Billy’s rapid-fire licks. With a custom nut width that’s slightly wider than his pre-war Martin and a modified low oval satin neck, it offers enhanced comfort and speed, ideal for players who crave agility up and down the neck. The solid East Indian rosewood back and sides and spruce top deliver a full, resonant tone with rich bass, while the bold herringbone trim, antique toner, and antique white binding add vintage flair. Nickel enclosed gear tuners, exclusive to Martin, and an ebony fingerboard with abalone diamond and square inlay round out the guitar’s looks and performance. It’s an ideal balance of traditional craftsmanship and modern playability, much like Billy’s genre-defying style. Each guitar features a custom paper label with his pre-printed signature and graphic. " Condition: New; Top: Sitka spruce; Back and sides: East Indian rosewood; Neck: Mahogany, modified low oval carve; Nut: 1 23/32; Scale: 25; Binding: Antique white; Purfling: Bold Herringbone; Rosette: Multistripe; Orientation: Lefthanded (of course)
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Here's a new Huss and Dalton Traditional OM in east Indian rosewood with a thermo-cured (torrified) sitka spruce top, Gotoh 510 tuners and a handsome tweed case. Always one of my favorites OMs, and the build quality is second to none. Everybody knows that like a fine wine, well-kept acoustic guitars get better with age. The passage of decades cures the wood through exposure to light and air. Huss and Dalton now offers sitka spruce that has been “torrified,” or exposed to a careful heating process that achieves the same results that occur naturally over time. The wood appears darker, as vintage guitars do, and it is lighter and stiffer. But how does it sound? Amazing, in a word. Here's our friend Ed Strickland taking one for a spin.Condition: New; Top: Sitka spruce, torrified; Back and sides: East Indian rosewood; Neck: Mahogany; Nut: 1 3/4; Width: 15 1/8; Depth: 4 1/8; Scale: 25.4; Binding: Tortoise; Purfling: b/w/b; Rosette: b/w/b; Lefthanded guitar (of course)
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Brand new model from Martin ... simple aesthetics, all mahogany for a warm tone ... great guitar. The Martin D-17 is a bold new offering in the refreshed Standard Series, combining vintage-inspired appointments with modern refinements for players seeking rich sounds and enhanced playability. This 14-fret Dreadnought model is handcrafted with a satin-finished solid mahogany body, delivering a warm and woody tone. The Sitka spruce Golden Era (GE) top bracing, as featured on the Modern Deluxe Series, offers a more vintage, breathy tone, while an ebony GE modern belly bridge with smoother corners enhances comfort and resonance. Playability is a priority with the D-17, featuring a satin-finished select hardwood neck, GE modified low oval profile that’s optimized for vintage appeal, and thinner ebony fingerboard with a gently beveled edge. The refined string spacing is ideal for players who want a comfortable, effortless feel. Vintage-inspired details such as a sleeker heel and nickel open gear tuners give the guitar a timeless, elegant look. Whether you’re strumming big chords or picking intricate tunes, the D-17 delivers powerful, dynamic sound with a classic, vintage vibe that's anything but standard. Condition: New; Top: Mahogany; Back and sides: Mahogany; Neck: Mahogany, GE modified low profile; Nut: 1 3/4; Scale: 25.4; Binding: None; Purfling: None; Rosette: Multistripe; Orientation: Lefthanded (of course)
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Here's a brand new PRS Wood Library Custom 24 in a killer blue fade finish. Reminds me of the beach in St. Martin. Carved figured flame maple top with a great figure, ebony fretboard, curly maple neck, beautiful ribbon mahogany body and old-school bird inlays in paua abalone. The guitar has 58/15 LT pickups, 5-way switching and a tremolo bridge. Finish is aquamarine and the guitar has the wood library hardshell case. Pattern thin neck carve on this one. Lifetime warranty. Condition: New; Body: Mahogany with figured carved maple top; Neck: Curly maple pattern thin carve, Ebony fretboard; Color: blue fade; Pickups: PRS 58/15 LT; Scale: 25; Lefthanded guitar (of course)
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Here's a Fender Custom Shop 59 Vintage Custom hardtail Strat in NOS sonic blue with a mint green pickguard and nice dark rosewood fretboard. One of my favorite color combos. Fender sez: "1959 saw the advent of several important feature changes to the Stratocaster® including a slab rosewood fingerboard with clay position dots, a three-ply mint green pickguard with 8, 9 or 10 screws depending on the month it was built, and a metal spacer added to the string tree. This hardtail version would have been on the rare side, which ups the collectability and cool factors. This guitar features a hand-selected two-piece alder body and a rift-sawn maple neck with a 1959 "D" profile, a vintage compound-radius (7.25" - 9.5") AAA rosewood fingerboard and 21 medium vintage frets. Hand-wound 1959 Strat pickups are wired to a vintage '59 control assembly and five-way switch. Other features include Closet Classic hardware, three-ply eight-hole mint green pickguard, vintage-style hardtail bridge with patent pending saddles, vintage-style tuning machines, bone nut and wing string tree with metal spacer. Includes deluxe hardshell case, strap and certificate of authenticity." Condition: New ; Body: Alder; Neck: 59 D profile (.800-.980), 7.25-9.5 compound radius; Nut: 1.650; Color: Faded Aged Sonic Blue; Pickups: handwound 59 Strat (reverse wound middle); Scale: 25.5; Orientation: Lefthanded (of course)
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The Martin 000-18 is an iconic acoustic, trusted by generations of players for its balanced tone and legendary craftsmanship. Its Auditorium body size delivers a rich, even voice with perfect balance across all six strings, making it ideal for everything from intricate fingerstyle to strumming full-bodied chords. Handcrafted with a solid spruce top and solid mahogany back and sides, the 000-18 offers a bright treble response, punchy midrange, and impressive projection—all in a classic, comfortable design. The satin neck with a Golden Era (GE) Modified Low Oval profile, high-performance taper, and 24.9" scale length ensures unmatched playability. Elegant ebony details, including the bridge, bridge pins, and fingerboard with abalone dot inlays, enhance its timeless design. Complete with aging toner on its top, black binding, and nickel open gear tuners, the 000-18 is a guitar you can trust to unleash the artist within. Martin’s refreshed Standard Series for 2025 enhances tone, comfort, and style. Sitka spruce GE top bracing, as featured on the Modern Deluxe Series, delivers vintage-inspired tone and sustain, while updates like a reimagined neck profile, thinner fingerboard, and refined bridge and heel improve playability and aesthetics. Each guitar includes a hardshell case. Condition: New; Top: Spruce; Back and sides: Mahogany; Neck: Mahogany, Modified Low Profile; Nut: 1 3/4; Scale: 24.9; Binding: Black; Purfling: Multistripe; Rosette: Multistripe; Orientation: Lefthanded (of course)
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1967’s Summer of Love and Flower Power movement influenced mainstream fashions worldwide, and Fender was on board with its new Paisley Telecasters. Oddly enough, the guitars became more popular with rockabilly and country western players (they were adopted most famously by Tele master James Burton) rather than the flower children that helped inspire them. These guitars have earned a special place in Fender history, and the Fender Custom Shop Vintage Custom 1968 Paisley Tele models are faithful recreations of those original instruments. The two-piece select alder body wears an NOS lacquer finish with WLS undercoat over the famous Paisley or Blue Flower motif. The rift-sawn maple neck has a ’60-style “oval C” profile, topped by a round-lam rift-sawn maple fingerboard with 7.25”-9.5” vintage compound radius and 21 medium vintage frets for a comfortable feel up and down. Hand-wound Tele pickups with a three-way switch and modern Tele wiring. Other features include an eight-hole clear polyurethane pickguard, ’67 Tele bridge with threaded steel saddles, Schaller® “F” tuning machines, bone nut, and wing string tree. Deluxe hardshell case, strap and certificate of authenticity included. Condition: Relic; Body: Alder; Neck: Riftsawn maple, mid 60s oval C carve (.850/.920), 7-25-9.5 compound radius; Nut: 1.650; Color: Black Paisley; Pickups: Custom Shop handwound Twisted Tele and Original Blackguard; Scale: 25.5; Orientation: Lefthanded (of course)
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The Martin D-41 is a trusted icon in Martin’s acoustic lineup, blending powerful tone with refined elegance. Its Dreadnought body size delivers a bold, projective sound with strong bass, clear trebles, and rich overtones, making it ideal for players who want their music to fill the room. Handcrafted with a solid spruce top and solid East Indian rosewood back and sides, the D-41 offers a resonant voice that’s balanced across all playing styles. The satin genuine mahogany neck, featuring a Golden Era (GE) Modified Low Oval profile, high-performance taper, and 25.4" scale length, ensures smooth playability. Luxurious abalone details, including the rosette, top-edge trim, and hexagon inlays, elevate its timeless design. Complete with antique white binding, a bound ebony fingerboard, an ebony bridge with bone pins, gold open gear tuners, the D-41 is a guitar you can trust to unleash the artist within. Martin’s refreshed Standard Series for 2025 enhances tone, comfort, and style. Sitka spruce GE top bracing, as featured on the Modern Deluxe Series, delivers vintage-inspired tone and sustain, while updates like a reimagined neck profile, thinner fingerboard, and refined bridge and heel improve playability and aesthetics. Each guitar includes a hardshell case. Condition: New; Top: Spruce; Back and sides: East Indian rosewood; Neck: Mahogany, GE Modified LowOval; Nut: 1 3/4; Scale: 25.4; Binding: antique white; Purfling: Abalone; Rosette: Abalone; Orientation: Lefthanded (of course)
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Here's a brand new PRS Wood Library Custom 24 in a custom autumn sky wrap burst finish.Gorgeous tight ribbon flame. Carved figured flame maple top with a great figure, ebony fretboard, curly maple neck stained to match the top, beautiful ribbon mahogany body and old-school bird inlays in paua abalone. The guitar has 58/15 LT pickups, 5-way switching and a tremolo bridge. Finish is autumn sky and the guitar has the wood library hardshell case. Pattern thin neck carve on this one. Lifetime warranty. Condition: New; Body: Mahogany with figured carved maple top; Neck: Curly maple pattern thin carve, Ebony fretboard; Color: autumn sky; Pickups: PRS 58/15 LT; Scale: 25; Lefthanded guitar (of course)
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Here is a brand new Martin D-18, lefthanded, of course. We all know the tone. If you're a mahogany aficionado, this is the standard. Martin sez: "Understated looks, timeless tone. The warm tone of mahogany and spruce couple with resonant scalloped bracing under the hood for a sound that's honest, authoritative, and clear. Vintage details include open-geared tuners and classic 18-style appointments pair with a modern, low profile neck for an old-soul sound.." String Type: Steel Number of Strings: 6 Left-/Right-handed: Left-handed Body Shape: Dreadnought 14-Fret Body Style: No Cutaway Back & Sides Wood: Mahogany Top Wood: Spruce Finish: Gloss Color: Natural Body Bracing: X Scalloped Binding: Tortoise Color Neck Wood: Hardwood Neck Shape: Modified Low Oval Profile w/ Performing Artist Taper Radius: 16" Fingerboard Material: Ebony Fingerboard Inlay: Old Style 18 Number of Frets: 20 Scale Length: 25.4" Nut Width: 1.75" Nut/Saddle Material: Bone Bridge Material: Ebony Tuning Machines: Nickel Open-geared w/ Butterbean Knobs Case/Gig Bag: Hardshell Case
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Here is a brand new Martin D-28, lefthanded, of course. The quintessential dreadnought. I loved mine until I replaced it with a D-41 Special back in 2008. Martin sez: "The Martin D-28 has been the quintessential workhorse of music legends like Hank Williams, The Beatles, Johnny Cash, Neil Young, Bob Dylan, and so many more. It’s no surprise because the D-28 is crafted with East Indian rosewood, which is very resonant and offers deep bass and rich overtones. It is a well-balanced guitar for all playing styles. It also combines vintage appointments like open gear tuners, an aged toner top, antique white accents, and a faux tortoise pickguard with a modern neck profile for a fast, comfortable playing experience." Model: D-28 LH Construction: Dovetail Neck Joint Body Size: D-14 Fret Top Material: Sitka Spruce Rosette: Multi-Stripe Bracing Pattern: Forward Shifted X Brace Brace Shape: Non-Scalloped Brace Material: Sitka Spruce Brace Size: 5/16" Back Material: East Indian Rosewood Back Purfling/Strip: Style 28 Side Material: East Indian Rosewood Endpiece: Antique White Endpiece Inlay: Multi-Stripe Binding: Antique White Top Inlay Material: Multi-Stripe Back Inlay Material: Multi-Stripe Neck Material: Select Hardwood Neck Shape: Modified Low Oval Neck Taper: High Performance Taper Plek: Yes Nut Material: Bone Headstock Shape: Solid with Square Taper and Diamond Headplate Material: East Indian Rosewood Headplate Logo Style: Script Old Style Overlay Heelcap: Antique White Fingerboard Material: Ebony Scale Length: 25.4" Neck Joins Body At: 14th Fret Number of Frets Total: 20 Fingerboard Width at Nut: 1 3/4'' Fingerboard Width at 12th Fret: 2 1/8'' Fingerboard Inlay Material: Mother of Pearl Fingerboard Inlay Style: Style 28 Fingerboard Binding Material: None Side Dots: White Back and Side Finish: Gloss Finish Top: Gloss Top Color: Aging Toner Finish Neck: Satin Neck Color: Dark Mahogany Bridge Material: Ebony Bridge Style: Modern Belly - Drop in Saddle Bridge String Spacing: 2 5/32" Saddle: Compensated Bone Saddle Radius: 16" Tuning Machines: Nickel Open Gear Knob: Butterbean Bridge Pin Material: White Plastic Bridge Pin Dots: Faux Tortoise Pickguard: Faux Tortoise Case: Molded Hardshell
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Here is Lefty Guitars Only's latest exclusive Wood Library run from PRS. This is a McCarty, with a quilted maple top, in a custom charcoal to black fade with charcoal binding and a microburst. Back and neck are mahogany, the fingerboard and headstock overlay is ebony, neck carve is Pattern, with green ripple abalone old school birds. Pickups are the coveted 58/15 LT. 3-way switching with a pull on the tone control for coil tap. The McCarty has a slightly deeper body than the Custom 22, for enhanced tone and sustain, and a PRS wraparound adjustable stoptail bridge with brass saddles. Beautiful guitar. Lifetime warranty. Condition: New; Body: Mahogany with carved quilted maple top; Neck: Mahogany, pattern carve, ebony fretboard; Color: Charcoal black fade; Pickups: 58/15 LT; Scale: 25; Lefthanded guitar (of course)



















