• Here's a brand new PRS Wood Library Custom 24 in an aquableux burst finish. Carved figured flame maple top, African blackwood fretboard, curly maple neck,swamp ash body and old-school bird inlays in paua abalone. The guitar has 58/15 LT pickups, 5-way switching and a tremolo bridge. Finish is aquableux and the guitar has the wood library hardshell case. Pattern thin neck carve on this one. Lifetime warranty. Condition: New; Body: Swamp ash with figured carved maple top; Neck: Curly maple pattern thin carve, African blackwood fretboard; Color: aquableaux; Pickups: PRS 58/15 LT; Scale: 25;  Lefthanded guitar (of course)

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  • Here’s a the latest addition to George Lowden's Original Series of guitars ... an S-34 in koa with a sitka spruce top. George's thoughts on this guitar: “Koa is a comparatively lighter tonewood which means, if you like to play gently, it’s an excellent choice. It gives you the ability to express yourself and have lots of different nuances of tone. Just touch the guitar and it will respond.” The guitar is crisp sounding, and as light as a feather. The S is the smallest sized Lowden, aside from the Wee, with the characteristic overtones, brilliant highs and endless sustain that Lowdens are known for. Beautiful guitar. Lifetime warranty and Hiscox case. Condition: New; Top: Sitka spruce; Back and sides: Koa; Neck: 5-piece mahogany and rosewood with ebony fingerboard; Nut: 1.75; Width: 14 3/4; Depth: 4 1/8; Scale: 24.75; Binding: Sycamore; Purfling: Mahogany, sycamore, rosewood; Rosette: Rosewood, sycamore, walnut, mahogany    

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  • Here’s a new PRS Custom 24 from Paul Reed Smith's wood library, featuring hand-picked woods and a stunning grey black fade finish. This one has a ribbon flamed maple top, African blackwood fretboard, curly maple neck in natural curly maple, swamp ash body and green ripple abalone old-school bird inlays, trem and 58/15 LT pickups. 5-way switching with locking tuners, pattern thin neck and black Wood Library hardshell case. As with any PRS, the guitar is impeccable and plays every bit as good as it looks. Condition: New; Body: swamp ash with maple carved  top; Neck: Curly Maple, pattern thin carve, African blackwood fretboard; Color: Gray black fade; Pickups: PRS 58/15 LT; Scale: 25;  Lefthanded guitar (of course)

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  • Very cool limited edition 1969 Journeyman relic Stratocaster in a distinctive fire mist silver. I love how the reliced metallic finishes really highlight the crazing in the nitro depending on the angle you are looking at them. This one is no exception. With Fender's handwound "Bone Tone" pickups, a comfortable 69 U profile, Schaller F key tuners and 5-way switching. With hardshell case, certificate of authenticity, Custom Shop Strat and lifetime warranty. Condition: New, Journeyman (light) relic; Body: Alder; Neck: Rift sawn maple, 69 U profile (.850-.910), 9.5 radius; Nut: 1.650; Color: Fire Mist Silver; Pickups: handwound Bone Tone; Scale: 25.5; Orientation: Lefthanded (of course)

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  • 1957 was a great year for the Stratocaster, and this Fender Custom Shop limited edition Journeyman (light) relic 57 Strat is a terrific example. Comfortable 57 Soft V neck profile with a 9.5 radius, narrow-tall 6105 frets with a heavy relic neck, and a unique blend of handwound pickups -- 57 Strat at the neck, Fat 50s reverse wound in the middle and a Texas Special at the bridge. Also includes deluxe hardshell case, strap and certificate of authenticity. Condition: New, relic; Body: Alder; Neck: 5/4 quartersawn maple, 57 soft V profile (.850-.990), 9.5 radius; Nut: 1.650; Color: tahitian coral; Pickups: handwound; Scale: 25.5; Orientation: Lefthanded (of course)

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  • Eastman
    T-386

    $1,200.00
    Here's an Eastman T386 Classic semihollow guitar ... beautiful instrument, in brand new condition, unplayed, plastic covers still on the pickups. Very nice guitar for the money. With hardshell case. Neck Material:Maple Fingerboard:Ebony Fingerboard Radius:12" Neck Profile:Traditional Even "C" Nut:Bone 1 3/4" 1st Fret String Height:.022" 12th Fret String Height:Bass .078" & Treble .062" Fretwire:22 Medium Jumbo Jescar 47104 Scale Length:24.75" Body Style:16" Body Dimensions:16" x 1 3/4" Body Top:Maple Laminate Body Back/Sides:Maple Laminate Truss Rod:Single Acting Binding:Body and Neck Binding Material:Ivoroid Logo:Pearl Headstock Inlay:Pearl Dots Finish:All Gloss Hardware Color:Nickel Pickguard:Black Plastic with Ivoroid Binding Tailpiece:Gotoh stop tailpiece Bridge:Tuneomatic Tuners:Pingwell RM1239-NV Knobs:Speed Knobs Neck Pickup:Kent Armstrong HPAN-1N Bridge Pickup:Kent Armstrong HPAN-1B Pickup Height:3/32" bass side, 3/32" treble side Pickup Frame:Black Plastic 3 Way Switch:Switchcraft Switch Tip:Switchcraft Capacitors:0.022μF Potentiometers:500K AudioTaper Output Jack:Switchcraft Strings:D’Addario NYXL .010 - .046 Case:Hardshell Case

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  • Sale

    Collings
    CJ-45 Traditional

    $6,295.00
    Here's a dead mint 2022 Collings CJ-45 Traditional that I sold new a few months ago ... terrific guitar, and a chance to save some bucks over a new one. The owner opted to order a smaller C10 so this is available. Original hardshell case. Read on ... Collings' latest offering is a Traditional update on their terrific slope-shouldered CJ series. Very impressive guitar with some nice touches, including a gold mother of pearl Collings logo, a stout full C neck carve and typical Collings attention to detail. I'll let them describe it: "As with all of our Traditional Series guitars, when it came time to add a “T” designation to our slope-shoulder offerings, we didn’t simply tweak the original; the all-new Collings CJ-45 T is a fully re-imagined instrument that offers a distinct tonal variation when compared to our CJ and CJ-35 models. Strongly vintage-inspired, the body construction has been completely re-engineered, including new bracing carves and patterns. When combined with our latest T-Series neck design and new CJ-45 neck profile, the result showcases a tone that is exceptionally dry and fundamental with the growl and thump sought after in the great slope-shoulder dreads of the Wartime era."
    Bracing: Behind the scenes but foundational to an acoustic guitar’s tone is its bracing. While the CJ-45 T shares the same body shape as our other CJ models, its top and back Wartime X-bracing is entirely different in layout, profile, and carve, resulting in a dry and direct fundamental with quick decay that significantly expands the line’s tonal range. Traditional Series Finish: As with every Collings Traditional instrument, the all-nitrocellulose finish on the CJ-45 T is ultra-thin, providing an unmatched response and resonance when paired with its lightweight T-Series build and materials. Flat Back Design: The CJ-45 T incorporates an exceptionally flat back design compared to other Collings flat tops, a feature which enhances the instrument’s direct, forward tone, pronounced midrange, and strongly vintage-inspired voice. Neck Profile: With its full C-shape, the new neck profile on our CJ-45 T is substantial in terms of both feel and its contributions to tone and response while also benefiting from the adjustable flat bar design and construction techniques of our most recent Traditional Series necks. Rosewood Fingerboard: Hand-selected for tonal warmth and vintage vibe, every CJ-45 T features an Indian rosewood fingerboard with elegantly tapered mother-of-pearl long dot inlays. Rosette: Unique to the CJ-45 T are its fully exposed rosette and shortened, 19-fret fingerboard, an aesthetic which makes it instantly recognizable among the Collings lineup.
    Serial # 32523 Condition: Near mint; Top: Sitka spruce; Back and sides: Honduran mahogany; Neck: Mahogany, Full C profile, rosewood fingerboard; Nut: 1 3/4; Width: 16; Depth: 4 7/8; Scale: 24 7/8; Binding: Ivoroid; Rosette: b/w/b; Orientation: Lefthanded (of course)

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  • Here's a beautiful Rick Turner Guitars Renaissance RS6 steel string electric acoustic. I ordered this one with a 1 3/4 nut and satin finish. The guitar has some nicely figured mahogany back and sides, terrific top, mahogany neck and an ipe (Brazilian walnut) fingerboard. The back of the headstock is signed by the late legendary Rick Turner himself. If you play acoustic guitar live, you're familiar with the challenges of getting a natural acoustic tone amplified to stage volumes without being plagued by feedback. All the mics, preamps and EQs in the world are rarely up to dealing with a loud monitor pointing at your soundhole. The thinline RS6 is built like an acoustic but has a mahogany center block to resist feedback. A Turner Timberline bridge pickup feeds a full-spectrum signal to an 18-volt D-TAR preamp with graduated volume and tone controls. The preamp runs off two AA batteries, easily accessible via the back panel. I have tested this at loud monitor volumes and it works great straight into the board. Lindsey Buckingham (Fleetwood Mac) loves his Turner guitars and plays a Renaissance live. These guitars also sound great through a conventional guitar amp. With locking tuners, Access padded case and Timberline electronics. Condition: New; Top: Mahogany; Back and sides: Mahogany; Neck: Mahogany with ipe (brazilian walnut) fingerboard; Nut: 1 3/4; Scale: 25.5; Orientation: Lefthanded (of course)

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  • Here’s a Gibson Custom Shop 64 SG in VOS cherry with Maestro Vibrola tailpiece. The guitar has hide glue construction, aniline dye, Gibson's unpotted Alnico Burst Bucker pickups, Bumblebee caps, Kluson deluxe tuning keys and Custom Shop case with all case candy and certificate of authenticity. Terrific guitar. Condition: VOS, nickel hardware; Body: Mahogany; Color: Cherry; Pickups: Unpotted Alnico Burst Buckers; Scale: 24.75

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  • I have a particular love for maple bodied guitars; there is something about the clear treble and punch that is perfect for my style. This Collings SJ (small jumbo) has plenty of power, bass and volume with a great midrange that makes it ideal for strumming or finger picking, and it sounds great with a capo anywhere on the neck. Select sitka spruce top, beautiful full body burst, European flamed maple back and sides, a flamed maple neck, custom 1.75 nut, gold tuners, handsome bound “haircut” headstock, pre-war scalloped bracing and beautiful mother of pearl “modern diamond” fretboard inlays. A full sized guitar, only "small" compared to a jumbo jumbo -- like a Gibson J-200. Gorgeous! Lifetime warranty and hardshell case. Condition: New; Top: Sitka spruce; Back and sides: Curly European maple; Neck: Curly maple neck, medium-fat C profile; Nut: 1 3/4; Width: 16; Depth: 4 1/2; Scale: 25.5; Binding: Grained ivoroid; Purfling: b/w/b; Rosette: Ivoroid/wood; Orientation: Lefthanded (of course)

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  • Patrick James Eggle builds wonderful boutique instruments in his shop in Oswestry, U.K. He uses the best of everything -- Callaham and Kluson hardware, Gotoh tuners, true lefty pots, Jescar 55090 frets (6105 found on Fenders and Gibsons) -- and does a beautiful thin open pore nitro finish on the swamp ash bodies for great tone on a very lightweight guitar. This example, in black with white grainfill --  is just under 7 pounds. The pickguard is brass with a unique hand patina. Neck is roasted AAA curly maple with a comfortable soft V profile and contoured heel. Patrick also reverses the control plate to make the volume pot more accessible for swells. Artists who play Eggle guitars include Tommy Iommi , Albert Lee and Rory Gallagher. Handsome grey hardshell case. Just a terrific guitar. Very tempted to keep one for myself. (And maybe I will so hurry before I change my mind ; ) Condition: New; Body: Swamp ash; Neck: Roasted AAA maple, soft V profile, 12 radius; Nut: 1.680; Color: open pore grained black; Pickups: handwound Eggle Mojo; Scale: 25.5; Orientation: Lefthanded (of course)

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  • Huss and Dalton makes some fine guitars by hand in Staunton VA, and I have long been partial to their dreads. This is a TD-M (traditional) with a sitka top, mahogany back and sides. Nice tortoise binding and understated appointments, comfortable neck carve and Waverly 1129 vintage oval tuners.  Huss dreads are cannons, and this one is no exception. Lifetime warranty and handsome Huss and Dalton tweed case. Huss sez: "The traditional models are the culmination of our deep respect and appreciation of the pre-war flat tops that are among the most revered instruments in existence. We combine the age-old techniques of construction with our own take on the classic design to produce an instrument of unparalled power and exquisite tone and playability. These instruments feature 25’ radius bracing mated with a traditionally flat top." Condition: New; Top: Sitka spruce; Back and sides: Mahogany; Neck: Mahogany; Nut: 1 23/32; Width: 15.5; Depth: 4 7/8; Scale: 25.4; Binding: tortoise; Purfling: b/w/b; Rosette: b/w/b; Lefthanded guitar (of course)

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  • Sale
    I love Teles with humbuckers at the neck -- it's instant Keef -- and this one is no expection. This is a 2022 "Chicago Special" build, lightly used, in a distinctive faded aged transparent seafoam green. A Seymour Duncan Antiquity humbucker at the neck brings the rock, and a handwound bridge pickup potted in lacquer gives you enough bite to match it. Since this is a humbucker equipped Tele, it has a DualStack HS Tele volume pot -- unavailable as a lefty pot -- so they are wired righty (like a Les Paul). Great Tele through your favorite tube amp. Custom Shop case, certificate of authenticity, plus the strap and usual extras. Condition: Relic; Body: Ash; Neck: Maple rift sawn, NoCaster U (.860-.920), 9.5 radius; Nut: 1.650; Color: Faded aged transparent seafoam green; Pickups: handwound "Chicago Special" bridge, Duncan Antiquity humbucker; Scale: 25.5; Orientation: Lefthanded (of course)

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  • Sale

    PRS Wood Library
    Custom 22

    $4,595.00
    Here’s a barely played 2022 PRS Custom 22 from Paul Reed Smith’s wood library, featuring hand-picked woods. This one has a curly maple top, ebony fretboard, curly maple neck, African ribbon mahogany body and green ripple abalone old-school bird inlays, trem and 58/15 LT pickups. 5-way switching with locking tuners, pattern neck and black Wood Library hardshell case. The Custom 22 has been discontinued by PRS, so you will not be likely to see any more of these in the foreseeable future. As with any PRS, the guitar is impeccable and plays every bit as good as it looks. Condition: New; Body: Ribbon mahogany with figured carved maple top; Neck: Curly Maple, pattern carve, ebony fretboard; Color: Grey black fade; Pickups: PRS 58/15 LT; Scale: 25;  Lefthanded guitar (of course)

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  • Here’s a new PRS Custom 22 from Paul Reed Smith's wood library, featuring hand-picked woods. This one has a quilted maple top, curly maple fretboard, curly maple neck in a natural satin finish, swamp ash body and green ripple abalone old-school bird inlays, trem and 58/15 LT pickups. 5-way switching with locking tuners, pattern neck and black Wood Library hardshell case. The Custom 22 has been discontinued by PRS, so you will not be likely to see any more of these in the foreseeable future. As with any PRS, the guitar is impeccable and plays every bit as good as it looks. Condition: New; Body: swamp ash with quilted maple carved  top; Neck: Curly Maple, pattern carve, curly maple fretboard; Color: Grey black fade; Pickups: PRS 58/15 LT; Scale: 25;  Lefthanded guitar (of course)

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  • Nice new Slash Collection Les Paul Standard in Appetite Burst. I love these Les Pauls, they are a blast to play when you crank up your favorite tube amp. Gibson sez: "Gibson and Slash are proud to present the Slash Collection Gibson Les Paul™ Standard. It represents influential Gibson guitars Slash has used during his career, inspiring multiple generations of players around the world. The Slash Collection of Gibson guitars can be seen live on stage with Slash today. The Slash Collection Gibson Les Paul Standard features a AAA flamed maple top, a solid mahogany body, and Slash’s personal touches including a 50s neck profile, Gibson Custom BurstBucker™ Alnico 2 pickups, color-coordinated hardware appointments, hand-wired electronics with Orange Drop® capacitors, and a vintage-style brown hardshell case. Exclusive to the Slash Collection are Slash’s “Skully” signature drawing on the back of the headstock, Slash’s signature on the truss rod cover, a blank truss rod cover in the case, Slash-approved Ernie Ball® strings, and four Slash Jim Dunlop Tortex® picks. " Condition: New; Body: Mahogany; Color: Appetite Burst; Pickups: Custom Buckers; Scale: 24.75

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  • Sale
    Here’s a dead mint 2022 PRS Wood Library Custom 24. This one has a tightly ribboned flame maple top, Brazilian rosewood fretboard, roasted curly maple neck, mahogany body and old-school bird inlays in green ripple abalone. The guitar has 85/15  pickups, 3-way switching with a pull for coil tapping and a tremolo bridge. Finish is a black gold wrap burst and the guitar has the wood library hardshell case. Pattern regular neck carve on this one. Condition: Mint; Body: Mahogany with figured carved maple top; Neck: Roasted curly maple pattern regular carve, Brazilian rosewood fretboard; Color: Black gold wrap burst; Pickups: PRS 85/15; Scale: 25;  Lefthanded guitar (of course)

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  • Sale

    James Trussart
    SteelCaster

    $5,295.00

    Here’s a gorgeous lefty James Trussart SteelCaster, rust on cream with engraved snakeskin headcap and pickguard, perforated body,  62 maple neck with rosewood fretboard, Arcane Tele Bridge and a Arcane Wide Range Humbucker neck pickup. Neck pickup has a coil tap. Great neck and tone, it just sings. The hollow metal bodies on these guitars give them a great, spanky tone with great resonance, and the action and neck is superb. James Trussart’s guitars are owned and played by many of the best pro guitarists — Keith Richards, Rich Robinson (Black Crowes), Eric Clapton, Billy Gibbons, Steve Earle and Mike Campbell, to name a few. Even better, James has agreed to waive any upcharges for us. Hardshell case, certificate of authenticity and warranty.

    Condition: New; Body: Steel, perforated back, maple 62 neck with rosewood fingboard; Color: Rust on Cream, engraved snakeskin pickguard and headcap; Pickups: Arcane Tele Bridge, Arcane Wide Range humbucker neck; Scale: 25.5

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  • Here’s a Gibson Historic R7 1957 Les Paul in a gold top VOS finish. The guitar has Custom Bucker pickups, Bumblebee caps, Kluson deluxe tuning keys and historic Lifton style case with all case candy, certificate of authenticity. Condition: VOS; Body: Mahogany; Color: Gold top VOS; Pickups: Custom Buckers; Scale: 24.75;

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  • Sale
    Gently used Fender Custom Shop 1970 reliced Strat. Big headstock, big tone … this new Custom Shop offering harkens back to the last of the best vintage Strats. And the charcoal frost metallic finish is something you just don’t see every day. Fender says: The 1970 Strat® marks the end of an era. It was the last year of the four-bolt neck joint, original factory synchronized tremolo with stamped saddles, and heel-adjust truss rod. Body contours changed dramatically in 1971, clad in much thicker polyurethane finishes. Indeed, 1970 was the last year the Strat held true to its purest original design elements. To honor this benchmark model, we’re introducing a faithful recreation with several custom modifications that players and aficionados will appreciate. The two-piece select alder body of the 1970 Stratocaster® Journeyman Relic® has a Journeyman Relic lacquer finish. Its two-piece rift-sawn maple neck has a 1969 “U” profile, walnut “skunk stripe” and a lacquer-face large ’70s-style headstock with a darker aged appearance. The rosewood fingerboard has a comfortable modern 9.5” radius and 21 narrow tall frets. A three-ply nitro pickguard holds three hand-wound ’69 Strat pickups (reverse-wound/reverse-polarity middle pickup) and a Vintage Modified #2 control assembly with Greasebucket™ tone circuit, which keeps mids and highs without adding bass when rolling back the tone control. Other features include vintage style “F” tuning machines, five-way switch and vintage-style Custom Shop synchronized tremolo. Includes deluxe hardshell case, strap and certificate of authenticity. Condition: Light relic; Body: Alder; Neck: riftsawn maple, 69 U profile, 9.5 radius; Nut: 1.650; Color: Aged charcoal frost metallic; Pickups: handwound 69 Custom Shop; Scale: 25.5; Orientation: Lefthanded (of course)

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