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Here is Lefty Guitars Only's latest exclusive Wood Library run from PRS. This is a McCarty, with a quilted maple top, in faded blue jean. Back and neck are mahogany, the fingerboard and headstock overlay is ebony, neck carve is Pattern, with green ripple abalone old school birds. Pickups are the coveted 58/15 LT. 3-way switching with a pull on the tone control for coil tap. The McCarty has a slightly deeper body than the Custom 22, for enhanced tone and sustain, and a PRS wraparound adjustable stoptail bridge with brass saddles. Beautiful guitar. Lifetime warranty. Condition: New; Body: Mahogany with carved quilted maple top; Neck: Mahogany, pattern carve, ebony fretboard; Color: Faded Blue Jean; Pickups: 58/15 LT; Scale: 25; Lefthanded guitar (of course)
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Here's Collings' venerable 290 in a custom natural mahogany finish with tortoise pickguard and truss rod cover. This is a dual cutaway example with two ThroBak P90s and MojoAxe wraparound tailpiece, and a comfortable 60s neck carve. Collings calls this guitar a modern-day tribute to the original workingman’s rock ‘n roll guitar. You’ll just call it a great guitar. Solid select mahogany body and neck, “haircut” headstock, rosewood fingerboard, long mortise and tenon neck joint with a contoured heel, 12″ radius and a 50s wiring scheme. Great tone made simple. Lifetime warranty and a hardshell case. Serial # 290DC24555 Condition: New; Body: Mahogany; Top: Mahogany; Neck: 60s, rosewood fingerboard, 12 radius; Color: natural mahogany; Pickups: ThroBak P-90; Scale: 24 7/8
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SaleHere's a barely played and mint 2022 PRS Wood Library Custom 24 in an eye-catching Eriza Verde finish. Carved figured flame maple top with a great figure, curly maple neck and fingerboard, mahogany body and old-school bird inlays in paua abalone and smoked hardware. The guitar has 58/15 LT pickups, 3-way switching with pull coil tap and a tremolo bridge. Guitar has the wood library hardshell case. Pattern thin neck carve on this one. Condition: Mint; Body: Mahogany with figured carved maple top; Neck: Curly maple pattern thin carve, African blackwood fretboard; Color: Eriza verde; Pickups: PRS 58/15 LT; Scale: 25; Lefthanded guitar (of course)
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SaleHere’s a barely played 2023 Fender Custom Shop 55 Tele in aged white blonde with a drop dead beautiful roasted AAA flame neck. Lightly reliced and a fat 54 U neck. Great Tele. Fender sez: The 1955 Telecaster, also known as the “white guard” Tele® is an all-time classic with features including a single-ply white pickguard, translucent white blonde finish, smooth barrel steel bridge saddles, staggered bridge pickup pole pieces and a chunky neck profile. In this faithful recreation, the Fender Custom Shop has captured the tone, playability, look and feel of this archetypal model. The two-piece select ash body wears a heavy checked nitrocellulose lacquer finish, and the roasted AAA flame maple neck features a chunky ’54 “U” profile, topped by a 9.5”-radius fingerboard with 21 narrow tall frets. Period-correct hand-wound ’55/’56 pickups are paired with a three-way switch and Fat ’50s Tele wiring for strong tone with transparent bloom. Other features include a single-ply parchment pickguard, ’55 Tele bridge with smooth barrel steel saddles, vintage-style tuning machines, bone nut and disk string tree. Also includes deluxe hardshell case, strap and certificate of authenticity. Condition: Mint, light relic; Body: Ash; Neck: AAA flame roasted maple, 54 U carve (.900-.990), 9.5 radius; Nut: 1.650; Color:Aged white blonde; Pickups: handwound 55/56 Tele; Scale: 25.5; Orientation: Lefthanded (of course)
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Here's a new Huss and Dalton Traditional OM in east Indian rosewood with a thermo-cured (torrified) sitka spruce top, Gotoh 510 tuners and a handsome tweed case. Always one of my favorites OMs, and the build quality is second to none. Everybody knows that like a fine wine, well-kept acoustic guitars get better with age. The passage of decades cures the wood through exposure to light and air. Huss and Dalton now offers sitka spruce that has been “torrified,” or exposed to a careful heating process that achieves the same results that occur naturally over time. The wood appears darker, as vintage guitars do, and it is lighter and stiffer. But how does it sound? Amazing, in a word. Condition: New; Top: Sitka spruce, torrified; Back and sides: East Indian rosewood; Neck: Mahogany; Nut: 1 3/4; Width: 15 1/8; Depth: 4 1/8; Scale: 25.4; Binding: Tortoise; Purfling: b/w/b; Rosette: b/w/b; Lefthanded guitar (of course)
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I love Teles and it's alway cool when Fender builds one with a different twist to it. Here is a Thinline P90 relic in a chocolate 3 tone sunburst with some cool features ... Fender Custom Shop P90 at the neck and handwound 51 loaded NoCaster pickup at the bridge gives some great tonal options. A compound 7.25-9.5 radius gives you the best of both worlds up and down the neck, and the fat offcenter V profile brings the tone with medium vintage frets. The hollow body with an F-hole keeps the weight down -- Nice and light at 6 3/4 pounds. Includes deluxe hardshell case, strap and certificate of authenticity. Condition: New, relic; Body: Ash; Neck: Maple 5/4 quartersawn, 11/56 off center V profile (.915-.975), 7.25-9.5 compound radius; Nut: 1.650; Color: Chocolate 3 tone sunburst; Pickups: Custom Shop P90 and handwound 51 Loaded Nocaster; Scale: 25.5; Orientation: Lefthanded (of course)
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I was super excited to become a dealer and order these Iris guitars ... hand made in Vermont under the seasoned watch of Adam Buchwald (formerly with Froggy Bottom) and Dale Fairbanks (Fairbanks Guitars), simply yet elegantly appointed with satin finishes, with a nod to vintage depression era flattop tones and at a very reasonable price point. This is the DF model (named after Dale Fairbanks) a slope shouldered dread. This one is customized as a 12-fret deep body Smeck burst with a 1 3/4 nut and firestripe pickguard. Beautiful sunburst. Scalloped Adirondack spruce bracing, a bolt-on mortise and tenon neck, 2 7/32 bridge spacing, Indian rosewood fingerboard and bridge, open pore sating nitrocellulose finish, bone nut and saddle and Golden Age relic brass tuners. With TKL case. Here is a nice demo from The North American Guitar:Condition: New; Top: Sitka spruce; Back and sides: Mahogany; Neck: Mahogany; Nut: 1 3/4; Width: 16 1/4; Depth: 4 7/8; Scale: 25; Binding: Ivoroid; Purfling: b/w/b; Rosette: ivoroid; Orientation: Lefthanded (of course)
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I was super excited to become a dealer and order these Iris guitars ... hand made in Vermont under the seasoned watch of Adam Buchwald (formerly with Froggy Bottom) and Dale Fairbanks (Fairbanks Guitars), simply yet elegantly appointed with satin finishes, with a nod to vintage depression era flattop tones and at a very reasonable price point.
This is the MS-00, in a Cremona burst with an ivoroid pickguard, designed with the aid of Mark Stutman. This one is customized with a 1 3/4 nut. Beautiful sunburst. Scalloped Adirondack spruce bracing, a bolt-on mortise and tenon neck, 2 7/32 bridge spacing, Indian rosewood fingerboard and bridge, open pore sating nitrocellulose finish, bone nut and saddle and Golden Age relic brass tuners. With TKL case. Iris says: "This mid-thirties style guitar, with its short scale, is a wonderful complement to our line of small bodied Iris." Here is a nice demo:Condition: New; Top: Sitka spruce; Back and sides: Mahogany; Neck: Mahogany; Nut: 1 3/4; Width: 14 7/8; Depth: 4 3/8; Scale: 24.75; Binding: Ivoroid; Purfling: b/w/b; Rosette: ivoroid; Orientation: Lefthanded (of course) -
SaleHere's a beautiful new Santa Cruz D Model, customized with an Adirondack spruce top, vintage tinted top, dalmatian pickguard, herringbone purfling, 42 style fingerboard inlays, advanced X Adirondack bracing attached with hot hide glue, gold Waverly tuners, and ebony bridge and pins. Lightweight, extremely dynamic and very responsive to a light touch, as all Santa Cruz guitars are. Wonderful dread. Lifetime warranty and handsome case. If you prefer a different spec, I always have build slots available for any Santa Cruz model. Condition: New; Top: Adirondack spruce; Back and sides: Indian rosewood; Neck: Mahogany, Style 42 inlays; Nut: 1 11/16; Width: 15 5/8; Depth: 4 7/8; Scale: 25.375; Binding: Tortoise; Purfling: Herringbone; Rosette: ivoroid; Orientation: Lefthanded (of course)
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SaleHere's a gently used customized Santa Cruz 1929 00, with a full body sunburst, adirondack bracing, hot hide glue construction, cowboy rope purfling and rosette, 2 mm ivoroid fretboard dots and bone bridge and end pins. I love the warmth of small-bodied all-mahogany guitars; the 1929-00 from Santa Cruz is always a favorite here. Welcomed internationally as both timely and timeless, the 1929-00 has received sparkling reviews from the most prestigious publications in France, Germany, UK and the US. This instrument’s design pays homage to the simple and elegant instruments made for players enduring the Great Depression of 1929. Vintage inspired appointments include scalloped bracing, a period correct script style logo done tastefully in Ivoroid and beautifully executed Ebony pyramid bridge. With handsome Ameritage case, it has one missing latch. Condition: Near mint; Top: Mahogany; Back and sides: Mahogany; Neck: Mahogany,ebony fingerboard,; Nut: 1 3/4; Width: 14.375; Depth: 4; Scale: 24.75; Orientation: Lefthanded (of course)
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Here's a limited edition Fender Custom Shop Blackguard HS Tele in an aged butterscotch blonde finish, heavy relic, ash body, stout 1950 Blackguard carve, 6105 frets, compound 7.25-9.5 radius, bone nut, with a handwound 50-51 bridge pickup and Seymour Duncan Seth Lover humbucker at the neck. Reverse control plate for easy volume swells. Great tone. With hardshell case, certificate of authenticity, strap and warranty. Condition: New, heavy relic; Body: Ash; Neck: 1950 Blackguard (.925-1.00), 7.25-9.5 compound radius; Nut: 1.650; Color: Aged butterscotch blonde; Pickups: handwound 50-51 Blackguard and SD Seth Lover; Scale: 25.5; Orientation: Lefthanded (of course)
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Nothing says 50s more to me than a surf green finish on a Stratocaster. Here's a gorgeous Fender Custom Shop 58 relic Strat. This one has my personal favorite handwound Custom Shop Fat 50s pickups, maple fretboard, 6105 frets, 9 .5 radius and a comfortable 54 Soft V carve on a 5/4 quartersawn maple neck. Just over 7.5 pounds. Includes deluxe hardshell case, strap and certificate of authenticity. Condition: Relic; Body: Alder; Neck: Quartersawn maple, 54 Soft V profile (.850-.980), 9.5 radius; Nut: 1.650; Color: Surf green; Pickups: handwound Fat 50s; Scale: 25.5; Orientation: Lefthanded (of course)
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In the formative years following the Stratocaster's groundbreaking debut in 1954, it saw slight tweaks and modifications that helped firmly establish its legacy as the finest electric guitar ever made. The Vintage Custom 1955 Stratocaster has some cool, rare features that we feel represent the best of the origins of the Strat® and gives you a glimpse into the innovations that were crucial in its development. The NOS flash-coat lacquer finish lets the guitar breathe and shows some of the natural grain through its finish. The neck features a vintage 7.25"-9.5" compound radius, which we found on some rare examples, giving it a unique feel even among vintage-inspired models. It also features medium vintage frets, which are slightly larger than standard vintage size and very comfortable to play. Other features found on this guitar include Closet Classic hardware, a 2-piece ash body, tinted maple rift-sawn neck with a '54 "U"-shaped neck profile, 21 medium vintage frets, hand-wound '55 Strat pickups with transitional '54 covers, 5-way switch, vintage wiring, hardtail bridge, bone nut, round string tree and vintage-style tuning machines. The Vintage Custom 1955 Stratocaster is the legendary guitar you know and love with some rare "what could have been" flair. Includes a deluxe hardshell case, strap and Certificate of Authenticity. Condition: NOS; Body: Ash; Neck: Rift sawn maple, 54 U (.900-.970), 7-25-9.5 compound radius; Nut: 1.650; Color: White Blonde; Pickups: Custom Shop handwound 55 Strat; Scale: 25.5; Orientation: Lefthanded (of course)
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The Limited Edition ’55 Bone Tone Strat harkens back to an archetypal year for the Strat, with modified vintage-style features, gold hardware and added custom appointments. The two-piece ash body wears a relic lacquer finish, while the tinted one-piece 2A flame maple neck has a comfortable ’54 Strat “soft V” profile, vintage compound-radius fingerboard (7.25”-9.5”) and 21 narrow tall frets. Master designed hand-wound Bone Tone pickups provide plenty of headroom with fewer turns of heavy formvar wire, beveled alnico 2 magnets and ’54 pickup covers. The five-way switch is connected to “½ blender” wiring, which lets the neck pickup be blended in positions 1 and 2. Other features include an eight-hole gold anodized pickguard, Custom Shop vintage-style synchronized tremolo, vintage-style tuning machines, bone nut, and a vintage-style disc string tree with metal spacer. Includes deluxe hardshell case, strap and certificate of authenticity. Condition: New, relic; Body: Ash; Neck: AA flamed maple, 54 Strat Soft V profile (.900-.985), Compound 7.25-9.5 radius; Nut: 1.650; Color: Honey Blonde; Pickups: handwound Bone Tone; Scale: 25.5; Orientation: Lefthanded (of course)
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Combining vintage style with modern luxuries, the Limited Edition Tomatillo Tele uses underwound Tomatillo Tele pickups with Alnico 2 magnets to deliver sweet, flavorful tone. The combination of a two-piece select ash body with a one-piece rift-sawn maple neck is perfect for allowing all the subtle nuances of the pickups to shine through while playing. The neck features a ’57-style “soft V” profile, a vintage compound radius fingerboard (7.25”- 9.5”), and 21 narrow tall (6105) frets. The Tomatillos are wired up to a ’51 Modified Nocaster wiring with a blender pot instead of a master tone. A Fat ’50s control assembly ships in the case for those who prefer that sound and style. Additional features include a single-ply parchment pickguard, reverse-angle Nocaster bridge with compensated RSD brass saddles, vintage-style tuning machines, bone nut, and disc string tree. Includes deluxe hardshell case, strap, and certificate of authenticity. Condition: Light relic; Body: Ash; Neck: Rift sawn maple, 57 Style Soft V (.940-.970), 7-25-9.5 compound radius; Nut: 1.650; Color: Natural blonde; Pickups: Custom Shop handwound Tomatillo; Scale: 25.5; Orientation: Lefthanded (of course)
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The Limited Edition ’55 Bone Tone Strat harkens back to an archetypal year for the Strat, with modified vintage-style features, gold hardware and added custom appointments. The two-piece ash body wears a relic lacquer finish, while the tinted one-piece 2A flame maple neck has a comfortable ’54 Strat “soft V” profile, vintage compound-radius fingerboard (7.25”-9.5”) and 21 narrow tall frets. Master designed hand-wound Bone Tone pickups provide plenty of headroom with fewer turns of heavy formvar wire, beveled alnico 2 magnets and ’54 pickup covers. The five-way switch is connected to “½ blender” wiring, which lets the neck pickup be blended in positions 1 and 2. Other features include an eight-hole gold anodized pickguard, Custom Shop vintage-style synchronized tremolo, vintage-style tuning machines, bone nut, and a vintage-style disc string tree with metal spacer. Includes deluxe hardshell case, strap and certificate of authenticity. Condition: New, relic; Body: Ash; Neck: AA flamed maple, 54 Strat Soft V profile (.900-.985), Compound 7.25-9.5 radius; Nut: 1.650; Color: Blonde; Pickups: handwound Bone Tone; Scale: 25.5; Orientation: Lefthanded (of course)
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Combining vintage style with modern luxuries, the Limited Edition Tomatillo Tele uses underwound Tomatillo Tele pickups with Alnico 2 magnets to deliver sweet, flavorful tone. The combination of a two-piece select ash body with a one-piece rift-sawn maple neck is perfect for allowing all the subtle nuances of the pickups to shine through while playing. The neck features a ’57-style “soft V” profile, a vintage compound radius fingerboard (7.25”- 9.5”), and 21 narrow tall (6105) frets. The Tomatillos are wired up to a ’51 Modified Nocaster wiring with a blender pot instead of a master tone. A Fat ’50s control assembly ships in the case for those who prefer that sound and style. Additional features include a single-ply parchment pickguard, reverse-angle Nocaster bridge with compensated RSD brass saddles, vintage-style tuning machines, bone nut, and disc string tree. Includes deluxe hardshell case, strap, and certificate of authenticity. Condition: Light relic; Body: Ash; Neck: Rift sawn maple, 57 Style Soft V (.940-.970), 7-25-9.5 compound radius; Nut: 1.650; Color: Natural blonde; Pickups: Custom Shop handwound Tomatillo; Scale: 25.5; Orientation: Lefthanded (of course)
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Combining vintage style with modern luxuries, the Limited Edition Tomatillo Tele uses underwound Tomatillo Tele pickups with Alnico 2 magnets to deliver sweet, flavorful tone. The combination of a two-piece select ash body with a one-piece rift-sawn maple neck is perfect for allowing all the subtle nuances of the pickups to shine through while playing. The neck features a ’57-style “soft V” profile, a vintage compound radius fingerboard (7.25”- 9.5”), and 21 narrow tall (6105) frets. The Tomatillos are wired up to a ’51 Modified Nocaster wiring with a blender pot instead of a master tone. A Fat ’50s control assembly ships in the case for those who prefer that sound and style. Additional features include a single-ply parchment pickguard, reverse-angle Nocaster bridge with compensated RSD brass saddles, vintage-style tuning machines, bone nut, and disc string tree. Includes deluxe hardshell case, strap, and certificate of authenticity. Condition: Light relic; Body: Ash; Neck: Rift sawn maple, 57 Style Soft V (.940-.970), 7-25-9.5 compound radius; Nut: 1.650; Color: Tomatillo Green; Pickups: Custom Shop handwound Tomatillo; Scale: 25.5; Orientation: Lefthanded (of course)
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The J-45 is a tonal standard, and this new 60s J-45 Original puts it right in your hands. Handsome wine red finish and an adjustable saddle makes setup a breeze. Plays beautifully. Really nice guitar. Gibson sez: "When you listen to a Gibson round-shoulder acoustic, you will notice that it responds exactly to the player's style and technique - powerful one moment, soft and mellow the next. This 60s J-45 Original offers a period-correct 1 11/16’’ nut width, allowing for comfortable fingering in any position along the mahogany neck. The easily-adjustable saddle can be fine-tuned to players' unique string action preference. The new 60s J-45 Original features double antiqued binding, Grover strap cream button tuners, and our famous white pickguard. Hardshell case included." Condition: New; Top: Sitka; Back and sides: Mahogany; Neck: Mahogany, rosewood fretboard; Nut: 1 11/16; Width: 16; Depth: 4 3/4; Scale: 24.75; Binding: Ivoroid; Purfling: w/b/w; Rosette: w/b/w
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This left-handed National M-1 Tricone resophonic guitar delivers the unmistakable sound of a Tricone with the warmth of wood. The lightweight laminated mahogany body is highlighted by a sturdy wood sound well and hand-painted steel cover plate. The mahogany neck clears 12 frets to the body and features an ivoroid-bound ebony fretboard complete with inlaid mother-of-pearl position markers. Tuners are vintage-style engraved, open gear. Made in the USA. Two-year warranty and a hardshell case. Condition: New; Top: Mahogany; Back and sides: Mahogany; Neck: Honduras mahogany, ebony fretboard, ivoroid binding; Resonator: Three 6 inchalloy cones; Bridge: Aluminum T bridge; Nut: 1.825bone; Width: 14.25; Depth: 3.125; Scale: 25 21/32; Orientation: Lefthanded (of course); List: $3700