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    Here’s a Gibson Custom Shop R8 1958 Les Paul plain top finished in a washed cherry VOS. The guitar has Custom Bucker Alnico III unpotted pickups, fat 58 C neck carve, hide glue fit top and fingerboard, CTS 500K audio taper potentiometers, paper-in-oil capacitors and historic Lifton style case with all case candy, certificate of authenticity booklet. Great guitar. 8 1/2 pounds of Historic tone. Gibson sez: “The 1958 Les Paul Standard Reissue features all the painstaking historic construction methods of the famous '59 Reissues with a few historically-accurate spec differences that allow it to stand on its own. Like the 1958 originals, it has narrow frets which help more of the fingerboard wood to be heard in the tone profile. It also has a round, chunky neck profile for a full feel and maximum bending leverage. And finally it has a beautiful plain maple top; each is unique and full of character.” Condition: VOS; Body: Mahogany; Color: Washed cherry VOS; Pickups: Custom Buckers; Scale: 24.75

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  • Here's a rare lefty and well-cared for 2012 Goodall Aloha Grand Concert guitar, with some nice koa back and sides, a beautiful sitka top, and comfortable C neck profile. This guitar was built before Goodall left Hawaii for California; most Goodall enthusiasts prize the Hawaiian guitars, particularly the ones made of koa -- a Hawaiian native wood which Goodall is noted for. Goodalls are unique sounding guitars, with a brilliance and sustain all their own; along with Lowden guitars, one of the more distinctive sounds. Nothing sounds quite like it. In excellent condition with some light play wear you would expect on a guitar nearing its 10th birthday -- a couple tiny dings on the top, some light pick marks on the clear pickguard. With original Ameritage hardshell case. Goodall sez: "The Grand Concert model is a refined and beautifully proportioned shape, and is everything you could desire from an acoustic guitar and more. It's tone is a wonderful blend of balanced clarity, and punchy projection, with a smooth rich bass response. This instrument is larger than the Parlor but smaller than the Concert Jumbo. It has a singing lyrical treble, with excellent sustain, and is comfortable to hold. Though it is a small guitar, the Grand Concert does not exhibit the tight nasal tonal quality in the midrange and bass that is generally associated with smaller guitars. While the Grand Concert series is considered ideal for the fingerstylist due to its sensitive, dynamic responsiveness, it is equally appropriate for the flatpicker or plectrum player with the appropriate tonewood combination. It is prized by Bluegrass flatpickers and has even been said to surpass large bodied dreadnought guitars with respect to it's clarity, sustain and powerful projection." Condition: Preowned, excellent; Top: Sitka spruce; Back and sides: koa; Neck: Mahogany, Asian rosewood fretboard, ebony binding; Nut: 1.75; Width: 15 1/8; Depth: 4 1/4; Scale: 25 5/8; Binding: Ebony; Rosette: wide Agoya shell; Orientation: Lefthanded (of course)

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  • Sale
    Dead mint lightly used 2021 Collings D1 Traditional. Great guitar. Save some bucks. Collings builds terrific dreads, and their venerable D1 with the Traditional package is no exception. This guitar is customized with a 1.75 nut. Handsome and understated tortoise binding with gold mother of pearl inlays , the Custom Traditional Series pre-war scalloped X-brace (no tongue brace), ultra-thin nitro finish and ebony fretboard and an ebony belly bridge give it Collings’ typical impressive volume and projection, yet allow the guitar to be equally responsive to a light touch. Dread of a lifetime. Lifetime warranty and hardshell case. Serial # 31420. Collings sez: "Our Traditional Series or "T-Series” guitars represent an exciting vintage-inspired tonal variation on the distinctive Collings sound, designed and crafted to showcase the most desirable characteristics present in coveted pre-war instruments. Bracing and tone woods are adjusted for weight and thickness to create a voicing characterized by warm, rounded highs and a present low midrange, while retaining a quick attack and strong projection." Condition: Mint; Top: Sitka spruce; Back and sides: Mahogany; Neck: Mahogany, Traditional profile; Nut: 1 3/4; Width: 15 5/8; Depth: 4 7/8; Scale: 25 1/2; Binding: Tortoise; Purfling: custom wood; Rosette: custom wood; Orientation: Lefthanded (of course)

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  • I am fond of smaller bodied guitars, and this Huss and Dalton T-0014 Custom rings like a bell. Short scale, flat top with the same big voice as their terrific 12-fret 00s, but 14-frets to the neck joint. Terrific couch guitar and great for recording. Some nicely silked sitka with a hint of bearclaw on the top, and gorgeous indian rosewood on the back. Lifetime warranty and a handsome Huss and Dalton case. Condition: New; Top: Sitka spruce; Back and sides: Rosewood; Neck: Mahogany, ebony fingerboard; Nut: 1 3/4; Width: 14 1/4; Depth: 4 1/8; Scale: 24.9; Top: Flattop; Purfling: Maple W/B/W B/W/B; Rosette: B/W/B; Lefthanded guitar (of course)

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  • Here's a beautiful Rick Turner Guitars Renaissance RS6 steel string electric acoustic. I ordered this one with a 1 3/4 nut. The guitar has some nicely figured mahogany back and sides, terrific top, mahogany neck and an ipe (Brazilian walnut) fingerboard. The back of the headstock is signed by the legendary Rick Turner himself. If you play acoustic guitar live, you're familiar with the challenges of getting a natural acoustic tone amplified to stage volumes without being plagued by feedback. All the mics, preamps and EQs in the world are rarely up to dealing with a loud monitor pointing at your soundhole. The thinline RS6 is built like an acoustic but has a mahogany center block to resist feedback. A Turner Timberline bridge pickup feeds a full-spectrum signal to an 18-volt D-TAR preamp with graduated volume and tone controls. The preamp runs off two AA batteries, easily accessible via the back panel. I have tested this at loud monitor volumes and it works great straight into the board. Lindsey Buckingham (Fleetwood Mac) loves his Turner guitars and plays a Renaissance live. These guitars also sound great through a conventional guitar amp. With locking tuners, Access padded case and Timberline electronics. Condition: New; Top: Mahogany; Back and sides: Mahogany; Neck: Mahogany with ipe (brazilian walnut) fingerboard; Nut: 1 3/4; Scale: 25.5; Orientation: Lefthanded (of course)

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  • The NRP Steel Tricone features the classic styling of the vintage Tricones but with a special sound. The tone of the steel body offers a deeper, darker voice — yet with more immediacy and presence. And it still boasts all the amazing sustain and rich choral tone the Tricones are famous for. The steel body and coverplate are plated and then hand rubbed with a vintage vibe. Inside, the NRP Steel Tricone features the same type of aluminum resonating cones and T-bridge as the original models. The mahogany neck features an unbound ebony fingerboard with dot inlays, while the traditional slotted headstock has “NATIONAL” stamped on it. If you’re seeking a Tricone with a bit more blues feel to it, the NRP Steel guitar has it in spades. Made in the USA. Two-year warranty and a hardshell case. Condition: New; Top: Rubbed steel; Back and sides: Rubbed steel; Neck: mahogany, ebony fretboard, ivoroid binding; Resonator: Three 6 inch alloy cones; Bridge: Aluminum T bridge; Nut: 1.82 bone; Width: 14.25; Depth: 3.125; Scale: 25 21/32; Orientation: Lefthanded (of course)

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  • Here's a beautiful Rick Turner Guitars Renaissance RS6 steel string electric acoustic. I ordered this one with a redwood top and a 1 3/4 nut. The guitar has some nicely figured mahogany back and sides, a spectacular rewood top, mahogany neck and an ipe (Brazilian walnut) fingerboard. The back of the headstock is signed by the legendary Rick Turner himself. If you play acoustic guitar live, you're familiar with the challenges of getting a natural acoustic tone amplified to stage volumes without being plagued by feedback. All the mics, preamps and EQs in the world are rarely up to dealing with a loud monitor pointing at your soundhole. The thinline RS6 is built like an acoustic but has a mahogany center block to resist feedback. A Turner Timberline bridge pickup feeds a full-spectrum signal to an 18-volt D-TAR preamp with graduated volume and tone controls. The preamp runs off two AA batteries, easily accessible via the back panel. I have tested this at loud monitor volumes and it works great straight into the board. Lindsey Buckingham (Fleetwood Mac) loves his Turner guitars and plays a Renaissance live. These guitars also sound great through a conventional guitar amp. With locking tuners, Access padded case and Timberline electronics. Condition: New; Top: Redwood; Back and sides: Mahogany; Neck: Mahogany with ipe (brazilian walnut) fingerboard; Nut: 1 3/4; Scale: 25.5; Orientation: Lefthanded (of course)

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  • Sale
    This is a very rare Jason Schroeder original Chopper RTS prototype, built in 2008. Beautiful curly maple top in a charcoal grey finish, with natural curly maple binding, nicely figured mahogany body, East Indian rosewood neck with distinctive grain and a natural satin finish and ebony fretboard. The guitar has Seymour Duncan P-Rails installed, they are humbuckers that combine a P90 with a Hot Rails coil to give you three different tonal options via a toggle switch -- humbucker, P90 and single coil. With original Ameritage hardshell case. Very nice and collectible guitar, in terrific condition, and Jason's build quality is off the charts. Condition: Near mint; Body: Mahogany, curly maple cap; Neck: East Indian rosewood, satin finish, 12 radius; Nut: 1.650; Color: Charcoal; Pickups: Duncan Rails; Scale: 25; Orientation: Lefthanded (of course)

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  • Sale
    Here's a 2014 Martin Authentic 1931 OM-28 that has opened up beautifully, in very nice shape for its age, three small dings in the top down by the lower bout on the bass side (see photos), but otherwise very clean. Adirondack spruce top with Martin's VTS (Vintage Tone System) applied to both the top and the adirondack spruce braces. Back and sides are Madagascar rosewood; the bracing is the Authentic 1931 pattern. The solid ebony fingerboard features diamond and square inlays; the ebony bridge is the Authentic belly style with a long saddle. Tuners are Waverley nickel. Martin's thin vintage gloss finish.  Note that the Martin logo is absent from the Madagascar headstock on the Authentic 1931 and is instead embossed into the back of the headstock.  Full specs below. Terrific OM.
    Condition: Excellent, VTS; Top: Torrefied adirondack spruce; Back and sides: Madagascar rosewood; Neck: Mahogany, Authentic 1931 carve; Nut: 1 3/4 bone; Width: 15; Depth: 4 1/8; Scale: 25.4; Binding: Ivoroid; Purfling: Herringbone; Rosette: 1931 style wood; Orientation: Lefthanded (of course) Construction: Dovetail Neck Joint - Hide Glue Construction Body Size: 000-14 Fret Top: VTS Solid Adirondack Spruce Rosette: Style 28 (Authentic 1921/31) Top Bracing Pattern: OM-28 Authentic 1931 Top Braces: VTS Adirondack Spruce 5/16" with 1/4" Tone Bars Circa 1931 Back Material: Solid Madagascar Rosewood Back Purfling: Style 28 Zig-Zag (Authentic) Side Material: Solid Madagascar Rosewood Endpiece: Grained Ivoroid (Narrow 1931 Shape) Endpiece Inlay: Madagascar Rosewood w/ Maple Fiber Binding: Grained Ivoroid Top Inlay Style: Fine Herringbone Back Inlay: Madagascar Rosewood w/ Maple Fiber Neck Material: Genuine Mahogany Neck Shape: Authentic 1931 Barrel & Heel Nut Material: Bone Headstock: Solid/Diamond/1931 Taper Headplate: Solid Madagascar Rosewood Heelcap: Grained Ivoroid Fingerboard Material: Solid Black Ebony Scale Length: 25.4" Number Of Frets Clear: 14 Number Of Frets Total: 20 Fingerboard Width At Nut: 1-3/4" Fingerboard Width At 12th Fret: 2-1/4" Fingerboard Position Inlays: Diamond & Squares - Short Pattern Golden Era Finish Back & Sides: Vintage Gloss Finish Top: Vintage Gloss Finish Neck: Vintage Gloss Bridge Material: Solid Black Ebony Bridge Style: Authentic Style Belly w/ Long Saddle Bridge String Spacing: 2-5/16" Saddle: 16" Radius/Long Bone Tuning Machines: Waverly Nickel Recommended Strings: Martin SP Lifespan Phosphor Bronze Medium Gauge (MSP7200) Bridge & End Pins: Ivory Colored Poly w/ Black Dots Pickguard: Delmar Tortoise Color Case: 533V Harptone

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  • Sale
    Santa Cruz makes a terrific OM, and this deep body custom version has pulled out all the stops.  One of the finest I've played. Very alive, great note separation, terrific balance with a little extra low end and, of course, impeccable build quality. This guitar features a beautiful Italian bearclaw spruce top, spectacular cocobolo back and sides (cocobolo is one of my favorite woods for an acoustic), deep body, Adirondack bracing, hot hide glue, cocobolo rosette, scalloped bracing, ebony fretboard, nickel Waverleys with ebony buttons, a koa bound headstock and neck and a 1.75 nut. Light for a cocobolo guitar, just a smidge over 4.25 pounds. Lifetime warranty and handsome Santa Cruz case by Ameritage. Condition: New; Top: Italian bearclaw spruce; Back and sides: Cocobolo; Neck: Mahogany, ebony fretboard, koa binding; Nut: 1.75; Width: 15.25; Depth: 4 5/8; Scale: 25.375; Binding: koa; Purfling: b/w/b; Rosette: cocobolo; Orientation: Lefthanded (of course); List: $10,175

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  • Sale

    Lowden
    F-22 cutaway

    $4,920
    Here’s a new Lowden F-22 in mahogany with a red cedar top. The F is the mid sized Lowden, with the characteristic overtones, brilliant highs and endless sustain that Lowdens are known for. This one is customized with a cutaway for improved upper fret access, and the low profile neck, which is still a good-sized neck.  Beautiful guitar. Lifetime warranty and Ameritage case. Condition: New; Top: red cedar; Back and sides: Mahogany; Neck: 5-piece mahogany and rosewood with ebony fingerboard; Nut: 1.75; Width: 15 7/8; Depth: 4 3/4; Scale: 25.4; Binding: Sycamore; Purfling: Mahogany, walnut, sycamore, rosewood; Rosette: Rosewood, sycamore, walnut, mahogany    

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  • Sale

    Santa Cruz
    1929 00

    $6,480
    Here's a brand new customized Santa Cruz 1929 00, with a full body sunburst, adirondack bracing, hot hide glue construction, cowboy rope purfling and rosette, 2 mm ivoroid fretboard dots and bone bridge and end pins. I love the warmth of small-bodied all-mahogany guitars; the 1929-00 from Santa Cruz is always a favorite here. Welcomed internationally as both timely and timeless, the 1929-00 has received sparkling reviews from the most prestigious publications in France, Germany, UK and the US.  This instrument’s design pays homage to the simple and elegant instruments made for players enduring the Great Depression of 1929. Vintage inspired appointments include scalloped bracing, a period correct script style logo done tastefully in Ivoroid and beautifully executed Ebony pyramid bridge. With handsome Ameritage case and lifetime warranty. Condition: New; Top: Mahogany; Back and sides: Mahogany; Neck: Mahogany,ebony fingerboard,; Nut: 1 3/4; Width: 14.375; Depth: 4; Scale: 24.75; Orientation: Lefthanded (of course)

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  • I've been waiting to try this guitar, and was not disappointed ... a great gigging acoustic, and a lot of fun to play with the various acoustic tones it offers plus a pure electric tone (and blendable, to boot). Lay down some pure acoustic backing on a looper and then turn on the electric pickup with your favorite amp simulation pedal and rock out. And just enough volume not plugged into an amp to practice quietly in the dead of night. Fender sez: A shape-shifting acoustic-electric with a revolutionary Fender and Fishman-designed Acoustic Engine. The American Acoustasonic Telecaster embodies the spirit of purposeful innovation on which Fender was built. From acoustic shape-shifting to electric rhythm tones, this powerful guitar uses a revolutionary Fender and Fishman-designed Acoustic Engine to deliver new sonic expression from the studio to the stage. Features Cutting-edge acoustic-electric guitar Acoustic Engine delivers 10 different body style and tonewood combinations Mod Knob selects and blends voices Patent-pending Stringed Instrument Resonance System (SIRS) Three pickup systems: Fishman Under-Saddle Transducer; Fishman Acoustasonic Enhancer; Fender Acoustasonic Noiseless magnetic pickup Integrated forearm contour and mahogany neck 12 radius, 1.6875 nut 25.5 scale Narrow Tall frets Ebony fingerboard Mahogany neck satin finish Solid Sitka spruce top, mahogany body, satin finish Graphtech TUSQ nut Deluxe gig bag. Condition: New; Top: solid spruce; Back and sides: mahogany; Neck: mahogany, ebony fingerboard; Nut: 1.6875; Radius: 12    

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  • This lefty Collings Statesman LC was inspired by the classic sounds pioneered by players such as Chet Atkins and Eddie Cochran. The fully-hollow Statesman LC captures the vibe and tones of this iconic era with a trestle-braced maple laminate body, Bigsby B3 vibrato and TV Jones Filtertron pickups. Finished in faded cherry. Ebony fingerboard, haircut headstock, CTS pots, Jupiter Yellow Vintage Tone caps and 24 7/8 scale. Lifetime warranty and hardshell case. SN# SMLC19098.
     Condition: New; Body: Maple laminate; Neck: Medium-fat C, ebony fingerboard, 12 radius; Color: faded cherry; Pickups: TV Jones Filter-Tron; Scale: 24 7/8

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  • This lefty Collings Statesman LC was inspired by the classic sounds pioneered by players such as Chet Atkins and Eddie Cochran. The fully-hollow Statesman LC captures the vibe and tones of this iconic era with a trestle-braced maple laminate body, Bigsby B3 vibrato and TV Jones Filtertron pickups. Finished in a walnut stain. Ebony fingerboard, haircut headstock, CTS pots, Jupiter Yellow Vintage Tone caps and 24 7/8 scale. Lifetime warranty and hardshell case. SN# SMLC19094
     Condition: New; Body: Maple laminate; Neck: Medium-fat C, ebony fingerboard, 12 radius; Color: walnut stain; Pickups: TV Jones Filter-Tron; Scale: 24 7/8

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  • This left handed Carter-Poulsen G-Model is a stunning guitar with superb tone. Hand built in Santa Cruz by Willie Carter and Eric Poulsen, this guitar features beautiful east Indian rosewood with a terrific bearclaw sitka spruce top. The dark rosewood is set off elegantly and subtly with red pernambuco binding and sycamore purfling, which imparts beautiful sparkling golden detail lines. The rosette is sycamore, as well. The shape is Carter-Poulsen’s take on a 14-fret 00 size, but with an innovative horizontal tone bar that transverses the lateral bracing. The guitar has great bass response, a pleasing midrange and crisp, clear trebles. Very comfortable neck and a short 24.9 scale. Remarkable guitar for recording. Carter-Poulsen guitars are gaining a strong following both domestically and internationally, and one strum will tell you why. Both Willie and Eric have their roots in the Santa Cruz Guitar Company.  With a custom Ameritage Carter-Poulsen hardshell case.
      Condition: New; Top: Bearclaw sitka spruce; Back and sides: East Indian rosewood; Neck: Mahogany; Nut: 1 3/4; Width: 15; Depth: 4.25; Scale: 24.9; Binding: Rosewood; Purfling: Sycamore; Rosette: Sycamore; Orientation: Lefthanded (of course); Price: $5995  

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