• Here's a beautiful Rick Turner Guitars Renaissance RS6 steel string electric acoustic. I ordered this one with a 1 3/4 nut and satin finish. The guitar has some nicely figured mahogany back and sides, terrific top, mahogany neck and an ipe (Brazilian walnut) fingerboard. The back of the headstock is signed by the late legendary Rick Turner himself. If you play acoustic guitar live, you're familiar with the challenges of getting a natural acoustic tone amplified to stage volumes without being plagued by feedback. All the mics, preamps and EQs in the world are rarely up to dealing with a loud monitor pointing at your soundhole. The thinline RS6 is built like an acoustic but has a mahogany center block to resist feedback. A Turner Timberline bridge pickup feeds a full-spectrum signal to an 18-volt D-TAR preamp with graduated volume and tone controls. The preamp runs off two AA batteries, easily accessible via the back panel. I have tested this at loud monitor volumes and it works great straight into the board. Lindsey Buckingham (Fleetwood Mac) loves his Turner guitars and plays a Renaissance live. These guitars also sound great through a conventional guitar amp. With locking tuners, Access padded case and Timberline electronics. Condition: New; Top: Mahogany; Back and sides: Mahogany; Neck: Mahogany with ipe (brazilian walnut) fingerboard; Nut: 1 3/4; Scale: 25.5; Orientation: Lefthanded (of course)

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  • If you know me, you know I'm a big fan of Jerry Garcia, who played Travis Bean guitars for several years in the 70s with the Grateful Dead and the Jerry Garcia Band. So having these lefties here is a special treat for me. This very limited edition TB-500 JG  guitar from Travis Bean Designs is a spot-on lefty recreation of Jerry's beloved Travis Bean stage guitar, serial #12, a first generation 500. The carve, color and electronics are matched to Jerry Garcia's original guitar, with three Travis Bean cast resin single coil pickups, direct re-creations of Jerry's original pickups made to spec from the notes from the original guitar. Each pickup is controlled by a mini toggle switch. The guitar also features the first iteration of Jerry's brilliant effects loop design, which sends the signal out of the guitar before the volume pot, so your effects always see full signal from the pickups, then back into the guitar, to the volume pot and out again on a second cable. The guitar has 500K pots, Sprague capacitors, Thermax coax cable from NASA, Switchcraft input jack, Schaller M6 tuners and a brass nut. The tone is pure 76-78 Garcia; these guitars have the pickups mounted directly to the billet of T6061-T6  aluminum that the neck is milled from, and the sustain is tremendous, like playing a tuning fork. The guitar is surprisingly lightweight despite the metal neck, it weighs in at 8 pounds even. Travis Bean Designs is a venture formed by Kevin Burkett and Rita Bean; its origins date back to when Travis and Rita decided to reissue updated versions of his landmark guitars in 1997. Unfortunately, Travis passed before it came to fruition, but his friend and original business partner Marc McElwee provided notes and specs from the original designs from the 70s and signed off on the newer prototype designs based on Travis' own prototypes. Marc's notes included specs from the original guitars built for Jerry Garcia in the mid 70s. Other notable Travis Bean players include Keith Richards, Ronnie Wood, Slash, Ace Frehley, Joe Perry and John Mayer. Condition: New; Body: African mahogany; Neck: Aluminum, rosewood fretboard, 12 radius; Nut: brass; Color: white; Pickups: Travis Bean single coils; Scale: 24.75; Orientation: Lefthanded (of course)

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  • Here's a sweet Fender Custom Shop 51 Tele limited edition in a beautifully checked and seldom seen Candy Tangerine finish. In the fall of 1951, the Fender Telecaster was born. Inspired by new technology sweeping the nation, television “telecasts” were the wave of the future and, as history has proven most powerfully, Leo Fender’s new Telecaster was also part of that wave. It was and remains to this day one of the most played, most iconic and most revered instruments in popular music. The Custom Shop presents an homage to the original Telecaster model that had such a dramatic effect on music and the electric guitar world. The Limited Edition 1951 Telecaster features a two-piece select ash body, a one-piece riftsawn maple neck with a 10/’56 “V” profile, and a 9.5” radius fingerboard with 21 narrow tall (6105) frets for perfect feel and playability. The hand-wound ’50-’51 Blackguard pickups sound terrific . Other features include a black phenolic pickguard, ’51-’54 Tele bridge with brass saddles, vintage-style tuning machines, bone nut, and disk string tree. Also includes deluxe hardshell case, strap and certificate of authenticity.
    Condition: New (relic); Body: Ash; Neck: maple riftsawn,  10/56 V carve (.910/1.000), 9.5 radius; Nut: 1.650; Color: Candy Tangerine; Pickups: handwound 50-51 Blackguard; Scale: 25.5; Orientation: Lefthanded (of course)

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  • This is Fender's American Original series, with vintage appointments plus modern feel and comfort. Really nice guitars. The 60s Stratocaster features an alder body with lacquer finish, olympic white, 3-ply mint green pickguard, Pure Vintage 65 Gray-Bottom pickups, a good-sized 60s C neck carve with a 9.5 radius and rosewood fretboard with tall-vintage frets. Vintage-style hardware and great G&G  black hardshell case. Condition: New; Body: Alder, 3-ply mint pick guard; Neck: Maple, 60s C carve, 9.5 radius; Nut: 1.650; Color: olympic white; Pickups: Pure Vintage 65 Gray-Bottom; Scale: 25.5; Orientation: Lefthanded (of course)

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  • Here's a new Fender Custom Shop 58 Strat Journeyman relic in an eye-catching Inca silver  finish, lightly reliced, with Custom Shop 50s Strat pickups, a comfortable 10/56 V neck carve (.880 and .980), 9.5 radius, vintage upgrade 45085 frets. Also includes deluxe hardshell case, strap and certificate of authenticity. Terrific Strat. Note that the lighting I use tends to over emphasize the checking on metallic finishes, so the shot of the two guitars side by side is more indicative. As is this: Condition: Light (Journeyman) relic; Body: Alder; Neck: maple, 10/56 V profile, 9.5 radius; Nut: 1.650; Color: Inca Silver; Pickups: Custom Shop 50s Strat; Scale: 25.5; Orientation: Lefthanded (of course)

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  • Here's a beautiful Rick Turner Guitars Renaissance RS6 steel string electric acoustic. I ordered this one with a redwood top and a 1 3/4 nut. The guitar has some nicely figured mahogany back and sides, a spectacular rewood top, mahogany neck and an ipe (Brazilian walnut) fingerboard. The back of the headstock is signed by the legendary Rick Turner himself. If you play acoustic guitar live, you're familiar with the challenges of getting a natural acoustic tone amplified to stage volumes without being plagued by feedback. All the mics, preamps and EQs in the world are rarely up to dealing with a loud monitor pointing at your soundhole. The thinline RS6 is built like an acoustic but has a mahogany center block to resist feedback. A Turner Timberline bridge pickup feeds a full-spectrum signal to an 18-volt D-TAR preamp with graduated volume and tone controls. The preamp runs off two AA batteries, easily accessible via the back panel. I have tested this at loud monitor volumes and it works great straight into the board. Lindsey Buckingham (Fleetwood Mac) loves his Turner guitars and plays a Renaissance live. These guitars also sound great through a conventional guitar amp. With locking tuners, Access padded case and Timberline electronics. Condition: New; Top: Redwood; Back and sides: Mahogany; Neck: Mahogany with ipe (brazilian walnut) fingerboard; Nut: 1 3/4; Scale: 25.5; Orientation: Lefthanded (of course)

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  • Santa Cruz Eric Skye signatue 00, cocobolo back and sides, with hardshell case.  

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  • Sale

    Protected: PRS silver sky

    $1,835.00
    PRS silver sky, tungsten finish.

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