• If you're a Tele player and have wished for humbuckers on your guitar, your ship has just come in. Here's a very rare lefty limited edition 72 Thinline Tele with CuNiFe humbuckers. Super fun guitar. Fender sez: "1972 saw the introduction of a new Telecaster® Thinline model that took Fender’s venerable workhorse guitar into bold new territory in both sound and style. Most prominently, two big new high-output humbucking pickups designed by famed pickup maker Seth Lover were housed in a curvaceous new pickguard, below which was mounted a bobbed Telecaster® bridge.

    The Limited Edition ’72 Tele® Thinline honors that year’s model, featuring a hollow two-piece select alder body with f-hole and Relic lacquer finish. The quartersawn maple neck has a ’60s-style “oval-C” profile, topped by a 9.5”-radius maple fingerboard with 21 jumbo 6100 frets.

    The pickups are wound to the original spec, with 12 adjustable “cunife” (copper-nickel-iron) magnets—just like the originals—for hum-canceling high output grit. Other features include a pearl pickguard, three-way blade pickup switch, bobbed Tele bridge, Schaller® “F” tuners, bone nut, and “wing” string trees. Includes deluxe hardshell case, strap and certificate of authenticity."

    Condition: Relic; Body: Ash; Neck: Quartersawn AA flame maple, AAA rosewood fingerboard, 60 Style Oval C profile (.850 – .920), 9.5 radius; Nut: 1.650; Color: aged pink paisley; Pickups: Wide range CuNiFe humbuckers; Scale: 25.5; Orientation: Lefthanded (of course)

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  • Here is a rare and stunning Paul Reed Smith Private Stock McCarty 594 SingleCut. I picked the woods for this guitar personally from the PRS Private Stock vault. The guitar has a terrific quilted maple top, finished in a frostbite glow with high gloss nitro, a swamp ash back in black wash with white grain fill with matching backplates, pattern thin curly maple neck stained to match the top, with curly maple binding,  J bird inlays in gold mother of pearl with white mother of pearl outlines, ebony fretboard, smoked black hardware, 2 piece stoptail bridge and 58/15 LT pickups in smoked black. A distinctive build and one of a very few lefty McCarty 594 singlecuts in existence. With signed certificate and PRS Private Stock fitted case. Condition: New; Body: Quilted maple with swamp ash body, high gloss nitro finish in frostbite glow; Neck: curly maple,  pattern thin carve, ebony fretboard; Pickups: PRS 58/15 LT; Scale: 24.594; Lefthanded guitar (of course)

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  • Here's a nice 2017 Martin 000-28 in excellent condition, with some honest play wear, a few small dings in the top (bass side upper bout) and at the top of the headstock. These are cosmetic issues, the guitar is structurally fine. Dovetail neck joint, scalloped X bracing, comfortable modified low oval neck. With original hardshell case. Aftermarket pickup installed. Great guitar for the money. Condition: Excellent; Top: Sitka spruce; Back and sides: East Indian rosewood; Neck: Mahogany; Nut: 1 3/4; Width: 14 3/4; Depth: 4 1/4; Scale: 24.9; Binding: Ivoroid; Purfling: Herringbone; Rosette: b/w/b; Orientation: Lefthanded (of course)  

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  • Here's a well cared for 2012 Gibson Hummingbird True Vintage in excellent condition, classic sound, lovely "Cali Girl" case (brown with pink lining), gold tulip tuners and a VOS finish. Hard to find a lefty like this in such nice condition. Has aged and opened up nicely. Unmistakeable Gibson tone. Introduced in 1960 as Gibson’s first square shouldered acoustic, the Hummingbird was embraced by everyone from Keith Richards to Gram Parsons and quickly became a staple in folk, country and rock. I love the short 24.75 scale on this guitar, the bass is big and round and the guitar has that unmistakable Gibson sound. Sitka top, mahogany back and sides, rosewood bridge and fretboard, parallelogram block inlays, and a gorgeous heritage sunburst. Built in Bozeman, Montana. A classic. Condition: Excellent; Top: Sitka; Back and sides: Mahogany; Neck: Mahogany, rosewood fretboard; Nut: 1.725; Width: 16; Depth: 4 3/4; Scale: 24.75; Binding: Ivoroid; Purfling: w/b/w; Rosette: w/b/w

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  • Here's a new Huss and Dalton Traditional OM in east Indian rosewood with a thermo-cured (torrified) sitka spruce top, Gotoh 510 tuners and a handsome tweed case. Always one of my favorites OMs, and the build quality is second to none. Everybody knows that like a fine wine, well-kept acoustic guitars get better with age. The passage of decades cures the wood through exposure to light and air. Huss and Dalton now offers sitka spruce that has been “torrified,” or exposed to a careful heating process that achieves the same results that occur naturally over time. The wood appears darker, as vintage guitars do, and it is lighter and stiffer. But how does it sound? Amazing, in a word. Condition: New; Top: Sitka spruce, torrified; Back and sides: East Indian rosewood; Neck: Mahogany; Nut: 1 3/4; Width: 15 1/8; Depth: 4 1/8; Scale: 25.4; Binding: Tortoise; Purfling: b/w/b; Rosette: b/w/b; Lefthanded guitar (of course)

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  • Here’s a gorgeous 2014 Gibson Custom Shop R9 1959 Les Paul with a spectacular tightly flamed and crosshatched top and finished in a gloss iced tea burst. No pickguard installed. This guitar looks like it just stepped out of a time machine from 10 years ago, near mint and still looks new. The guitar has Custom Bucker Alnico III unpotted pickups, an Authentic 59 medium C neck carve, hide glue fit top and fingerboard, CTS 500K audio taper potentiometers, paper-in-oil capacitors and historic Lifton style case with all case candy, certificate of authenticity booklet. Gibson sez: “Gibson Custom Shop’s 1959 Les Paul Standard is not just a tribute to those priceless original models — it’s a clone of them. From laser-scanned dimensions to chemically-recreated plastics to color-matched shades of sunburst, every element has been rendered in unbelievable detail. It represents the culmination of decades of work by Custom Shop’s expert team — a tireless quest to bring accuracy and authenticity to the hands of fans.” Condition: Gloss, near mint; Body: Mahogany; Color: Iced tea burst; Pickups: Custom Buckers; Scale: 24.75

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  • This 2022 70th Anniversary R9 started life as a regular Gibson Custom Shop Historic, but was sent to Historic Makeovers to be completely reworked into a masterpiece. It received their Deluxe package, finished in aged black with a Brazilian rosewood fretboard, and was delivered in August of 2023 to the original owner, who liked it so much he is now doing a trio of  58/59/60 Historics in matching finishes, so this one has become available. A Gibson aged R9 with Brazilian goes for almost $20,000 new ... so save yourself a ton of money -- and get a more nuanced and correct build, to boot. "The Deluxe package includes a re-carved top to vintage spec, reshaped neck to vintage “C” shape, and use hot hide glue to install a Brazilian Rosewood fingerboard with correct binding ledge and inlay routs. We inlay the fingerboard with our exclusive 1950’s style cellulose nitrate inlays, and install frets. The fingerboard and guitar body are bound with our Royalite binding and the fingerboard binding edges are rolled. The guitar is completely refinished with aniline dyes and unplasticized nitro-cellulose lacquer in a vintage correct finish. The package includes a Vintage Patina  with weather-checking and aging. We also re-stamp the serial number in a correct 50’s typeface." We can pretty much guarantee that you are not going to see another guitar  like this one. With original Lifton style hardshell case, hang tags, 70th Anniversary badge, and both Gibson and Historic Makeovers certificates of authenticity. Original tuners were replaced with Grovers. Condition: Aged by Historic Makeovers; Body: Mahogany; Color: Aged black; Pickups: Custom Buckers; Scale: 24.75

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  • Here is Lefty Guitars Only's latest exclusive Wood Library run from PRS. This is a McCarty, with a quilted maple top, in purple mist. Back and neck are mahogany, the fingerboard and headstock overlay is ebony, neck carve is Pattern, with green ripple abalone old school birds. Pickups are the coveted 58/15 LT. 3-way switching with a pull on the tone control for coil tap. The case is a brown paisley. The McCarty has a slightly deeper body than the Custom 22, for enhanced tone and sustain, and a PRS wraparound adjustable stoptail  bridge with brass saddles. Beautiful guitar.  Lifetime warranty. Condition: New; Body: Mahogany with carved quilted maple top; Neck: Mahogany, pattern carve, ebony fretboard; Color: Purple mist; Pickups: 58/15 LT; Scale: 25; Lefthanded guitar (of course)

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    Gretsch
    2011 G6128T DuoJet

    $2,395.00
    Here's a 2011 Gretsch DuoJet in excellent condition. These guitars are becoming very difficult to find lefthanded these days, so grab this one while you can get it.

    One of my favorite electric guitars. Nice and light, great playability, dripping with tone and vintage vibe. The classic Gretsch® Duo Jet™ dates to the earliest days of rock music. Modeled closely on its late-’50s ancestor, today’s Duo Jet features dual High Sensitive Filter’Tron™ humbucking pickups, “tone switch” circuitry, ebony fingerboard with Neo-Classic™ "thumbnail" inlays, Space Control™ bridge and Gretsch® by Bigsby® B3C vibrato tailpiece. With hardshell case.

    Condition: Excellent; Top: Arched laminated maple; Body: Mahogany; Neck: Mahogany, bound rosewood fretboard; Nut: 1.6875; Width: 13.25; Depth: 1.75; Scale: 24.6; Binding: Aged; Pickups: High Sensitive FilterTron

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    You don't have to look further than Keith Richards' fabled Tele to hear the benefits of a humbucker in the neck position. Here's a gently used Limited Edition Fender Custom Shop 51 Telecaster HS relic. Fender's description:
    Combining authentic Fender feel with a favorite player’s modification, the Limited Edition ’51 HS Tele Relic adds fat, high output sound to the traditional twang of a Tele. The hand-wound ’50-’51 “Crushed” Blackguard single-coil bridge pickup is joined by a Seymour Duncan® Seth Lover SH-55 humbucking neck pickup for a one-two punch of tone. We customized a dual-stack HS Tele wiring to create the perfect sonic balance between the two, incorporating 250k/500k potentiometers on the volume and tone controls to ensure compatibility. The two-piece off-center ash body wears a Relic flashcoat lacquer finish, giving it the look and feel of a well-loved instrument that’s seen many a stage and tour bus. Sporting a dark tinted Relic flashcoat lacquer finish, the riftsawn maple neck sports a “10/56 V”-shaped profile that’s ideal for all playing styles. For ultimate comfort and playability, we topped the neck with a 7.25”-9.5” compound-radius fingerboard and 21 50085 medium-vintage frets. The vintage-style Nocaster bridge features compensated brass saddles for authentic Fender tone and superior intonation. Other features include a 3-way pickup switch, single-ply Black phenolic pickguard, vintage-style tuning machines, bone nut and round string tree. Includes deluxe hardshell case and Certificate of Authenticity. Condition: Near mint (relic); Body: Ash; Neck: maple riftsawn, 10/56" V neck carve, 7.25-9.5 compound radius; Nut: 1.650; Color: faded Nocaster blonde; Pickups: ’50-’51 “Crushed” Blackguard single-coil bridge, Seymour Duncan® Seth Lover SH-55 humbucking neck; Scale: 25.5; Orientation: Lefthanded (of course)

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    Gibson
    64 SG Maestro

    $3,895.00
    Here’s a Gibson Custom Shop 64 SG in VOS cherry with Maestro Vibrola tailpiece. The guitar has hide glue construction, aniline dye, Gibson's unpotted Alnico Burst Bucker pickups, Bumblebee caps, Kluson deluxe tuning keys and Custom Shop case with all case candy and certificate of authenticity. Terrific guitar. This guitar is new but has some light shop wear ... some light scratching on the back, probably from someone playing it with a belt buckle. Nothing through the finish. Priced accordingly. Condition: VOS, nickel hardware; Body: Mahogany; Color: Cherry; Pickups: Unpotted Alnico Burst Buckers; Scale: 24.75

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  • Sale
    Nothing says 50s more to me than a candy apple red finish on a Stratocaster. Here's a gently used gorgeous Fender Custom Shop 58 relic Strat in candy apple red metallic. This one has my personal favorite handwound Custom Shop Fat 50s pickups, maple fretboard, 6105 frets, 9 .5 radius and a comfortable 54 Soft V carve on a 5/4 quartersawn maple neck. Just over 7.5 pounds. Includes deluxe hardshell case, strap and certificate of authenticity. Condition: Near mint, relic; Body: Alder; Neck: Quartersawn maple, 54 Soft V profile (.850-.980), 9.5 radius; Nut: 1.650; Color: Candy Apple Red; Pickups: handwound Fat 50s; Scale: 25.5; Orientation: Lefthanded (of course)

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  • While Fender's Custom Shop is widely known for their vintage re-creations, the American Custom Series  is the Fender of modern times - and then some. With striking finishes combined with contemporary features and detailed craftsmanship, new American Custom models are not only beautiful to behold, but also highly functional in a pure Fender fashion. Here we have a beautiful American Custom Strat  with an ash body, roasted maple birdseye neck with a 9.5-12 compound radius, 6105 frets and a comfortable slim 60s Style Oval C carve (.790 - 9.30), strap locks and a contoured heel. A striking aged amber natural finish shows off the grain and is nicely accented with a tortoise pickguard, shell inlays and nitro lacquer. Handwound Custom Shop Fat 64 pickups have vintage mod #2 wiring, a bone nut and 57 style deep body contours. She sings. With hardshell case, strap and certificate of authenticity. Condition: NOS; Body: Ash; Roasted birdseye maple , AAA rosewood fingerboard, 60 Style Oval C (.790-.930), 9.5-12 compound radius; Nut: 1.650; Color: Aged amber natural; Pickups: handwound Custom Shop Fat 64; Scale: 25.5; Orientation: Lefthanded (of course)

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  • I love Teles and it's alway cool when Fender builds one with a different twist to it. Here is a Thinline P90 relic in a chocolate 3 tone sunburst with some cool features ... Fender Custom Shop P90 at the neck and handwound 51 loaded NoCaster pickup at the bridge gives some great tonal options. A compound 7.25-9.5 radius gives you the best of both worlds up and down the neck, and the fat offcenter V profile brings the tone with medium vintage frets. The hollow body with an F-hole keeps the weight down --  Nice and light at 6 3/4 pounds. Includes deluxe hardshell case, strap and certificate of authenticity. Condition: New, relic; Body: Ash; Neck: Maple 5/4 quartersawn, 11/56 off center V profile (.915-.975), 7.25-9.5 compound radius; Nut: 1.650; Color: Chocolate 3 tone sunburst; Pickups: Custom Shop P90 and handwound 51 Loaded Nocaster; Scale: 25.5; Orientation: Lefthanded (of course)

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  • I love 00 guitars -- the tonal balance and perfect size for sitting on the couch or performing. Here's a beautiful 12-fret Collings 002H with the Traditional package. With Collings’ typical terrific projection and great volume, this guitar will amaze you with its voice. Beautiful build, 12-fret, slotted headstock with Waverley tuners, a gorgeous style 2 sunburst, Traditional package, short scale, pre-war scalloped bracing, Traditional neck carve, ebony fretboard and bridge, and tortoise/wood binding. Impossible to put down. Lifetime warranty and hardshell case. Serial # 3397 Collings sez: " The new Traditional Series variations of our classic 12-fret 00 take a vintage-inspired approach to voicing and construction designed to produce a strong fundamental response and open feel, with rounder highs and less overtone complexity compared to the signature Collings sound. The combination of an open slotted peghead, shorter 24 7/8" scale length, and pyramid bridge paired with our ultra-thin nitrocellulose lacquer finish and newly redesigned neck support make for a woody and articulate voice that exemplifies everything we love about the T-Series. With a longer upper bout than its 14-fret counterpart, the 00 offers rich, balanced tone with excellent note separation, making it a fine choice for fingerstyle guitarists, singer-songwriters, or anyone else looking for a balance of comfort, volume, and responsiveness." Condition: New; Top: Select sitka spruce; Back and sides: Mahogany; Neck: Mahogany, Traditional carve; Nut: 1 3/4; Width: 14 1/4; Depth: 4; Scale: 24 7/8; Binding: Tortoise; Purfling: b/w/b; Rosette: b/w/b; Orientation: Lefthanded (of course)

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  • I was super excited to become a dealer and order these Iris guitars ... hand made in Vermont under the seasoned watch of Adam Buchwald (formerly with Froggy Bottom) and Dale Fairbanks (Fairbanks Guitars), simply yet elegantly appointed with satin finishes, with a nod to vintage depression era flattop tones and at a very reasonable price point. This is the DF model (named after Dale Fairbanks) a slope shouldered dread. This one is customized as a 12-fret deep body Smeck burst with a 1 3/4 nut and firestripe pickguard. Beautiful sunburst.  Scalloped Adirondack spruce bracing, a bolt-on mortise and tenon neck, 2 7/32 bridge spacing, Indian rosewood fingerboard and bridge, open pore sating nitrocellulose finish, bone nut and saddle and Golden Age relic brass tuners. With TKL case. Here is a nice demo from The North American Guitar:
    Condition: New; Top: Sitka spruce; Back and sides: Mahogany; Neck: Mahogany; Nut: 1 3/4; Width: 16 1/4; Depth: 4 7/8; Scale: 25; Binding: Ivoroid; Purfling: b/w/b; Rosette: ivoroid; Orientation: Lefthanded (of course)

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  • I was super excited to become a dealer and order these Iris guitars ... hand made in Vermont under the seasoned watch of Adam Buchwald (formerly with Froggy Bottom) and Dale Fairbanks (Fairbanks Guitars), simply yet elegantly appointed with satin finishes, with a nod to vintage depression era flattop tones and at a very reasonable price point.

    This is the MS-00, in a Cremona burst with an ivoroid pickguard, designed with the aid of Mark Stutman. This one is customized with a 1 3/4 nut. Beautiful sunburst.  Scalloped Adirondack spruce bracing, a bolt-on mortise and tenon neck, 2 7/32 bridge spacing, Indian rosewood fingerboard and bridge, open pore sating nitrocellulose finish, bone nut and saddle and Golden Age relic brass tuners. With TKL case. Iris says: "This mid-thirties style guitar, with its short scale, is a wonderful complement to our line of small bodied Iris." Here is a nice demo:
    Condition: New; Top: Sitka spruce; Back and sides: Mahogany; Neck: Mahogany; Nut: 1 3/4; Width: 14 7/8; Depth: 4 3/8; Scale: 24.75; Binding: Ivoroid; Purfling: b/w/b; Rosette: ivoroid; Orientation: Lefthanded (of course)

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  • Iris
    OG black

    $2,450.00
    I was super excited to become a dealer and order these Iris guitars ... hand made in Vermont under the seasoned watch of Adam Buchwald (formerly with Froggy Bottom) and Dale Fairbanks (Fairbanks Guitars), simply yet elegantly appointed with satin finishes, with a nod to vintage depression era flattop tones and at a very reasonable price point. This is an OG model, customized with a 1 3/4 nut and the all black tuxedo package.  Scalloped Adirondack spruce bracing, a bolt-on mortise and tenon neck, 2 7/32 bridge spacing, Indian rosewood fingerboard and bridge, open pore sating nitrocellulose finish, bone nut and saddle and Golden Age relic brass tuners. With TKL case. Iris says: "The original Iris that put us on the map: The OG Model. It has a comfortable 25” scale and an equally comfy C-shape neck." ”Overall, it has a warm and dry voice, with an impressive midrange response. It takes equally well to being strummed with a pick or fingerpicked, in standard or open tunings, and it has a generous amount of headroom and projection.” Acoustic Guitar, July/Aug 2019" Here is a nice demo from the North American Guitar:
    Condition: New; Top: Sitka spruce; Back and sides: Mahogany; Neck: Mahogany; Nut: 1 3/4; Width: 14.5; Depth: 4 5/8; Scale: 25; Binding: Ivoroid; Purfling: b/w/b; Rosette: ivoroid; Orientation: Lefthanded (of course)

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  • Here's a sweet 58 relic Strat in natural blonde with my personal favorite Fat 50s pickups. Fender sez: 1958 was the final year of the original one-piece maple neck before Leo Fender switched to a glued-on “slab” rosewood fingerboard, which significantly changed the look and tone of Fender instruments. Many players swear by the one-piece maple for its tone and stability, which is what makes 1958 such a sought-after year for the Strat. The ’58 Strat Relic is a nod to that year in all its glory, with several custom mods. A two-piece select alder body wears a Relic lacquer finish, while the resonant one-piece quartersawn maple neck has a comfortable 1954-style “soft V” profile, 9.5 fingerboard radius and 21 narrow tall (6105) frets. Custom Shop hand-wound Fat ’50s pickups are connected to Vintage Modified #2 wiring with Tone-Saver bleed circuitry and five-way switching, creating a thick, balanced tone at any volume. Other features include a single-ply eggshell pickguard, Custom Shop vintage synchronized tremolo, vintage-style tuning machines, bone nut, and wing string tree. Also includes deluxe hardshell case, strap and certificate of authenticity. Condition: Relic; Body: Alder; Neck: 5/4 quartersawn maple 54 Strat Soft V (.850-.980), 9.5 radius; Nut: 1.650; Color: Natural Blonde; Pickups: handwound Fat 50s; Scale: 25.5; Orientation: Lefthanded (of course)

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  • Sale

    Santa Cruz
    D Model

    $7,695.00
    Here's a beautiful new Santa Cruz D Model, customized with an Adirondack spruce top, vintage tinted top, dalmatian pickguard, herringbone purfling, 42 style fingerboard inlays, advanced X Adirondack bracing attached with hot hide glue, gold Waverly tuners, and ebony bridge and pins. Lightweight, extremely dynamic and very responsive to a light touch, as all Santa Cruz guitars are. Wonderful dread. Lifetime warranty and handsome case. If you prefer a different spec, I always have build slots available for any Santa Cruz model. Condition: New; Top: Adirondack spruce; Back and sides: Indian rosewood; Neck: Mahogany, Style 42 inlays; Nut: 1 11/16; Width: 15 5/8; Depth: 4 7/8; Scale: 25.375; Binding: Tortoise; Purfling: Herringbone; Rosette: ivoroid; Orientation: Lefthanded (of course)

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