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Here's a Fender Custom Shop 59 Vintage Custom hardtail Strat in NOS sonic blue with a mint green pickguard and nice dark rosewood fretboard. One of my favorite color combos. Fender sez: "1959 saw the advent of several important feature changes to the Stratocaster® including a slab rosewood fingerboard with clay position dots, a three-ply mint green pickguard with 8, 9 or 10 screws depending on the month it was built, and a metal spacer added to the string tree. This hardtail version would have been on the rare side, which ups the collectability and cool factors. This guitar features a hand-selected two-piece alder body and a rift-sawn maple neck with a 1959 "D" profile, a vintage compound-radius (7.25" - 9.5") AAA rosewood fingerboard and 21 medium vintage frets. Hand-wound 1959 Strat pickups are wired to a vintage '59 control assembly and five-way switch. Other features include Closet Classic hardware, three-ply eight-hole mint green pickguard, vintage-style hardtail bridge with patent pending saddles, vintage-style tuning machines, bone nut and wing string tree with metal spacer. Includes deluxe hardshell case, strap and certificate of authenticity." Condition: New ; Body: Alder; Neck: 59 D profile (.800-.980), 7.25-9.5 compound radius; Nut: 1.650; Color: Faded Aged Sonic Blue; Pickups: handwound 59 Strat (reverse wound middle); Scale: 25.5; Orientation: Lefthanded (of course) -
The Martin 000-18 is an iconic acoustic, trusted by generations of players for its balanced tone and legendary craftsmanship. Its Auditorium body size delivers a rich, even voice with perfect balance across all six strings, making it ideal for everything from intricate fingerstyle to strumming full-bodied chords. Handcrafted with a solid spruce top and solid mahogany back and sides, the 000-18 offers a bright treble response, punchy midrange, and impressive projection—all in a classic, comfortable design. The satin neck with a Golden Era (GE) Modified Low Oval profile, high-performance taper, and 24.9" scale length ensures unmatched playability. Elegant ebony details, including the bridge, bridge pins, and fingerboard with abalone dot inlays, enhance its timeless design. Complete with aging toner on its top, black binding, and nickel open gear tuners, the 000-18 is a guitar you can trust to unleash the artist within. Martin’s refreshed Standard Series for 2025 enhances tone, comfort, and style. Sitka spruce GE top bracing, as featured on the Modern Deluxe Series, delivers vintage-inspired tone and sustain, while updates like a reimagined neck profile, thinner fingerboard, and refined bridge and heel improve playability and aesthetics. Each guitar includes a hardshell case. Condition: New; Top: Spruce; Back and sides: Mahogany; Neck: Mahogany, Modified Low Profile; Nut: 1 3/4; Scale: 24.9; Binding: Black; Purfling: Multistripe; Rosette: Multistripe; Orientation: Lefthanded (of course) -
1967’s Summer of Love and Flower Power movement influenced mainstream fashions worldwide, and Fender was on board with its new Paisley Telecasters. Oddly enough, the guitars became more popular with rockabilly and country western players (they were adopted most famously by Tele master James Burton) rather than the flower children that helped inspire them. These guitars have earned a special place in Fender history, and the Fender Custom Shop Vintage Custom 1968 Paisley Tele models are faithful recreations of those original instruments. The two-piece select alder body wears an NOS lacquer finish with WLS undercoat over the famous Paisley or Blue Flower motif. The rift-sawn maple neck has a ’60-style “oval C” profile, topped by a round-lam rift-sawn maple fingerboard with 7.25”-9.5” vintage compound radius and 21 medium vintage frets for a comfortable feel up and down. Hand-wound Tele pickups with a three-way switch and modern Tele wiring. Other features include an eight-hole clear polyurethane pickguard, ’67 Tele bridge with threaded steel saddles, Schaller® “F” tuning machines, bone nut, and wing string tree. Deluxe hardshell case, strap and certificate of authenticity included. Condition: Relic; Body: Alder; Neck: Riftsawn maple, mid 60s oval C carve (.850/.920), 7-25-9.5 compound radius; Nut: 1.650; Color: Black Paisley; Pickups: Custom Shop handwound Twisted Tele and Original Blackguard; Scale: 25.5; Orientation: Lefthanded (of course) -
The Martin D-41 is a trusted icon in Martin’s acoustic lineup, blending powerful tone with refined elegance. Its Dreadnought body size delivers a bold, projective sound with strong bass, clear trebles, and rich overtones, making it ideal for players who want their music to fill the room. Handcrafted with a solid spruce top and solid East Indian rosewood back and sides, the D-41 offers a resonant voice that’s balanced across all playing styles. The satin genuine mahogany neck, featuring a Golden Era (GE) Modified Low Oval profile, high-performance taper, and 25.4" scale length, ensures smooth playability. Luxurious abalone details, including the rosette, top-edge trim, and hexagon inlays, elevate its timeless design. Complete with antique white binding, a bound ebony fingerboard, an ebony bridge with bone pins, gold open gear tuners, the D-41 is a guitar you can trust to unleash the artist within. Martin’s refreshed Standard Series for 2025 enhances tone, comfort, and style. Sitka spruce GE top bracing, as featured on the Modern Deluxe Series, delivers vintage-inspired tone and sustain, while updates like a reimagined neck profile, thinner fingerboard, and refined bridge and heel improve playability and aesthetics. Each guitar includes a hardshell case. Condition: New; Top: Spruce; Back and sides: East Indian rosewood; Neck: Mahogany, GE Modified LowOval; Nut: 1 3/4; Scale: 25.4; Binding: antique white; Purfling: Abalone; Rosette: Abalone; Orientation: Lefthanded (of course) -
Here's a brand new PRS Wood Library Custom 24 in a custom autumn sky wrap burst finish.Gorgeous tight ribbon flame. Carved figured flame maple top with a great figure, ebony fretboard, curly maple neck stained to match the top, beautiful ribbon mahogany body and old-school bird inlays in paua abalone. The guitar has 58/15 LT pickups, 5-way switching and a tremolo bridge. Finish is autumn sky and the guitar has the wood library hardshell case. Pattern thin neck carve on this one. Lifetime warranty. Condition: New; Body: Mahogany with figured carved maple top; Neck: Curly maple pattern thin carve, Ebony fretboard; Color: autumn sky; Pickups: PRS 58/15 LT; Scale: 25; Lefthanded guitar (of course) -
Here is a brand new Martin D-18, lefthanded, of course. We all know the tone. If you're a mahogany aficionado, this is the standard. Martin sez: "Understated looks, timeless tone. The warm tone of mahogany and spruce couple with resonant scalloped bracing under the hood for a sound that's honest, authoritative, and clear. Vintage details include open-geared tuners and classic 18-style appointments pair with a modern, low profile neck for an old-soul sound.." String Type: Steel Number of Strings: 6 Left-/Right-handed: Left-handed Body Shape: Dreadnought 14-Fret Body Style: No Cutaway Back & Sides Wood: Mahogany Top Wood: Spruce Finish: Gloss Color: Natural Body Bracing: X Scalloped Binding: Tortoise Color Neck Wood: Hardwood Neck Shape: Modified Low Oval Profile w/ Performing Artist Taper Radius: 16" Fingerboard Material: Ebony Fingerboard Inlay: Old Style 18 Number of Frets: 20 Scale Length: 25.4" Nut Width: 1.75" Nut/Saddle Material: Bone Bridge Material: Ebony Tuning Machines: Nickel Open-geared w/ Butterbean Knobs Case/Gig Bag: Hardshell Case -
Here is a brand new Martin D-28, lefthanded, of course. The quintessential dreadnought. I loved mine until I replaced it with a D-41 Special back in 2008. Martin sez: "The Martin D-28 has been the quintessential workhorse of music legends like Hank Williams, The Beatles, Johnny Cash, Neil Young, Bob Dylan, and so many more. It’s no surprise because the D-28 is crafted with East Indian rosewood, which is very resonant and offers deep bass and rich overtones. It is a well-balanced guitar for all playing styles. It also combines vintage appointments like open gear tuners, an aged toner top, antique white accents, and a faux tortoise pickguard with a modern neck profile for a fast, comfortable playing experience." Model: D-28 LH Construction: Dovetail Neck Joint Body Size: D-14 Fret Top Material: Sitka Spruce Rosette: Multi-Stripe Bracing Pattern: Forward Shifted X Brace Brace Shape: Non-Scalloped Brace Material: Sitka Spruce Brace Size: 5/16" Back Material: East Indian Rosewood Back Purfling/Strip: Style 28 Side Material: East Indian Rosewood Endpiece: Antique White Endpiece Inlay: Multi-Stripe Binding: Antique White Top Inlay Material: Multi-Stripe Back Inlay Material: Multi-Stripe Neck Material: Select Hardwood Neck Shape: Modified Low Oval Neck Taper: High Performance Taper Plek: Yes Nut Material: Bone Headstock Shape: Solid with Square Taper and Diamond Headplate Material: East Indian Rosewood Headplate Logo Style: Script Old Style Overlay Heelcap: Antique White Fingerboard Material: Ebony Scale Length: 25.4" Neck Joins Body At: 14th Fret Number of Frets Total: 20 Fingerboard Width at Nut: 1 3/4'' Fingerboard Width at 12th Fret: 2 1/8'' Fingerboard Inlay Material: Mother of Pearl Fingerboard Inlay Style: Style 28 Fingerboard Binding Material: None Side Dots: White Back and Side Finish: Gloss Finish Top: Gloss Top Color: Aging Toner Finish Neck: Satin Neck Color: Dark Mahogany Bridge Material: Ebony Bridge Style: Modern Belly - Drop in Saddle Bridge String Spacing: 2 5/32" Saddle: Compensated Bone Saddle Radius: 16" Tuning Machines: Nickel Open Gear Knob: Butterbean Bridge Pin Material: White Plastic Bridge Pin Dots: Faux Tortoise Pickguard: Faux Tortoise Case: Molded Hardshell -
Here is Lefty Guitars Only's latest exclusive Wood Library run from PRS. This is a McCarty, with a quilted maple top, in a custom charcoal to black fade with charcoal binding and a microburst. Back and neck are mahogany, the fingerboard and headstock overlay is ebony, neck carve is Pattern, with green ripple abalone old school birds. Pickups are the coveted 58/15 LT. 3-way switching with a pull on the tone control for coil tap. The McCarty has a slightly deeper body than the Custom 22, for enhanced tone and sustain, and a PRS wraparound adjustable stoptail bridge with brass saddles. Beautiful guitar. Lifetime warranty. Condition: New; Body: Mahogany with carved quilted maple top; Neck: Mahogany, pattern carve, ebony fretboard; Color: Charcoal black fade; Pickups: 58/15 LT; Scale: 25; Lefthanded guitar (of course) -
The SE Silver Sky is a familiar iteration of the original Silver Sky model that was first introduced with John Mayer in 2018. This workhorse guitar provides ample tone and playability in four distinct colors, delivering looks, feel, and sound. The PRS SE Silver Sky starts with a poplar body, bolt-on maple neck, and maple or rosewood fretboard with PRS trademark bird inlays. The 22-fret, 25.5” scale length neck features the original 635JM carve and an 8.5” fretboard radius, so the PRS SE Silver Sky will feel right at home. Plug it in, and the three single-coil 635JM “S” pick-ups will bark and sing. This guitar is anchored by a two-point steel tremolo, synthetic bone nut, and vintage-style tuners. Other design features include the PRS Silver Sky inverted headstock shape and the PRS double-acting truss rod (accessible from the front of the headstock for ease of use). Ships with PRS Classic 10-46 strings and gig bag. Pick your color and fretboard when you add to the cart. Condition: New; Body: Poplar Neck: Maple; Pickups: PRS 635 JMS; Scale: 25.5; Lefthanded guitar (of course)
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Here is a beautiful new left-handed Martin D-28 Modern Deluxe ... Martin took the Standard D-28 and added, among other things, a VTS top, maple binding, Adirondack spruce forward shifted X bracing, gold hardware, dovetail neck joint and protein glue construction, plus a new neck carve and a stylish abalone Martin logo. Wonderful guitar. Martin sez: "The D-28 Modern Deluxe is a new take on Martin Vintage. This guitar is packed with custom features and modern technology that you have to see, feel, and hear for yourself. The vintage appointments include a spruce VINTAGE TONE SYSTEM® (VTS) top, a dovetail neck joint, and natural protein glue construction that give it the rich, fully aged Martin tone that has inspired generations. The look is unlike anything in our production line to date with European flamed maple binding, stylish gold frets, gold open-gear tuners, and a unique 1930s style script logo inlaid in pearl on the headstock. Some ultra-modern features include Liquidmetal® bridge pins with red dots and a composite carbon fiber bridgeplate that boosts volume. And we’ve included a new neck shape that is slightly asymmetrical for maximum hand comfort up and down the fretboard. This guitar is anything but standard." (An amusing aside: A long (long) time ago, a couple of decades before I opened a guitar store, I played my first Martin D-28 at local store. The old, grizzled store owner, said, "Son, anyone who calls himself a guitar player needs to own him a Martin D-28." Then he told me I was a idiot for not learning how to play right handed. So I told him to stuff it and bought mine somewhere else. But I loved my D-28 and would still own it today had I not replaced it with a D-41 Special 17 years ago.) Condition: New; Top: VTS spruce; Back and sides: East Indian rosewood; Neck: Mahogany, vintage deluxe carve; Nut: 1 3/4; Scale: 25.4; Binding: flame maple; Purfling: Herringbone; Rosette: multi stripe; Orientation: Lefthanded (of course) -
Sale
Lightly played and near mint condition. Save some bucks! Collings builds terrific dreads, and their venerable D1 with the Traditional package is no exception. This guitar is customized with a 1.75 nut. Handsome and understated tortoise binding with gold mother of pearl inlays , the Custom Traditional Series pre-war scalloped X-brace (no tongue brace), ultra-thin nitro finish and ebony fretboard and an ebony belly bridge give it Collings’ typical impressive volume and projection, yet allow the guitar to be equally responsive to a light touch. Dread of a lifetime. Hardshell case. Serial # 33811. Collings sez: "Our Traditional Series or "T-Series” guitars represent an exciting vintage-inspired tonal variation on the distinctive Collings sound, designed and crafted to showcase the most desirable characteristics present in coveted pre-war instruments. Bracing and tone woods are adjusted for weight and thickness to create a voicing characterized by warm, rounded highs and a present low midrange, while retaining a quick attack and strong projection." Condition: Near mint; Top: Sitka spruce; Back and sides: Mahogany; Neck: Mahogany, Traditional profile; Nut: 1 3/4; Width: 15 5/8; Depth: 4 7/8; Scale: 25 1/2; Binding: Tortoise; Purfling: custom wood; Rosette: custom wood; Orientation: Lefthanded (of course) -
Sale
We just got in this Gibson Banner 1942 Southern Jumbo and I am smitten. Classic big Gibson tone, hand scalloped red spruce bracing, bone saddle, mother of pearl parallelogram inlays, hide glue construction, C profile neck, open back vintage tuners, and a beautiful burst, to boot. Very nice guitar. With period correct hardshell case. Gibson sez: "The Custom Shop Historic Reissue 1942 Banner Southern Jumbo features the vibe of a vintage Gibson Acoustic. The thermally aged Adirondack red spruce top and rosewood back and sides have outstanding tonal response and superior playability. At home playing first position chords or picking lead blues licks, the Southern Jumbo is a versatile instrument. Proudly displaying the "Only a Gibson is Good Enough" banner on the headstock, this custom instrument also includes an open slot bridge, a bone saddle and nut, and the classic 1.77" nut width." Condition: Lightly aged; Top: Thermally aged Adirondack; Back and sides: East Indian rosewood; Neck: Mahogany, rosewood fretboard; Scale: 24.75"; Nut: 1.77; Binding: Ivoroid; Purfling: w/b/w; Rosette: w/b/w -
1966 was the first full year of the larger headstock on the Stratocaster—a significant enlargement that notably changed the look of the guitar and, many believe, enhanced its resonance. Under new CBS ownership since the previous year, Fender production was still top notch, and the company was still producing highly sought-after, high-quality instruments. The Custom Shop 1966 Strat Deluxe Closet Classic re-creates the sought after large-headstock Strat in detail, with the perfect customizations for players and aficionados alike. The two-piece select alder body wears a polished but slightly aged Deluxe Closet Classic lacquer finish, while the quartersawn maple neck has a ’66 “oval C” profile, 9.5”-radius round-lam rosewood fingerboard and 21 medium jumbo (6150) frets for classic comfortable play. Custom Shop hand-wound ’65 Strat gray-bottom pickups (with reverse-wound/reverse polarity middle pickup) deliver thick tone, with Vintage Modified #2 wiring with Tone-Saver bleed circuitry and five-way switching, all on a three-ply parchment pickguard. Other features include a Custom Shop vintage synchronized tremolo, vintage-style tuning machines, bone nut, and wing string tree with nylon spacer. Also includes deluxe hardshell case, strap and certificate of authenticity. Condition: Deluxe Closet Classic; Body: Alder; Neck: 5/4 quartersawn maple, 66 Strat Oval C profile (.840-.974), 9.5 radius; Nut: 1.650; Color: 3 color sunburst; Pickups: handwound Vintage 65 Strat; Scale: 25.5; Orientation: Lefthanded (of course) -
Here's a beautiful Rick Turner Guitars Renaissance RS6 steel string electric acoustic. I ordered this one with a 1 3/4 nut. The guitar has some nicely figured mahogany back and sides, terrific top, mahogany neck and an ipe (Brazilian walnut) fingerboard. The back of the headstock is signed by the legendary Rick Turner himself. If you play acoustic guitar live, you're familiar with the challenges of getting a natural acoustic tone amplified to stage volumes without being plagued by feedback. All the mics, preamps and EQs in the world are rarely up to dealing with a loud monitor pointing at your soundhole. The thinline RS6 is built like an acoustic but has a mahogany center block to resist feedback. A Turner Timberline bridge pickup feeds a full-spectrum signal to an 18-volt D-TAR preamp with graduated volume and tone controls. The preamp runs off two AA batteries, easily accessible via the back panel. I have tested this at loud monitor volumes and it works great straight into the board. Lindsey Buckingham (Fleetwood Mac) loves his Turner guitars and plays a Renaissance live. These guitars also sound great through a conventional guitar amp.
With locking tuners, Access padded case and Timberline electronics.
Condition: New; Top: Mahogany; Back and sides: Mahogany; Neck: Mahogany with ipe (brazilian walnut) fingerboard; Nut: 1 3/4; Scale: 25.5; Orientation: Lefthanded (of course) -
Here's a beautiful Fender Custom Shop 62 JazzMaster in super faded aged sonic blue with a handsome tortoise pickguard. The guitar has handwound flat magnet JazzMaster pickups, a comfortable 62 Jazzmaster neck carve (.820/.900) with a 9.5 radius, clay dots, medium vintage 47095 frets, a AAA rosewood fretboard, and Fender's lightly aged "Journeyman" relic finish. Fenders RSD bridge is a nice improvement over the original spec. Very nice guitar. With hardshell case, strap and lifetime warranty. Condition: New, light relic; Body: Alder; Neck: Riftsawn maple, 62 Jazzmaster profile (.820/.900), 9.5 radius; Nut: 1.650; Color: Super faded aged sonic blue; Pickups: handwound Jazzmaster flat magnet; Scale: 25.5; Orientation: Lefthanded (of course) -
Here's a beautiful new Santa Cruz custom OM, specced with an Adirondack top, hide glue construction, beautifully figured walnut back and sides, and a short 24/75 scale. Lightweight, extremely dynamic and very responsive to a light touch, as all Santa Cruz guitars are. Wonderful guitar. Lifetime warranty and handsome case. If you prefer a different spec, I always have build slots available for any Santa Cruz model. Condition: New; Top: Adirondack spruce; Back and sides: Highly figured walnut; Neck: Mahogany; Nut: 1 3/4; Scale: 24.75; Binding: Ivoroid; Purfling: Herringbone; Rosette:b/w/b; Orientation: Lefthanded (of course) -
I love small bodied acoustics, and this is one of my favorites. This C10 from Collings offers great tone in a small, comfortable package. Crisp trebles, substantial lows, and beautifully balanced. A great blues guitar, strumming guitar, and equally responsive to some dynamic finger picking, thanks to its narrow waist and small upper bout for focused response, and pre-war scalloped bracing. This example is customized with a 1 3/4 nut, tigerstripe pickguard and a gorgeous dark sunburst. Ebony fretboard, pins and bridge, bone nut and saddle. Collings says this is the ideal guitar for players who switch between electrics and acoustics, because the neck carve is the same rounded profile that you’ll find on the venerable Collings 290 electric, and the heel is small and rounded for excellent access to the upper frets. I agree. Big tone in a small package. Bravo. Lifetime warranty and hardshell Collings case. Serial #34753 Condition: New; Top: Select sitka spruce; Back and sides: Mahogany; Neck: Mahogany, medium-fat C neck carve; Nut: 1 3/4; Width: 14 3/4; Depth: 4 1/4; Scale: 25.5; Binding: Grained ivoroid; Purfling: b/w wood; Rosette: Ivoroid; Orientation: Lefthanded (of course) -
Here is a nice lightly reliced Journeyman Fender Custom Shop 64 Strat in Daphne blue with an alder body, a mint green pickguard, AAA rosewood fretboard, comfortable 60 Oval Style C neck profile (.810/.970), with handwound Fat 64 Strat pickups, middle pickup reverse wound and reverse polarity, aged green numbers on the knobs, 5 way switching and Vintage Mod #2 wiring. Sweet guitar. With deluxe hardshell case, strap, and certificate of authenticity. Condition: Light Journeyman Relic; Body: Alder; Neck: 5/4 quartersawn maple, 60 Style Oval C profile (.810-.970), 9.5 radius; Nut: 1.650; Color: Daphne blue; Pickups: handwound Fat 64 Strat; Scale: 25.5; Orientation: Lefthanded (of course) -
Here's a nice lefty Fender Custom Shop 66 Strat in a lightly aged Lake Placid Blue Deluxe Closet Classic finish (beautifully checked finish and lightly aged hardware and neck back but no dents, scratches, etc). Handwound vintage 65 Strat pickups, 9.5 radius, quartersawn maple neck, pearl dots, round lam rosewood fretboard and 5 way switching. Includes deluxe hardshell case, strap and certificate of authenticity. Condition: Light relic; Body: Alder; Neck: 5/4 quartersawn maple, 66 Strat Oval C profile (.840-.974), 9.5 radius; Nut: 1.650; Color: Lake Placid Blue; Pickups: handwound Vintage 65 Strat; Scale: 25.5; Orientation: Lefthanded (of course) -
I was super excited to become a dealer and order these Iris guitars ... hand made in Vermont under the seasoned watch of Adam Buchwald (formerly with Froggy Bottom) and Dale Fairbanks (Fairbanks Guitars), simply yet elegantly appointed with satin finishes, with a nod to vintage depression era flattop tones and at a very reasonable price point. This is the DF model (named after Dale Fairbanks) a slope shouldered dread. This one is customized as a 12-fret deep body Smeck burst with a 1 3/4 nut and firestripe pickguard. Beautiful sunburst. Scalloped Adirondack spruce bracing, a bolt-on mortise and tenon neck, 2 7/32 bridge spacing, Indian rosewood fingerboard and bridge, open pore sating nitrocellulose finish, bone nut and saddle and Golden Age relic brass tuners. With TKL case. Here is a nice demo from The North American Guitar:Condition: New; Top: Sitka spruce; Back and sides: Mahogany; Neck: Mahogany; Nut: 1 3/4; Width: 16 1/4; Depth: 4 7/8; Scale: 25; Binding: Ivoroid; Purfling: b/w/b; Rosette: ivoroid; Orientation: Lefthanded (of course)
